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Michael Gracey’s Robbie Williams biopic musical Better Man will open the 36th annual Palm Springs Film Festival on Thursday, January 2, while The Penguin Lessons, directed by Peter Cattaneo and starring Steve Coogan in the heartwarming story of a teacher who rescues and adopts an adorable penguin, closes it out January 13. Both films had premieres at the Toronto Film Festival earlier this year, and Better Man first had its world premiere at Telluride.

As always a hallmark of Psiff are screenings of numerous entries into the Oscar International Feature Film race, this year with 35 scheduled to screen in the desert.

The festival has programmed 158 films from 71 countries including 68 premieres. The lineup also includes sections like Talking Pictures, a focus on Spanish films with a spotlight on Pedro Almodóvar, New Voices New Visions, Modern Masters, Queer Cinema, Cine Latino, True Stories,...

The Palm Springs International Film Festival is set to kick off on Jan. 2 with “Better Man,” directed by Michael Gracey, while the closing film on Jan. 12 will be “The Penguin Lessons,” directed by Peter Cattaneo.

The lineup will feature 35 of the international feature film Oscar submissions. Over 11 days, the festival will screen 158 films from 71 countries, including 68 premieres.

Also set are a focus on Spanish films including a spotlight on Pedro Almodóvar, and the return of sections such as New Voices New Visions, Modern Masters, Queer Cinema, Cine Latino, True Stories and World Cinema Now.

“Better Man” is based on the true story of the rise, fall and return of British musician Robbie Williams. Cattaneo will be in attendance for “The Penguin Lessons,” a dramedy about a schoolteacher in militaristic Argentina who rescues a penguin.

Several of the honorees from the Palm Springs International Film Awards are set to participate in the Talking Pictures screenings,...

On Oct. 1, as Iran was firing a fusillade of missiles on his country, Israeli director Eran Riklis was in Tel Aviv “trying to cling on to the fact” that he would hopefully soon be premiering his new film “Reading Lolita in Tehran” — which he calls “an iconic Iranian story, featuring iconic Iranian actresses” — at the Rome Film Festival.

On Oct. 27, one day after Israel launched retaliatory missile strikes on Iran, Rikils beamed on stage as he accepted the Rome event’s audience award and special jury prize alongside most of the film’s ensemble female cast that includes Golshifteh Farahani, Zar Amir Ebrahimi, Mina Kavani, Lara Wolf, Isabella Nefar and Raha Rahbari.

At a time when tensions between Israel and Iran are soaring, “Reading Lolita in Tehran” – an adaptation of Azar Nafisi’s bestselling autobiographical novel about a fearless literature teacher in post-revolution Tehran – stands as a powerful symbol of...

Across “Lemon Tree,” “The Syrian Bride” and “Shelter,” Israeli filmmaker Eran Riklis has built a sturdy body of work, telling defiant stories of Middle Eastern women from different walks of life. With “Reading Lolita in Tehran” — a moving adaptation of Iranian-American author and professor Azar Nafisi’s memoir — he adds an understated, yet generally absorbing and similarly minded entry to his oeuvre, warmly transposing Nafisi’s experience in the post-revolution Iran onto the screen with sensitivity.

Unfolding in episodic segments and significant jumps in time that sometimes feel too abrupt, the screenplay by Marjorie David follows Nafisi (an expressive Golshifteh Farahani) across a 24-year period, after the young academic holding a fresh American degree settles in Tehran with her husband Bijan (Arash Marandi) in 1979, on the heels of the country’s Islamic Revolution. A title card at the start contextualizes the couple’s return to their homeland. Historically, it was...

It is a big moment fornewly launched Italian distribution, production, and sales company PiperFilm, which releases its debut film today (October 24) – Paolo Sorrentino’sParthenope, one of the most high-profile Italian movies of the year.

Set up earlier this year by former Vision Distribution executives, PiperFilm’s management team is led Massimiliano Orfei as CEO, alongside COO Luisa Borella, head of distribution Davide Novelli, head of international sales Catia Rossi and Emanuela Semeraro as marketing director.

PiperFilm acquired Parthenope in April, just before its world premiere in Competition at Cannes, and has been prepping its release strategy since then. “What better...

India’s Film Bazaar market has revealed the 21 feature projects selected for this year’s Co-Production Market.

The invited titles span seven countries including India, UK, Australia and Germany. The projects will be pitched to producers, distributors, festival programmers, financiers and sales agents at Goa’s Marriott Resort from November 20-24.

Titles include The Song Of Flowers from UK-based producer Neeraj Churi whose previous projects include SXSW 2024 audience award winner A Place Of Our Own. The film is directed by Shubham Negi and Sourav Yadav.

Also selected is Payal Sethi’s India-Germany co-production The Disappearing Flower, produced by Thanikachalam Sa...

Modern Films has acquired UK-Ireland distribution rights on Memoir Of A Snail, which won the Best Film award in Official Competition at the BFI London Film Festival today.

Modern is scheduling a theatrical release for February 2025, with an awards campaign. Anton and Charades handle international sales on the film.

Australian director Elliot’s second feature-length animation is a story of a melancholic woman – voiced by Sarah Snook – who is a hoarder of snails, romance novels and guinea pigs.

Australian stars Eric Bana, Kodi Smit-McPhee, Jacki Weaver and Nick Cave are also among the voice cast, as is Elliot.

The film...

The Tallinn Black Nights Film Festival (known as PÖFF) has unveiled the full lineup of its flagship Official Selection, whose 18 features from 23 countries will compete for the coveted €20,000 Grand Prix.

They include 11 world premieres. The jury is helmed by acclaimed German director Christoph Hochhäusler.

Tiina Lokk, the founder and director of the festival, said “the Official Selection Competition has it all! There’s a psycho-thriller that approaches horror, a psychological family drama, and sci-fi genre is represented. The selection is broad, and so is the range of countries. We’re not trying to highlight a certain theme or a particular region, we are free in our choices,” she noted.

Emphasizing the various topics covered, Lokk cites old age, the end of life and euthanasia “perhaps due to the influence of Covid,” domestic violence and war, “not tackled in the traditional form” but rather via psychological dramas.

“Last year there were...

Paola Malanga is the artistic director of the Rome Film Festival which kicks off tomorrow (October 16) with the world premiere of Andrea Segre’s political drama The Great Ambition.

It is Malanga’s third edition at the helm of the festival, having joined in 2022 from Rai Cinema where she was deputy director of its product division spanning production and acquisition. She has also been a journalist, film critic and author throughout her career.

Among the world premieres in Rome’s main Progressive Cinema competition are dark comedy The Trainer by American History X director Tony Kaye and Eran Ricklis’ Reading Lolita In Tehran.

A long-anticipated adaptation of the 2003 bestselling novel “Reading Lolita in Tehran” by Azar Nafisi is hitting the Marché du Film at Cannes this month.

Directed by award-winning director Eran Riklis (“Lemon Tree”) and written by Marjorie David, the film stars an ensemble cast led by Golshifteh Farahani (“Pirates of the Caribbean”), Zar Amir-Ebrahimi (“Holy Spider”) and Mina Kavani (“Red Rose”).

Set in post-revolution Iran as extremism took hold, Nafisi’s book tells the autobiographical story of a fearless teacher who secretly gathered seven of her female students to read forbidden Western classics.

According to a synopsis: “As the Islamic Republic took power, morality squads staged arbitrary raids in Tehran and as fundamentalists seized hold of the universities, the women in Nafisi’s living room, whose rights had been systematically removed, risked everything to find a safe space to remove their veils and speak their minds. Despite the grave danger they are in,...