User reviews

Brace yourself for an unexpectedly gripping, gritty, humorous, and tear-jerking Malaysian film with a Taiwanese twist. Prepare for a rollercoaster of heartbreaking twists and spectacular acting!

Don't underestimate this film! I was a newbie to Malaysian cinema and didn't know what to expect. But as they say, 'don't judge a book by its cover' (or in this case, 'a movie by its poster'). This film matched the quality and storytelling of Taiwanese cinema, so don't make the same mistake I did!

The story revolves around two brothers on a mission to secure their Malaysian ICs, crucial for employment and escaping a life of misery. However, their plan takes a 180-degree turn when a crime takes place.

This dilemma highlights a broader issue in Malaysia's management of their Identity Cards (ICs). The issue of illegal immigrants counterfeiting these ICs to secure employment is woven into the narrative, offering an insightful look into a significant societal challenge.

Amidst the central theme, the film weaves in subplots of romance and brotherhood, enriching its emotional tapestry.

The acting will leave you in tears... There are many parts of the film where my heart sank and tears welled up in my eyes.

There were many moments in the film where I silently exclaimed, 'WHAT THE HECK' and 'OH NO.' The movie provides subtle clues bit by bit, allowing you to piece together the plot yourself before it reveals the pivotal points that will make you go, 'OHH!' Whether some of the plot twists are justified remains questionable...

Wu Kang-ren, a Taiwanese actor portraying the deaf-mute brother, absolutely nailed the role of Abang. Although his character had no spoken lines, you could feel his pent-up frustration, misery, and sadness in the way he communicated through sign language.

For example, a line in the movie, 'Do you know how hard my life is?' wouldn't, in my opinion, have been as impactful if exclaimed rather than signed. Wu Kang-ren's performance was really superb.

If you appreciate stories that are driven by intricate plots and rich character development, this is a must-watch. A word of caution for the squeamish: while not overtly gory, the film does contain scenes with a fair amount of blood.

The story is about the emotional journey between the two "stateless brothers" - Abang (a deaf-mute man) and adik (a teenager) - and their lives. Through their lives, it reveals a lot of local social justice issues, e.g. Public servants' attitudes, illegal foreign workers hiding from immigration operations, taking on odd jobs for a living... and so on.

The pace is rather slow at times, which appears to be a common style among most new Malaysian directors, who love to bring out the typical Malaysian street scenes, building conditions, and local values, which can be overly deliberate and extra to some extent.

The character development between the two brothers is good. They are very well developed and engaging! However, it's weak on the supporting characters, e.g. The Myanmar girl, her scene is very touch-n-go and left unaddressed! Of all the supporting characters, I love "MONEY SISTER"! Although 'she' plays a small role in the movie, "she" is outstanding, and she seems to have a lot of untold stories that are worth exploring (perhaps in another solo movie??!!)

I love the communication scene in the prison, which carries so much emotional weight and struggle. Abang lives well in life day-by-day, but from the scene, audiences could realise that deep inside his heart, he has a lot of voices of unfairness, despair, anger... that wish to be heard and understood! No doubt, Wu Kang Ren's acting is superb! You feel him all the way, from his eye-contact, tears, emotion, and body language... He deserved the BEST ACTOR AWARD!!!

There are a few pitfalls in the movie, e.g. Some scenes are rather shaky, and the storyline is very much one-dimensional. Besides, the last scene of Abang meeting Adik in the prison is NOT well managed. It can be more touching and much better than that, yet the angles and build-up motions do not achieve the optimum outcomes.

For a local production, I gave 3.25 out of 5.0. It's a nice cameo, but NOT up to an excellent movie, without pitfalls or weaknesses. The storyline is rather simple and thin. What makes it good is the emotional depth of the silent communications of Abang that carry us away! If it is without it, it can be a very pale and plain movie. (Gosh~~ I burst into tears badly in the cinema!!)

