IMDb RATING
5.5/10
8.1K
YOUR RATING
Left heartbroken by the woman he loved and lost many years ago, Manglehorn, an eccentric small-town locksmith, tries to start his life over again with the help of a new friend.Left heartbroken by the woman he loved and lost many years ago, Manglehorn, an eccentric small-town locksmith, tries to start his life over again with the help of a new friend.Left heartbroken by the woman he loved and lost many years ago, Manglehorn, an eccentric small-town locksmith, tries to start his life over again with the help of a new friend.
- Awards
- 1 nomination
Brian Mays
- Carl
- (as Brian D. Mays)
Herc Trevino
- Robbie
- (as Herculano Trevino)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the original script Manglehorn was a criminal who had gone straight. He met with his old partner who was hiding out in a senior citizen's home and his mysterious back story was explained. There was also a massacre at Dawn's bank and a massive earthquake that brought forth Clara. This was all edited out of the final film.
- GoofsWhen Manglehorn has a conversation with the little girl in a park, the girl holds a yellow toy and eats ice cream. The amount of ice cream changes too quickly between shots.
- Quotes
A.J. Manglehorn: You look great. Like a racehorse.
- ConnectionsReferenced in Evening Urgant: Anastasia Myskina/Dinara Safina (2015)
- SoundtracksI Don't See You Anymore
Written by David V. Debiak (BMI)
Performed by New London Fire
Featured review
I had the chance to see this at the Toronto International Film Festival in early September and came away disappointed.
The movie is founded on a great premise and I was eager to see where it went. Playing a brooding, lonely old man obsessed with a past relationship seems like a good fit for the veteran Pacino. A sole proprietor key cutter was the perfect choice of profession for such a character. Giving Pacino full screen time was a good choice, as I can't recall a scene that didn't feature Pacino.
However, inconsistency in the Manglehorn character seems to overwhelm a good acting performance. Manglehorn seems at times senile or rude, and at other times the clever, likable character with good advice. It doesn't help that a good explanation for his obsession with a past relationship is lacking.
There are some solid random scenes and conversations, including Manglehorn's discussion with a child or the entertaining Korine telling stories of little league. These worthwhile scenes are surrounded by just as many scenes that fall flat and make you lose interest. Too often scenes are present as filler or make you feel like a better climax is due. Manglehorn's interactions with his son, played well by Chris Messina, feel like they belong in a different story arc.
I believe that Green has the ability to make a great, subtle film if it all comes together. In Manglehorn, the script Pacino is given and the characters he is surrounded with take him no where in particular, which is fine if you are entertained or enlightened throughout the film's duration. That's not the case here. Though the foundation was there, the payoff isn't worth the attention paid.
The movie is founded on a great premise and I was eager to see where it went. Playing a brooding, lonely old man obsessed with a past relationship seems like a good fit for the veteran Pacino. A sole proprietor key cutter was the perfect choice of profession for such a character. Giving Pacino full screen time was a good choice, as I can't recall a scene that didn't feature Pacino.
However, inconsistency in the Manglehorn character seems to overwhelm a good acting performance. Manglehorn seems at times senile or rude, and at other times the clever, likable character with good advice. It doesn't help that a good explanation for his obsession with a past relationship is lacking.
There are some solid random scenes and conversations, including Manglehorn's discussion with a child or the entertaining Korine telling stories of little league. These worthwhile scenes are surrounded by just as many scenes that fall flat and make you lose interest. Too often scenes are present as filler or make you feel like a better climax is due. Manglehorn's interactions with his son, played well by Chris Messina, feel like they belong in a different story arc.
I believe that Green has the ability to make a great, subtle film if it all comes together. In Manglehorn, the script Pacino is given and the characters he is surrounded with take him no where in particular, which is fine if you are entertained or enlightened throughout the film's duration. That's not the case here. Though the foundation was there, the payoff isn't worth the attention paid.
- anthonycolange
- Sep 17, 2014
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Details
- Release date
- Country of origin
- Language
- Also known as
- Hayallerimdeki Kadın
- Filming locations
- Wooten neighborhood, Austin, Texas, USA(Tan Man salon)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $143,101
- Opening weekend US & Canada
- $11,227
- Jun 21, 2015
- Gross worldwide
- $459,636
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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