One of the last films I saw with Jude Law was Captain Marvel. True, that came out five years previous, but the contrast in roles is incredible. Frankly, the most interesting thing is how well Law wears the washed out FBI agent with an American accent. Face it, washed out agents or ex-agents is a common trope. There were certain moments in the film that you could swear it was Matthew McConaughey in "True Detective". So it takes a veteran actor to prevent it from hitting common pitfalls.
The filmmakers did a great job in surrounding Law with a good ensemble cast that he can bounce off of. Jurnee Smollett as a fellow FBI agent, for instance, is able to come to blows with Law's ruff gruff character, and put him in his place. Then there is Nicholas Hoult, for me best known as the funny but dangerous Russian emperor in the wonderful streaming series "The Great". Here, he plays another dangerous leader who thinks he has a noble cause, but really is misguided in his thirst for blood.
Law's character sets out to investigate a white power group that is starting to become more violent. Victor Slezak effectively plays a priest that preaches a whites only religion, but is perhaps ignorant in the intent of his teachings. Law gets a chance to confront a good many interesting characters in his investigation, even Hoult himself (although not known to Law at the time).
The film is peppered with tense action scenes, shot in a retro style to match with the early 1980s period. The cinematography features the use of long lenses and mostly old fashioned style of camera moves. For instance, a master shot of a car approaching a house pans with the car, but not in a fluid way. Shots like that stood out here and there to mimic a more low budget (read more documentary-style) production. Tracking and aerial shots appear occasionally, but are only for proper emphasis in the story. Restraint is always a good sign of a well seasoned production, and here there is little to be critical about.
So here are the elements that reduce my rating to 6 out of 10. Some of Law's behaviour during action scenes is too macho for it's own good. This pulls us out somewhat of a genuinely compelling story, based on true events. Another drawback stems from near caricature aspects of Law's troubled life. This includes a copy of a scene from the masterpiece "The Deer Hunter". Here the bad guy happens to be at the right place at the right time as Law intends to shoot a large elk. The film wants this to be a seminal moment for the character. I didn't really feel the impact the film wanted me to. So no, not really Oscar worthy.