The story depicts the lives of the lowest strata of society in the city of Pudu KL. It seems the editors and directors went to extremes in portraying the most tragic stories to create a sense of being oppressed by life-a deaf-mute, an undocumented person, someone deprived of love, socially ostracized, and misunderstood. Despite all this, living in such an environment, the protagonist continues to offer unconditional love to those around him, caring for everyone. However, I'd like to say this story didn't convey the proper moral values. I must commend the male lead actor who played the deaf-mute. His portrayal, the numbness to express love, and inner struggles in his acting were impeccable, he did excellently well. The second person I loved was the actor portraying the one who raised the two brothers. His performance was incredibly natural. Kudos to these two actors. As for the second male lead, his overacting was a bit too much, suddenly sentimental, the next scene he was abruptly irritable. Sometimes silent and chill, while other times playfully happy and easy-going. I couldn't have a full grasp the character that he was to portray, not sure if this was intended act required by the director, or an underperformance by the actor. All in all, acting for the male lead, a solid 10/10. Overall acting, 8/10. Storyline, it's weak, there were loopholes here and there, so I'd give it a 5/10. This movie deserves a modest 8/10. I wasn't moved, just left sighing, thinking it could have been better.

Given the tsunami of film entertainment out there, new and old combined, to find such a rare and exquisite gem of mastery is extraordinary and delightful. Akin to how I imagine Sir Richard Attenborough might have felt when he discovered a new and beautiful life form. This film tops my chart and I saw it twice in a week just to sustain that satisfying glow. It is masterful not because it has a high concept, which requires an out of the box view on things and that is hard to do, but it is even harder in my book to explore something that is utterly common and do it exceptionally well. In this case the word to describe this film is a mild and gentile one from the English language. That word is: "belong", and "belong" is the theme of the film. The idea of belonging, however benign it is as a word, actually underscores the foundation of our humanity, gives meaning to our existence and rewards us with happiness. The film is set in Malaysia, a multicultural world in which if you have not been properly assigned, accepted and therefore belonged, you become an underclass and an outcast, and this is the story of two brothers who in their utmost try to belong, to be included within the mainstream as a necessity for survival. But beyond that, there is an even closer and more intimate circle of belonging and that is one of kinship. Brother to brother and father to son. This is where the story hits the hardest and explores the deepest. But an idea alone does not make a great film. It is the execution of that by way of the medium and this is where the mastery of the artistry lies. This one has it all. The three names to remember from this film are Lay Jin Ong the director, Kang Ren Wu who played the elder brother Abang and Jack Tan who played the younger brother Adik. That said, the entire cast is also magnificent. Last but not least, special honor should also be given to the actor who played "Auntie Money" but whose name escaped me. Given how well-crafted this is, how deeply it touches, I predict this will be an Oscar contender and I certainly hope I am right in my prediction.

Kang Ren Wu's portrayal of deaf & dumb Ah Bang is superb, and as the one & only non-Malaysian among the whole cast & production team, I must say his localization of blending in is undeniably jaw dropping, His performance is always beyond expectation.

The brotherhood in between the elder brother - Ah Bang and his younger brother - Ah Di is really touching. The chemistry in between these two sctors are there. Although I might not really agree with the performance/acting skills of Jack Tan.

To be concluded, the overall plot is culturally fit to Pudu, an old township of Kuala Lumpur, Malaysia. Kudos to the director & screenwriter as well.

This movie is a masterpiece that will cause emotions that will stay with you. Certain scenes in this movie make your jaw drop. It is so deep that it makes you reflect on yourself, on life, the world around you, on the differences and similarities between us humans, on what it means to be human, what it means to be grateful. This is a very deep and raw movie showing us the beauty in humankind, the ugliness, and the despair. It depicts how unforgiving, complex and terrifying life is no matter what good or bad of a person you are! Depending on "what life" has been "given" to you, as Abang mentions, you cannot judge anyone, or can't even blame yourself regarding life.. This movie make you think if we will ever know answers to some of the "whys" in this life... and make you think about what it means to be human.

During this movie, I found myself feeling deep sadness and love for humanity. But definitely a deep level of sadness and helplessness for us humans.

The cast is just chef's kiss! I especially enjoyed the brothers' relationship and the character portrayals were magnificent. KUDOS TO THE ACTORS, DIRECTOR, WRITER, CAMERA CREW etc.! The characters and message is so simple yet so deep and the story's pain and impact will always stay with me. Thank you for this masterpiece. I am hoping for an Oscar.

