A working-class African-American father tries to raise his family in the 1950s, while coming to terms with the events of his life.A working-class African-American father tries to raise his family in the 1950s, while coming to terms with the events of his life.A working-class African-American father tries to raise his family in the 1950s, while coming to terms with the events of his life.
- Won 1 Oscar
- 60 wins & 122 nominations total
- Evangelist Preacher
- (as Leslie Boone)
- Troy's Father
- (uncredited)
- Cory
- (uncredited)
- Courthouse Worker
- (uncredited)
- Angelo the Italian Server
- (uncredited)
- Watermelon Salesman
- (uncredited)
- Student
- (uncredited)
- Towns person
- (uncredited)
Storyline
Did you know
- Trivia"Fences" opened on Broadway in 1987, winning the Tony Awards for Best Play, Best Actor (James Earl Jones), and Best Featured Actress (Mary Alice). A revival of "Fences" opened in 2010, winning the Tony Awards for Best Revival of a Play, Best Actor Denzel Washington, and Best Actress (Viola Davis). All five adult actors reprise their roles in this film adaptation, with Washington also directing.
- GoofsA store sign had a phone number shown as 412-nnn-nnnn. In 1956 phone numbers would not have been all-numeric (instead, they would have been something like EXbrook 7-1234), nor would they have had area codes as Direct Distance Dialing was not yet commonly used and most local calls would have been dialed with only the 7-character phone number - hence no need to show an area code.
- Quotes
Cory: Hey pa!
Troy: Hmm?
Cory: Can I ask you a question?
[pause]
Cory: How come you ain't never liked me?
Troy: Like you? What law is there sayin' I got to like you?
Cory: None.
Troy: All right then. Don't you eat every day? Answer me when I talk to you! Don't you eat every day?
Cory: Yeah...
Troy: As long as you're in my house you put a "Sir" on the end of it when you talk to me.
Cory: Yes, Sir.
Troy: You eat every day?
Cory: Yes, Sir.
Troy: You got a roof over you head?
Cory: Yes, Sir.
Troy: Got clothes on your back?
Cory: Yes, Sir.
Troy: Why you think that is?
Cory: 'Cause of you?
Troy: [chuckles] Hell, I know it's 'cause of me. But why do you think that is?
Cory: 'Cause you like me?
Troy: Like you? I go outta here every morning, I bust my butt 'cause I like you? You're about the biggest fool I ever saw. A man is supposed to take care of his family. You live in my house, feed your belly with my food, put your behind on my bed because you're my son. It's my duty to take care of you, I owe a responsibility to you, I ain't got to like you! Now, I gave everything I got to give you! I gave you your life! Me and your Mama worked out between us and liking your black ass wasn't part of the bargain! Now don't you go through life worrying about whether somebody like you or not! You best be makin' sure that they're doin' right by you! You understand what I'm sayin'?
- ConnectionsFeatured in WatchMojo: Top 10 Movies of 2016 Already Getting Oscar Buzz (2016)
We're not venturing into mere trivia either, as that revival starred Denzel Washington and Viola Davis (both taking Tonys for their acting). Not only do both reprise their roles in this film, but Denzel Washington directs. This probably explains why Washington puts in such a theater-like performance. For him, it must have felt like stepping into old shoes with very little desire for change. As I alluded, those accustomed with the stage will recognize and probably even like the kind of performance that at all times demands audience attention, as on stage, you have to do exactly that. In movie form, some might confuse it for scene-chewing, but either way, it gives his character a larger than life affability. As is said in the movie, his ability to fill a house could apply as much to his small house in universe as it could to a theater house. It goes a long way to explaining why in the end, these characters have such a strange respect for a man who is such a heinous character.
If it seems like I'm only praising Washington's performance as relatively good, that might be because he shares the screen with Viola Davis. Davis's performance is not only more suited for film, a medium she has taken by storm lately, but it's also transcendentally fantastic in its own right. In one pivotal scene, Davis's character pours her heart as the actress pours tears and snot down her face. It's not many movies that I can leave and think, boy, we really should have more snot in our films. When it comes to movies, I like to think of myself as an everyman. I approach the Oscars with a sort of double-speak. There's the film that should win (Moana), and there's the film that should win and has a chance (Hell or High Water). In a rare moment of finding these opinions in concert, I could only describe the possibility of Viola Davis not taking home the Best Actress Award with one word: ridiculous.
Denzel Washington certainly doesn't need to feel upstaged. While August Wilson wrote the screenplay himself before passing away in 2005 (a little uncredited work was done on it by Tony Kushner, who settled for a co-producer credit), it's still no small feat to take something designed for the small stage putting it on a film screen. A while the film is still more than a bit obvious, I think Washington really did as much as he could to make it as a good a movie as it could be. There are few real scenes and constant talk, but there's just as much constant motion. Characters walk down a crowded street, transition through the house, come in and off screen organically. It gives a similar effect as if a long scene was done in take. But none of this would matter if it weren't for the impeccable set design. Taking place in the actual Hill District of Pittsburgh that was so important to Wilson's stories, the recreation of the 1950s feels almost too alive. The back alley where the eponymous fence is being built is very reminiscent of the set of Rear Window, perhaps smaller in scale, but feeling no less lived in.
Fences is a film built upon quite a pedigree, but what is it about? I believe that Fences is a story about masculinity. In the film, masculinity provides. It helps you ensure that get what you are owed. But masculinity also takes. Troy Maxson (Washington) is an old man obsessed with what he believes the world owes him. The world owed him glory in sports. The world owed him a better profession. A better standard of living. He even believes that the Grim Reaper owes him life. Even though there are legitimate arguments as to why he never obtains these things, we can still say that they are fair wishes. But as the movie progresses, we see that when he tries to take the things he's owed, he doesn't necessarily think about who he's taking from or what they are owed.
Due to its strict adaptation, Fences is extremely dense in its amount of talking compared to other films. The depth this gives to its characters and sheer literature value certainly goes a long way to cement Fences as one of the smartest films of the season. But I have to be a little self-aware and recognize that as a source of entertainment, Fences probably appealed to me mostly as a man who enjoys the stage. Others might not be as indulgent with it as I am.
- vonfiedler
- Jan 16, 2017
- Permalink
- How long is Fences?Powered by Alexa
Details
Box office
- Budget
- $24,000,000 (estimated)
- Gross US & Canada
- $57,682,904
- Opening weekend US & Canada
- $129,462
- Dec 18, 2016
- Gross worldwide
- $64,414,761
- Runtime2 hours 19 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1