User reviews

20 minutes into "Gasoline Rainbow" and I was pretty bored. This movie is why I don't want to hang out with 18 year olds. The kids in this can barely form a coherent, intelligent thought. Their vocabulary is limited to variations of the "f" word. They all seemed interchangeable. I barely knew their names. If they had interests, hobbies, aspects of their personalities that set them apart from each other, you don't learn about them.

But, while I'm not sure I ever completely got over my restlessness while watching this movie, this movie does work a kind of modest spell. By the time it was over, I realized that I had gotten to know these kids and had started to feel a little protective of them, and my wife and I had quite a bit to ruminate about after the movie was over. It made me appreciate living in a place like Chicago, with access to so much, and where I can expose my kids to the world. A lot of Americans who've never known anything other than big cities and the suburban areas immediately around them have no concept of the vast spaces out there, and how deadening and hopeless it can feel to grow up in them.

"Gasoline Rainbow" feels like a bunch of young people without any resources to actually make a movie decided to just go ahead and make one anyway. For that reason, it feels often like you have to do a lot of the work yourself. That can be wonderful, and many times is actually what I prefer in my movies. But it can sometimes also come across as lazy and half-baked. It's like paying for a meal in a restaurant and having to make half of it yourself. It feels like the directors gathered some friends together and just started winging it, hoping something substantial would emerge. It sort of does, but not enough to be really satisfying. If you're not going to have a strong screenplay and give your actors structure and direction, then you need to make sure they're really good at improvisation. Stoned, drunk people are actually really boring to hang out with.

So while I overall am glad I saw this, I can see why others would be bored to sobs by it. I don't blame them, and I'm not sure I could unequivocally recommend it to anyone else.

Grade: B.

I went into this blind and in the end I rather enjoyed it.

The nature of the movie makes any viewer older than the main characters feel compelled to criticise it and all the while, it is difficult to ever genuinely feel entitled to do so. In a simple sense, the characters are drawn to be inarticulate and somewhat 2 dimensional, but then people at 17/18 tend to be like this.

In this sense the film feels more relatable, although the plot feels wholly unrealistic, even for however simple it all is. 5 kids who have just finished high school decide to go on a road trip to the pacific coast 500 miles away? Speak to and trust every stranger in sight? Don't stare at their phone constantly? Yeah I don't think so.

Themes of being alienated, feeling different, and having no community and not knowing what they want to do are all painfully ironic when they seem to relate so strongly to each other and to literally every person they meet and feel capable to venture out wherever they want. The characters almost represent the antithesis of what they feel afflicted by. To be sure, I am confident this was deliberate albeit on the nose.

Still, the film remains both thematically, and visually inspired, and optimistic. Most of the characters are not developed much, but I suppose this is the point. Lots of different imagery, and juxtapositions of music make the film feel different in a characteristically "independent" sorta way. For what it is worth, since I don't watch many movie like this I enjoyed that component.

I don't know in what way this is meant to reflect the zeitgeist or the current concerns and interests of young people when I swear this has been the story of the youth since time began. Similarly, I question who this movie is really made for given it is a streaming on Mubi- a service I estimate most young people don't have, the lack of character development and generally easy roles for each of the characters makes it less relatable still to an older audience.

Still I want to acknowledge that the attempt made to reflect the reckless and uncertain feelings of being a teenager are commendable. Shaky camera handling, very wide angles as well as very intimate angles all present an obscured moment which seems to leave as soon as it is noticed.

I would recommend this bearing in mind about 30-40% of the time it feels like a commercial for Abercrombie and Fitch.

A part of me also really thinks this could have achieved greater heights if it followed the same plot for about 30-40 minutes and then become a blockbuster horror slasher movie. That might of been neat.

I suppose you can watch a movie like this and feel nothing at all if you really want to.

