61 reviews
I'm not going to talk about the film as a film because, it seems to me, a pointless exercise. We all know the story. Painful, bitter, shattering. What we didn't know, what we couldn't even imagine is what was in Joe Paterno's heart in mind. Now we have a plausible, profoundly human version of it, in Al Pacino's eyes.
I saw a decent man of his generation confronted by the new approach to decency. I saw in his eyes a sort of resignation, the kind of resignation suffered by the decent man who knows he's guilty. Al Pacino is still breaking ground, still at the vanguard of his own profession. Hurrah !
- fanaticusanonymous
- Apr 28, 2018
- Permalink
People who hate this film or its implications that Paterno was complicit to the child abuse are wrong. He clearly was part of the narrative. He maybe never witnessed the abuse himself. But he never reported what happened when he heard about such incidents. I understand that plenty of people are sympathetic to Paterno even if they aren't Penn State or football fans. The film to me seems to clearly display Paterno as a figure who probably would have stayed obsessed with winning football games even if 99% of the people who care about him and football, didn't care about football. And he didn't do anything to deserve someone like Sandusky being hired. Paterno with luck could have never had such an incident and be revered today. And plenty of people revered today might have made the same mistakes as Paterno if they had to deal with Paterno's issues. That doesn't mean that Paterno and others had no responsibility to do the right thing and report Sandusky as soon as possible.
It's remarkable how quickly Paterno's fall happens after his 409th win. I forgot that he went from the winningest couch that almost everyone loved, to fired in less than week. I give this a 7 because the story wasn't that interesting, even though there seemed to be good execution.
I think what bothers people is that the real enemy of this film isn't so much Joe Paterno or Jerry Sandusky. Instead the main enemy is America's priority of putting football and other interests over our more basic human responsibility of protecting children and bringing likely sex abuse criminals to justice as quickly as possible.
After Paterno is fired and he addressed his supporters in front of his yard, be almost forgets about the victims in his address. He just throws in a call to support the victims at the very end. The victims should have been brought up initially or not at all. The error in this response really displayed his faulty priorities again.
The reactions of many of many reviewers is similar to the students protesting in the film following Peterno being fired. This story really highlights our power of denying the errors of people we grow to respect. OJ and Mafia defenders have similar blind spots. People say "Sure they made a mistake on this matter, but they weren't bad about everything. Who hasn't made a mistake?" As if the scope of the crime doesn't matter.
It's remarkably easy for some people to shield acknowledging that someone like Joe Paterno, who might be mostly good 99% of the time, can be complicit to a seriously crime the other 1% of the time. And that 1% was a 1% mattered a lot. Another common response is, "Paterno wants to be known as a legendary football coach. Not a football coach who also had to deal with child sex abuse by one of his couches." Well the media rather than the university addressing this issue from the start let Sandusky fester and abuse dozens more of decades.
I can't help but wonder how it ever felt ok for people to know someone was molesting children and not report them. If someone witnesses a murder, A) I don't think the witness would report the incident to their boss or couch. But B) if they did, they'd be sure law enforcement was in the loop too. Especially if the witness notices that the murderer walking around where he committed his crime years later. Child molesters are extremely likely to repeat their crimes. Much more so than almost any other type of criminal. This is something people should know and care about. It seems that a lot of people are unprepared to deal with such an incident and think it'd never happen to them or someone they know. This film gets a 7 largely for bringing this issue more-so into the spotlight.
Based on the perceptions of other reviewers I get the feeling that people don't want other films based on true stories like Paterno, or Spotlight. They don't want to think about the faults of people who seemed mostly fine. My response: Put an end to such incidents happening, and more importantly festering, and there will be no extraordinarily awful true story to make a movie about down the line about our supposed heroes. Instead we can just have real heroes. The fact that, for now, such things still happen, only reinforces the need to make movies like Paterno.
Until we go decades with nothing like this happening, I'll find it relevant to be aware of stories like Paterno. In the last year or two we learned of a similar case of child abuse with the US gymnastics team. Maybe someday we'll learn.
