Good Night

Good Night has a solidly funny first half that establishes its core theme and conflicts, but the way it tries to solve them in the (somewhat stretched) second feels comparatively less entertaining. The proceedings remain realistically grounded throughout, however, a more serious tone replaces the humour in the latter half. The performances are uniformly splendid, be it in the execution of situational humour or sentimental scenes. Manikandan and Ramesh Thilak both excel in their respective roles, and their brotherly chemistry is fantastic to watch. The ladies of the house deliver a great job as well, and the writing gives them sufficient texturing and elevatory moments. Does the film offer a "solution" to its "problem"? Nope. It just tells you how to live with them.