That wasn't the case for me. Loved the thing, felt really connected to the group even though I more than double their age and I'm South American. Made me realize how similar the life experiences of people can be across time and space. How universal our feelings are.

And the closing track almost made me cry, so much beauty and feeling.

Sorry, not very great with the English language, but wanted to offer a counterpoint to the chorus of jaded reviews. I watched, I loved, left an impression on me. Hope you can be open to it as well.

The entire movies dialog between characters consists only of drunk teenagers talking. No real conversations, just blabbering. The few lines in between that want to seem philosophical or meaningful, are as empty as the movies storyline. Sounding like quotes, a 14 year old puts on their bathroom mirror, they almost annoyed me.

The only maybe good thing was the camera, it made the movie feel like it was filmed by college students, which gave it a raw creative feeling. Sadly the story felt like it was written by college students as well.

The only time in my life I walked out of a cinema, I wanted to endure it, but the before mentioned philosophical parts were too much to endure.

I created an IMDB account just to give this terrible movie a bad review.

Would not recommend.

Would rather sit around quietly in a room doing nothing than watching a second of this movie.

The movie captures the essence of being young exceptionally well. The uncertainty, the problems, the not knowing what the future holds. Sure, it might lack in some aspects, it doesn't have the life changing quotes or crafted dialogues. But it reminds you of being young. As someone who grew up on the other side of the world, did mischievous stuff with friends and felt confused growing up, i recognised the universal feel of real friendships and love between ordinary people seen in the film. Also, people who rate it as 1 are either too old to remember being young or never had real friends. Brilliant. And remember, life works in mysterious ways.

"...small-town Oregon who, with high school in the rearview, decide to embark on one last adventure: to make it to a place they've never been -the Pacific coast, 500 miles away."

I don't need everyone who writes about a place to literally be from that place, but maybe a glancing familiarity would be useful, no?

Just look at a map of Oregon. There isn't a town, and there isn't a route, that would make the ocean 500 miles away. It's a bizarre detail to center the entire story around, especially considering these kids could have been from any town further inland.

I don't need 100% accuracy to be invested in a story, but if you're trying to tell an authentic story about a certain part of the world, how can i trust your take on the subject when you don't even know the basic lay of the land?

This is cinema today, with few means but an urgent and necessary narrative verve, an unrepeatable moment to capture and make dance in the eyes of the spectator. This is a very naïve road movie that goes nowhere, but that's exactly the point. The directionless escape, that botched excitement that exudes sublime and releases the energy of adolescence, of the future without a destination, of the necessary escape. The Ross brothers are attached to their characters, which are an offshoot of themselves, almost, in a maniacal and adorable way, they apply their documentary experience and their authorial sensitivity to a sensitive and delicate subject such as adolescence, always and forever. Always. The truth is in the moment, the escape action is an instinct, the direction is optional, the important thing is the journey and the sensations it gives you, or will give you in the future and the Ross brothers know how to shape this chaos of videos and photos of cell phones, lo-fi digital footage and budding adolescence with thrilling artistry and poetry, letting you dive into the lives of these kids with a rare vitality. A precious and emotional film to reconcile with the present.

So this is unbelievable (and unentertaining) on several levels.

You want me to believe people who have lived on a coastal state for their entire teenage lives have never been to that coast?

Besdes the actual, literal geographic impossibility of anywhere in Oregon being 500 miles from the Pacific coast (seriously, that should be step #0 for writing this script, no?) - putting that aside for the moment, how would that even be some sort of "high school joyride?" 500 miles is a daytrip, not some 'hey let's do this one day...someday...when we graduate" lifelong wanderlust.

And I don't think this is endemic of the Gen-Z having lower wanderlust bars - likely just the producer/director/writers being out-of-touch. But any way you think about it, this movie misses the mark on several rounds.

Talk to me when they scrimp together their high school day job earnings to get to Bangkok or...literally anywhere more climactic and interesting.