This film managed to collect RM5.2 million within 24 days of screening in Malaysia and made history as the first Malaysian film to break the screening record in Taiwan by collecting more than RM13.5 million.

A local Malaysian film that, for me, almost reached the level of a local masterpiece.

The movie started off really well that it gave me high expectations throughout, coupled with the quality cinematography and soundtracks.

The story is actually very simple. The 'Abang' and 'Adik' wishes to live like ordinary citizens in Malaysia but the lack of citizenship status and Identity Card (IC) prevents that, showcasing how hard it is to live like them.

One thing that I disliked and which I think can be improved is the second act of the movie where the accident happened. The writing is not strong and convincing enough, Abang seems to be acting out of character, the story feels rushed and there were scenes that are too 'draggy'.

Despite that, the film managed to build a good emotional connection with the main characters from the beginning of the story and the strong performance by Wu Kang Ren and Jack Tan easily made it happen. So when I got to the end of the movie, I really teared up and cried, trying to understand Abang's feelings.

I like movies that touch on the aspects of society like this. Although it is not perfect, it gives a small picture of life in Malaysia that some people may not know. We need more local Malaysian films like this. No need for fancy effects, just solid writing.

At first I wanted to edit the story line but then again better not ... since its full of spoilers here and there.

So yeah just write it here instead the movies starts and it looks like a gangster movie through and through... I stay on and watched longer and that is wen the movie really took me for journey ...

A few issues arise here ... yes the main issue was the Identitiy Card issue . It also exists among the locals or more like the unfortunate. So yeah it is a very true event in this year and era. Especially if you are just a street kids and no one is there to take care of you so getting an ID card is just a luxury that not many can afford.

Ok back to the movie the twist are so unexpected from one event to another and that shows it is not your ordinary matinee movie . With a nice back drops in the city of Kuala Lumpur well the harsh city life of it if you will ....

It is a gripping and one of those movie that makes you wonders what will be the end of it .... is ther any a turn of fate that could turn the table ... Enjoy the journey and the story telling part of this movie since it can really make you feel each event that took place.

It is indeed a rare movie ... Two Thumbs UP .

Director and writer Jin Ong does a spectacular job at weaving a Malaysian tapestry of untold stories of undocumented citizens.

The cinematography and lighting of every scene was immaculate, perfectly capturing the essence of every moment.

I notice other reviews commenting about the poor pacing of the movie but I beg to differ. Firstly, I felt it was needed to leave questions in the audience's minds, and the pacing reflected the pace of Malaysian life in Pudu well. I personally appreciated those "slow" scenes because it's the little things and nuances that made the film so Malaysian and kept Malaysians like myself and my family enthralled and immersed into those scenes.

To the team, thank you for putting Malaysia on the map globally. For all the good and right reasons. To Jin Ong if you ever read this, thank you. For your vision, hope, and relentless pursuit in making this movie come to life. We Malaysians appreciate you from the bottom of our hearts.

I am from Greece. I randomly found this film on netflix this week. I am an avid movie film addict, and I must say, this movie is EASILY 100% the best film I have watched this year. I have watched many films from other countries in Europe, and quite a few Asian ( especially Korean), however i can not ever recall watching a malayasian movie before. This movie, however, OMFG, i will NEVER EVER forget!!!! The two actors who played the brothers, and the actor who represented the character 'Money".... you three made this film sooooo eloquent. An absolute brilliant masterpiece of a film, that consists of issues relevant to any parts of the world. Half way through the film, I forgot that I was reading subtitles. Thats how universal this film was, its motive, its message. Just pure genius. This movie will remain in my heart forever.

Please keep in mind of those archaic terms that are ->very offensive<- to the deaf people today:

"deaf-mute" "deaf and mute" "deaf and dumb"

We can communicate through sign language, typing or writing, and-for some-speaking and hearing. That doesn't mean we are "mute".

We are not even "dumb" since we are very capable of leading our lives on our own as long as the hearing people respect us and don't treat us like we are "dumb". Being deaf doesn't mean taking pity on us for our "hearing loss".

We are simply "deaf", "deaf person", "deaf people". Period! No exception!

