A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.
- Awards
- 3 wins & 14 nominations
Jaeden Martell
- Alton
- (as Jaeden Lieberher)
Allison Gabriel
- Hannah (Ranch Member)
- (as Allison King)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBecause he wanted final cut, Jeff Nichols originally considered making the film with an independent film studio, rather than at Warner Bros Pictures. It wasn't until his last meeting with Warner Bros that he informed them of this requirement. However, the producers at the company still agreed to make the film, due to its relatively small budget.
- GoofsNear the end of the movie, after Roy breaks through the road blockade, the air bags are engaged. However, seconds later the vehicle is able to drive away without any sign of them. Air bags are designed to instantly inflate to cushion the people in the car against impact, but then to deflate straight away. Although there are many shots in which you cannot see the air bags, when the car flips over, it can be seen in its deflated state.
- Quotes
Alton Meyer: Dad?
Roy: Yeah?
Alton Meyer: Are you scared?
Roy: Yes.
Alton Meyer: You don't have to worry about me.
Roy: I like worrying about you.
Alton Meyer: You don't have to anymore.
Roy: I'll always worry about you Alton. That's the deal.
- SoundtracksSunrise Mass
Written by Ola Gjeilo
Performed by Majorstua Chamber Choir / Kammerkoret Nova with String Orchestra
Conducted by Tore Erik Mohn
Courtesy of GIA Publications, Inc.
Featured review
This reminded me of a couple of films, namely Close Encounters and Starman, but with everything good about them ripped out, thrown on the floor and stamped on.
What remained was an overall joyless experience as two sullen, largely monosyllabic mumbling men drove a kid with glowing eyes home for two hours. Of course they had a couple of hurdles to overcome but at no point do you think "Oh no, they're not going to get the glowing eyed kid home". Where previously films of this oeuvre have employed wit, humanity and a sense of wonder to fabulous effect the director of this sullen dross did little other than smash you repeatedly in the face shouting "I AM SERIOUS, I AM IMPORTANT" by making the repetitive turgid soundtrack blare progressively louder and louder. It was bombastic pseudo-intellectual rubbish masquerading as serious cinema.
Just because everyone looks miserable and hardly anyone says anything doesn't automatically make something good. You have to have talent to pull that off and make people care about your morose protagonists despite themselves. Whereas the only comparable thing this nonsense succeeded in doing was making me like a guy from the NSA, basically because he was the only one who seemed capable of speaking in entire sentences and looking slightly interested in what was going on.
I'd rather be forced to sit and watch E.T over and over again Clockwork Orange style for a week than expose myself to this inane garbage again. And I hate E.T.
What remained was an overall joyless experience as two sullen, largely monosyllabic mumbling men drove a kid with glowing eyes home for two hours. Of course they had a couple of hurdles to overcome but at no point do you think "Oh no, they're not going to get the glowing eyed kid home". Where previously films of this oeuvre have employed wit, humanity and a sense of wonder to fabulous effect the director of this sullen dross did little other than smash you repeatedly in the face shouting "I AM SERIOUS, I AM IMPORTANT" by making the repetitive turgid soundtrack blare progressively louder and louder. It was bombastic pseudo-intellectual rubbish masquerading as serious cinema.
Just because everyone looks miserable and hardly anyone says anything doesn't automatically make something good. You have to have talent to pull that off and make people care about your morose protagonists despite themselves. Whereas the only comparable thing this nonsense succeeded in doing was making me like a guy from the NSA, basically because he was the only one who seemed capable of speaking in entire sentences and looking slightly interested in what was going on.
I'd rather be forced to sit and watch E.T over and over again Clockwork Orange style for a week than expose myself to this inane garbage again. And I hate E.T.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Untitled Jeff Nichols/Sci-Fi Project
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $3,712,282
- Opening weekend US & Canada
- $190,012
- Mar 20, 2016
- Gross worldwide
- $7,112,282
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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