While Hollywood often dominates the perception of American cinema, the vibrant and prolific world of American independent cinema exists as a testament to the nation's diverse storytelling landscape. Despite its undeniable contributions, European media outlets have often overlooked this rich tapestry of filmmaking, focusing their attention elsewhere. This film, "Gasoline Rainbow," distributed by Mubi and produced by The Match Factory (recently acquired by Mubi), exemplifies this tendency, as Mubi initially seemed to mirror the European disregard for American independent cinema. However, the tide has begun to turn, thanks in part to filmmakers like Sean Baker, who have garnered recognition and acclaim at European award ceremonies, forcing a reevaluation of this overlooked cinematic tradition.

"Gasoline Rainbow" offers a poignant road trip narrative that challenges the idyllic image of the "American Dream" often projected by the United States, a nation that proudly proclaims itself as the "Land of the Free." The film delves into the lives of individuals who find themselves far removed from the idealized version of American life, exposing the harsh realities and struggles faced by many within this supposedly utopian society.

The Ross Brothers, who both directed and served as cinematographers for the film, have masterfully crafted a visual language that complements and enhances the storytelling. Their keen eye for detail and evocative imagery create a captivating and immersive cinematic experience.

The choice of music in the film suggests that the original concept may have centered around Generation Y, but was later revised to focus on Generation Z. This subtle shift in focus adds another layer of depth to the narrative, exploring the unique challenges and experiences of a generation often misunderstood and unfairly criticized.

The negative reviews on platforms like Letterboxd and IMDb are indicative of the unwarranted animosity directed towards Generation Z. These critiques often devolve into ad hominem attacks and bullying, ironically coming from members of Generation Y, the generation closest in age to the film's subjects. This phenomenon inadvertently reinforces the film's central theme of generational alienation and the struggles faced by young people in finding their place in the world. In a sense, the vitriol directed towards the film serves as a validation of its narrative.

Available for streaming on Mubi in stunning 4K resolution with 5.1 surround sound, "Gasoline Rainbow" is a film that deserves your attention. It tells the story of a generation that will shape the future, a generation that you may have overlooked due to preconceived notions. Through its exceptional cinematic language, the film offers a compelling and insightful exploration of the lives and experiences of Generation Z.

Man, i really hate to leave a negative review for a cast of kids and an indie flick on a budget, so i'm sorry everybody, but this movie was like watching some random persons iphone's camera roll and just as uneventful as you could imagine that to be.

I have a hard time believing there was any kind of script or game plan to this "movie". No real thought provoking dialogue between cast members throughout their journey. No real meaningful conversations. Nothing interesting emotionally or visually ... just two hours of totally random 'happenings' and word vomit as these kids went from the east side of oregon to the west.

Along the way they encounter a bunch of other (trashy) people while someone sits back and records all these interactions. It's really that basic and about as boring as you would think.

There was absolutely no need to drag this out for two hours. An hour and fifteen minutes would've been more than enough for this movie/doc.

Also of note, it made oregon, one of the most beautiful places in America, seem super crappy and trashy, which it's just not.

Very disappointing to say the least.

If you have something else you were considering, i'm 99% sure that will be better than this.

I stole the right to live, as if there was no time.

I stole the eyese od god, as if those eyes were mine.

I took and did infuse, a light that was to shine.

Oh, Mercy. Lord, have pity.

I'm only traveling, I don't have no place to go.

I walked the streets of gold, and heard the silver toungue.

I passed out on satan's hill, and my bed on stone.

Forsaken hearts I wondered, I left them alone.

(Mouth trumpet)

A long ways goin' out, and have no destiny.

A long ways to believe, dreams that come to be.

I swear they're true a-bloomin', here before me.

Oh, Mercy. Lord, have pity.

I'm only traveling, I don't have no place to go.

A trip that was an escape... but they all finished back where they started with a little bit of experience they will use as an excuse all their lives. Started well, then just became flat an uneventful!