Impulse V2

The stylish visuals and empty story content of Kayden Kross's "Deeper" vignettes is on view, but Derek Dozer (aka Dreadneck) takes over for this DVD collection.

Showiest segment is "Pulp Friction", a poorly-done attempt at neo-noir, starring big-fake-tits newcomer Chantal Danielle, miscast as a narrator and tough private eye, too-many-tattoos division. An uncredited but important role is played by Avery Cristy as politician Manuel Ferrara's wife, who hires Chantal to muck up Manuel's current race for office. He's carrying on with his opponent's daughter, and Chantal's job is to get the evidence for a double scandal that will turn voters against Manuel AND his opponent, leaving Avery to mop up, step in and win the office for herself.

NonSex players get no screen credit in "Deeper" world, so I won't know if the lookalike actress playing the daughter is actually Chantal with her tattoos covered up or photoshopped away, but it hardly matters, as the scene makes no sense as private eye Chantal makes love (and records as evidence) to Manuel instead of the daughter.

Manuel also stars in "Costume Play", a scene showcasing the big natural breasts of Violet Myers plus her even bigger butt, wearing a corset to show off an extreme hourglass figure as a introverted gamer about to launch her on-line presence, for which tech wiz Manuel has been called in to set her up for streaming and competition. He's turned on peeping at Myers putting on her pink wig and sexy character costume, and scene goes gonzo, never returning to the premise of her trying out as competitor.

A ridiculous variation of the cornball "farmer's daughter" dirty joke is titled "Handful", as blonde starlet Jazlyn Ray plays a rancher's daughter who insists that Justice Young (who is credited with a stupid new moniker as Justice Mooks) be hired as the new ranch hand, rejecting daddy's choice of Ryan Driller for the job. She instantly seduces Justice in another yawner of a tale.

Final vignette is pretentiously titled "That Thing Around Your Neck", with young Kelsi Monroe cast as a hitchhiker left over from the hippie era, getting a ride from a shaved-bald-head Charles Dera, and giving him a blow-job while he drives along the highway. She also gives him a hard time with a lengthy monologue criticizing straitlaced mainstream society, using via the title the wearing of ties to symbolize dreaded conformity. They end up in her outdoor tent and "free love" takes over. Right on, man!