Directed by
Mark Jean |
Writing Credits (in alphabetical order)
John Wilder | ... | (screenplay) |
Cast (in credits order)
Produced by
Mitchell Galin | ... | producer |
Bruce D. Johnson | ... | executive producer |
Fernando Szew | ... | executive producer |
John Wilder | ... | executive producer |
Music by
Lawrence Shragge |
Cinematography by
Thomas M. Harting | ... | (as Tom Harting) |
Editing by
Marshall Harvey |
Casting By
Dean E. Fronk | ||
Donald Paul Pemrick |
Production Design by
Jennifer Wynn O'Kelly |
Set Decoration by
Ryan Small |
Costume Design by
Tiffany Verch |
Makeup Department
Katelyn Barton | ... | assistant makeup artist |
Cheri Buttrey-Jenkins | ... | makeup department head |
Lori Zachary | ... | key hair stylist |
Production Management
Bruce Clark | ... | production manager |
Second Unit Director or Assistant Director
Clint Buckner | ... | second assistant director |
Jeremy Moffett | ... | second second assistant director |
Art Department
Michael Allred | ... | set painter |
Mike Allred | ... | set painter |
Terry Collins | ... | art department lead man |
Steven 'Trainset' Curtis | ... | on-set dresser (as Steven Curtis) |
Derek B. Davis | ... | set dresser |
Kim Glaesner | ... | set dresser |
Garrett Herzfeld | ... | graphic designer |
J.D. Jacoby | ... | assistant property master |
Rachel Kelly | ... | set dresser |
Scott Matthews | ... | leadman |
Deanna Tilley | ... | property master |
Kara Williamson | ... | set dresser |
Sound Department
Anthony Short | ... | re-recording mixer / supervising sound editor |
Visual Effects by
Jamie Byers | ... | visual effects supervisor |
Brian McCann | ... | visual effects artist |
Brian McCann | ... | visual effects artist: Digital Hyper |
Tim Vogel | ... | visual effects artist |
Camera and Electrical Department
Jeremy Ball | ... | digital image technician |
Brent Christy | ... | electrician |
John Errington | ... | additional electrician |
Amanda Michelle Garrett | ... | second assistant camera (as Amanda Daly) |
Tyler Garrett | ... | dolly grip |
Joanne Hock | ... | camera operator |
Jessica Hoffman | ... | best boy grip |
Kristopher Kimlin | ... | gaffer |
Floyd A.B. Rance III | ... | b camera: first assistant camera |
Adam Schaeffer | ... | grip |
Doug Schwartz | ... | "a" camera operator |
Kent Smith | ... | still photographer: press conference |
Jonathan Terpstra | ... | best boy electric |
Josiah Terpstra | ... | electrician |
Laura Thompson | ... | first assistant camera: additional |
Deanna Tilley | ... | still photographer |
Costume and Wardrobe Department
Jason Blackman | ... | set costumer |
Willa Folmar | ... | set costumer |
Candace Kualii | ... | costume supervisor |
Editorial Department
Jeremy Ball | ... | post production supervisor |
Clark Bierbaum | ... | colorist |
Alex Buchhorn | ... | assistant editor |
Location Management
Randy Byers | ... | location manager |
F. Curtis Gaston | ... | location p.a./goat wrangler |
Shannon Lechner | ... | assistant location manager |
Thorin Thompson | ... | location assistant |
Lauren Weingarten | ... | assistant location manager |
Music Department
Mathew Peluso | ... | copyist / music editor |
Michael Stern | ... | music recording engineer |
Jeff Wolpert | ... | score mixer / score recording engineer |
Additional Crew
Jenaleigh Coote | ... | production assistant |
Kurt Holliday | ... | production assistant |
John Loux | ... | production assistant |
Shawn O'Boyle | ... | production assistant |
Marcus Paysour | ... | production assistant |
William Lide Powell | ... | set production assistant |
Lance Resch-Anger | ... | production assistant |
Gene Michael Smith | ... | key set production assistant |
Jeramiah Snyder | ... | production assistant |
Aaron Lee Syrett | ... | film commissioner |
Tim Vogel | ... | titles artist |