User reviews

In my opinion, when someone rates a series or a movie, they should understand what they are actually rating. A TV show is many things, such as production, set design, cinematography, direction, and acting. This series has all of these, and at a very good level. I assume that the show's subject matter is not to everyone's liking, so I wonder, if you don't like the subject matter from the start, why would you come here and rate it a 2 or 3? Overall, the series definitely doesn't deserve a 2; nowadays, not even amateur videos we shoot with our phones deserve a 2. Overall, it is a well-made production that gives us a behind-the-scenes look at the fashion industry. The show delivers on that.

I would have loved to see a fun, soapy, behind-the-scenes tale of what 'really' goes on in a French couture house, but this is not it.

Every character is ripped from the cliché attic: the house's art director is foppish and authoritarian, oblivious to what's happening in the world of style outside his microcosm. His sister, a former model, obsessively records her weight daily in a series of hundreds of notebooks dating back to her glory days. The head of La Maison's rival fashion house is comically villainous.

Then there is the 'new girl', who designs raggedy clothes that literally look like rubbish - but is suddenly appointed the fashion house's new art director because of her amazing talent.

Awful. An absolute slog to watch.

The french version of 'Succesion', yes to all the negative reviews and yes to all to good ones. No one will like everything from this series, some will like or dislike the writing, others will like or dislike the fashion aspect of it. Yes there are some weak points and sometimes cliches present themselves, but thats okay.

The case for me is that this series shows me a great cast with great acting, interesting visuals, thorough thoughtful production design. But above all i see all the hard work and enthusiasm of the people working on this production. My hope is that Apple will give 'La Maison' the room to breathe and to elevate itself to the level of 'Succesion', especially concerning the psychology between the main characters. Also I ask the viewers and reviewers to consider looking at the aspects that are motivating for you to watch and don't let your biases and preconceived notions about how the show should be, stand in the way of your viewer experience.

Great locations, wonderful architecture, feminine and LGBT support, but where is the fashion?

Beside the evilnees in Vincent, and the wicked Diane, the rest of the cast are out of the shape, no soul at all.

The character of Paloma is what France trying to tell the world like (the Olympics): we are mixing everything with everything, just swim the wave no strings attached, no rules, no history, no nothing.

Come on guys, if you want to stick feminine and LGBTQ in every hole, do it nicely, softly, and professionally. Can anyone make something like (The devil's wear prada) again?!

Or those days are gone.

Of the current shows streaming, this is the only one I am excited to watch every week. The premise probably isnt for everyone, much like couture fashion is not for everyone. Judging a show because it's too high brow without really giving it a chance is just hypocritical in itself.

The story is relevant, the acting is superb, the fashion is realistic, the power of the great French fashion houses is spot on. Halfway through the season right now, I'm hopeful it continues to get better and better. This is the type of show that shines a spotlight on an elusive industry that to this day is still very private and guarded. I'm not sure if this is meant to be a limited series or if more seasons are planned, but i for one, am all in!!

Some of these days, show-runners are going to understand that fashion is not a good subject, except maybe to be laughed at.

But not today.

For what I have seen (two first episodes), this is poorly written, poorly acted and shot like an episode of « Plus Belle La Vie ».

Characters are shallow and relationships between them improbable. I fail to see any form of humanity in these people, even their mediocrity is mediocre.

And don't even get me started on the pseudo « eco warriors » theme.

You can really skip this one with not an ounce of remorse (and watch Zoolander once more for it is, at least, funny).

This is worth watching because of the stunning architecture, interiors and some interesting artwork that flashes by. The fashion is okay if you like black, black and more black. The characters are nasty and there is a lot of homosexual passion with both sexes, which is overplayed. There is also a lot of generational tension. All this reminds me of the old soap operas like Dallas. Fortunately, fast forward gets past the annoying stuff. The conflict of values between the generations is the most interesting storyline. It's an important struggle, conversation and ultimately has to do with our collective human survival. It is life or death especially for younger people who are inheriting a sick planet. And yes the issues of racism, gender politics, classism, sexism etc are all present too.

This is the series I didn't know I needed, but of which I cannot get enough! Is it the dichotomy of the sublime locations set against the sub slime back stabbing? The handmade couture set against the digital cowardice? Was there an intention early on to highlight the unequal distribution of responsibility for actions between individuals who bully or complain on social media and those who engage directly in the real world?

And who doesn't want the option to hear the French language? The quality of the English audio track is just as top notch as the quality of the French audio track. I like having the English audio track selected along with English closed captions. The words do not match up but the sentiments are aligned. Having both approaches active to the dialogue seems to give a richer insight to what the characters are communicating.

I sincerely hope there are several more seasons of La Maison to come! I'd love to see more French content and more old world locations as well.

In the brilliant, and still greatest series ever, 'The Sopranos', Christopher says to Adriana, in response to her saying to him that they could leave the life and start over and he could be a male model: "As far as male modeling goes, I'd probably be a success, but I don't want to be around those fkn' people."

Now, Christopher was a junkie, woman beater, and a made Mafia guy, but no truer words were ever spoken regarding the fashion industry!

I made it up to the 'eco-warriors.' I am sick-to-death with these self-indulgent ankle-biters thinking they own the patent on self-righteousness!

I'll take the mob over these fashion effete poseurs!

Marie, the matriarch, is portrayed by the talented Emmanuelle Devos. She brings a sense of quiet resilience to the role, embodying the protective mother who is both nurturing and haunted by her past. The two children, Léon and Claire, played by younger actors, have performances that range from vulnerable to unsettling. Léon, in particular, is an interesting character-caught between youthful curiosity and a growing suspicion that something sinister lurks within the walls of the house. Claire, on the other hand, seems to have an almost preternatural understanding of the house's dark history, which sets her apart from the others.

While the performances are generally strong across the board, it's the subtle character development that elevates the show. Each member of the family is allowed to unfold at their own pace, and their motivations gradually become clearer as the series progresses. The show doesn't rush to reveal too much, keeping the audience invested in the mysteries and in the characters' evolving dynamics.

Atmosphere and Cinematography One of the most compelling aspects of La Maison is its atmospheric quality. The mansion itself is a character in its own right, with its grand yet decaying interiors, long hallways, and eerie rooms. The show's cinematography captures the house in all its moody glory, using lighting and camera angles to create a sense of claustrophobia and foreboding. The interplay between the family's psychological tension and the house's physical space creates a haunting visual landscape that immerses the viewer in the narrative.