The life of Anna Nicole Smith, from small-town dancer to Playboy centerfold, to her marriage to a billionaire, to her eventual self-destruction.The life of Anna Nicole Smith, from small-town dancer to Playboy centerfold, to her marriage to a billionaire, to her eventual self-destruction.The life of Anna Nicole Smith, from small-town dancer to Playboy centerfold, to her marriage to a billionaire, to her eventual self-destruction.
- Nominated for 2 Primetime Emmys
- 1 win & 3 nominations total
- 14-Year Old Vickie Lynn
- (as Alexa Blair)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAnna Nicole Smith was the daughter of retired Harris County Deputy Virgie Hart.
- GoofsThe film depicts Howard K. Stern meeting and making the decision to represent Anna shortly after her marriage. In reality, Howard K. Stern did not meet Anna Nicole until 2 years after her husband's death.
- Quotes
Anna Nicole Smith: [picks up phone; sighs] This is Anna Nicole.
Georges Marciano: It's your agent, Anna. I just got word from Marciano at Guess. It seems they might've heard about all that crazy crap you did at the hotel.
Anna Nicole Smith: [scoffs] They were, like, spyin' on me?
Georges Marciano: [almost deadpan] They didn't need to, Anna; you weren't exactly discreet. Seems they've decided not to pick up the last two years of your contract.
Anna Nicole Smith: Well, forget them, then; just find me something... bigger, something better.
Georges Marciano: Actually, Anna, we've decided we're terminating our relationship with you, too.
Anna Nicole Smith: What?
Georges Marciano: [enunciating] You are no longer our client.
[pause]
Georges Marciano: Goodbye.
[click; dial tone; Anna switches off the telephone, sighs and sits dejected]
Middle Danny: [comes in through double doors] Hey, Mom!
[Anna is softly sobbing into her hand]
Middle Danny: What's wrong, Mom?
[looks at Danny and turns her head back sadly]
- ConnectionsFeatures Today (1952)
** 1/2 (out of 4)
Made-for-TV movie from Lifetime about the life of Anna Nicole Smith (Agnes Bruckner) who we see as a young single mother to her marriage to billionaire J. Howard Marshall (Martin Landau) and of course through her troubled drug use. ANNA NICOLE is nicely directed by Mary Harron and it features some good performances but in the end there are just way too many problems for it to work as well as it needed to. For starters, the film seems pretty rushed trying to fit all of Smith's story into a 90-minute running time as we bounce around quite a bit and the film never really seems to focus on anything. Another problem are a few gimmicks that are used throughout the picture including a really silly one where the young Smith sees a "future" version of herself. At the same time, the older Smith seeing a "younger" version of herself has no impact either. I'd also say that the movie doesn't work with the silly narration, which is coming from the dead Smith looking back over her life. With that said, Bruckner does a nice job in the lead role even though she never really looks or acts like the real person. For the most part I thought she did a good job at showing a troubled person. Landau easily steals the picture as the elderly man who falls in love with the stripper he meets and Cary Elwes is also good as his son. Adam Goldberg does a nice job in the role of Howard K. Stern and Virginia Madsen is good as Smith's mother, although the screenplay really doesn't do many favors for the character. Harron does a nice job at keeping the film moving at a good pace but there's just too many issues with the screenplay for this to be a complete winner. It also doesn't help that Smith isn't all that sympathetic. Still, for a made-for-TV film this here isn't too bad as a quick time killer.
- Michael_Elliott
- Jun 28, 2013
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