By the way, I wish the film production would seek out the deaf actors for the portrayal of the deaf characters. There are so many talented deaf people out there who are excellent in acting.

Thank you for reading the whole thing!

I didn't get a chance to catch this movie when it was in cinemas last year, but thanks to Netflix, I now understand why it was so hyped. I won't delve into the plot, but it's a very gritty and uncompromising look at the issue of stateless residents in Malaysia. For those living outside of Asia, and especially outside of Malaysia, it might be hard to grasp the crucial role that official identity documents play in citizens' daily lives. Without an ID, you can't attend school, get a job, open a bank account, get a phone line, or do much of anything.

In addition to the brilliant performances by the cast, Pudu (the part of Kuala Lumpur unflatteringly depicted in the movie) should also be considered a main character. Its markets, back alleys, and low-cost flats have never looked so good on film. Only in this part of KL could a story involving a melting pot of people from different ethnicities, languages (I counted 5 to 6 different languages or dialects used in the movie), and genders be so convincingly set.

All in all, a very good Malaysian movie that succeeds in bringing attention to a myriad of social issues that are plaguing the invisible segments of our modern society.

The movie's actors & actresses acting well. Unfortunately the pace & the focus of every movie scene are too long. Too much suspense & guessing on story line. The story line can be improved with positive ending on forgiving instead of depicting the guilt & suffering of family relationship. On the plus side, the movie does highlight the issues of many foreigners here in Malaysia without proper entry pass resulting many being take advantage of. The movie did indirectly suggesting to government authority why allows many enter to Malaysia, then conduct raiding later. Anyway, look forward for next improvement movie👍

This is one of the film that take the personal identity as the serious issue, and is a rare and brave film from Malaysia that is not because of the topic, but finally a film that dare to condemn their own country by the local director of that country.

Those international audience might not get it from the start, just need to bear in mind that Malaysia is a conservative young country, and is a true multiracial country that is very sensitive to these topic.

You might think this film is ridiculous or unrealistic as you might not able to relate, but this is very relatable to me as a Malaysian where the country fail to protect these minority of people that loose their identification simply because of accident, and to get the identification simply is a very difficult process.

Blame the country and the government for the subject matter, just like in the movie, they fail to protect these minority and fail to identify these Malaysia born children/people as their citizen. The country is abandoning these people and think they are smuggler from other country, which are worse than a real smuggler from other country.

Also for the subject matter, this movie might get banned from Malaysia as it criticize the government for their act to treat these minority that living in fear, doesn't get the benefit of living as their citizen.

Acting wise, I have seen the previous work of the two main lead actors, they are hit and miss. But they are brilliant in this movie, what can I say, finally their acting is believable and convincing in this movie, this might due to the direction where the director finally went all out to address this issue, despite it is a fictional story, the movie depict real event happen until this day.

The whole movie is beautifully shot, something that is rare from Malaysia that has that realism and gritty feel that doesn't need shaky camera or some live action camera choreography, it just need gritty realistic atmosphere and realistic acting to make you feel the scene. You might think the movie setting is from some era ago, but no, this is really what happened in modern day Malaysia.

I cannot get over the plot twist at the end, it is a clear pun to current society at Malaysia where we really doesn't care much for these minority, and the minority really feel helpless for their live.

This is a serious drama that almost doesn't hide anything from the screen, and the love shown in this movie transcend global message where true love doesn't matter who you are, and is immeasurable.

I am a very patriotic person and this is shocking me.

This movie was a propaganda to show how merciless Malaysian government is, while the Malaysian government is actually loved these mfs while they portray it like we are the villains and they're the victims.

Whilst this whole time the Malaysian government even made a program for migrants "make Malaysia your second home" which means this wasn't true at all like how they portray us.

I know it's sad and emotional but honestly the message behind it was absolutely upside down than it supposed to be.

For me the ones who cried and felt this movie was a "masterpiece" is technically those ones who were born as outside marriage child, and they can't get a proper speciality as national citizenship. And yes this is a fact, most of outside marriage children don't get proper documents, and those who felt like they're like the characters, they might be one of those people.

Overall this was meant to be an ideology for Chinese tourists, to hate towards the Malaysian government, which sooner or later, the malaysia will fall just because of this "masterpiece".