It's remarkable how quickly Paterno's fall happens after his 409th win. I forgot that he went from the winningest couch that almost everyone loved, to fired in less than week. I give this a 7 because the story wasn't that interesting, even though there seemed to be good execution.
I think what bothers people is that the real enemy of this film isn't so much Joe Paterno or Jerry Sandusky. Instead the main enemy is America's priority of putting football and other interests over our more basic human responsibility of protecting children and bringing likely sex abuse criminals to justice as quickly as possible.
After Paterno is fired and he addressed his supporters in front of his yard, be almost forgets about the victims in his address. He just throws in a call to support the victims at the very end. The victims should have been brought up initially or not at all. The error in this response really displayed his faulty priorities again.
The reactions of many of many reviewers is similar to the students protesting in the film following Peterno being fired. This story really highlights our power of denying the errors of people we grow to respect. OJ and Mafia defenders have similar blind spots. People say "Sure they made a mistake on this matter, but they weren't bad about everything. Who hasn't made a mistake?" As if the scope of the crime doesn't matter.
It's remarkably easy for some people to shield acknowledging that someone like Joe Paterno, who might be mostly good 99% of the time, can be complicit to a seriously crime the other 1% of the time. And that 1% was a 1% mattered a lot. Another common response is, "Paterno wants to be known as a legendary football coach. Not a football coach who also had to deal with child sex abuse by one of his couches." Well the media rather than the university addressing this issue from the start let Sandusky fester and abuse dozens more of decades.
I can't help but wonder how it ever felt ok for people to know someone was molesting children and not report them. If someone witnesses a murder, A) I don't think the witness would report the incident to their boss or couch. But B) if they did, they'd be sure law enforcement was in the loop too. Especially if the witness notices that the murderer walking around where he committed his crime years later. Child molesters are extremely likely to repeat their crimes. Much more so than almost any other type of criminal. This is something people should know and care about. It seems that a lot of people are unprepared to deal with such an incident and think it'd never happen to them or someone they know. This film gets a 7 largely for bringing this issue more-so into the spotlight.
Based on the perceptions of other reviewers I get the feeling that people don't want other films based on true stories like Paterno, or Spotlight. They don't want to think about the faults of people who seemed mostly fine. My response: Put an end to such incidents happening, and more importantly festering, and there will be no extraordinarily awful true story to make a movie about down the line about our supposed heroes. Instead we can just have real heroes. The fact that, for now, such things still happen, only reinforces the need to make movies like Paterno.
Until we go decades with nothing like this happening, I'll find it relevant to be aware of stories like Paterno. In the last year or two we learned of a similar case of child abuse with the US gymnastics team. Maybe someday we'll learn.
- brianjohnson-20043
- Apr 17, 2018
- Permalink
Barry Levinson's Paterno wants the viewer to know that this legendary college football coach, Penn State University and its football team supporters cared more about its football program than the fate of some of the young people sexualy abused by an assistant football coach, Jerry Sandusky.
The film opaquely hints as to how much Paterno might had known as to the abuse taking place and like other people just turned a blind eye.
After a wonderful expansive opening where Paterno as head coach takes the team to a record breaking streak. This HBO film settles down as a Shakespearean tragedy, almost like a stage play.
Al Pacino's Paterno is a man out of his time. Confused, weak and sick. He is an octogenarian who knows all about college football but has no way to handle the mess he finds himself in.
The film contrasts Paterno's fate with that of local newspaper reporter Sara Ganim (Riley Keough) who doggedly pursued the story of the child abuse and who earned the trust of the families.
However the flip flopping between the two story strands feels like a distraction. Levinson's approach comes across as mild, even anodyne lacking the moral outrage of a movie like Spotlight.
The film opaquely hints as to how much Paterno might had known as to the abuse taking place and like other people just turned a blind eye.
After a wonderful expansive opening where Paterno as head coach takes the team to a record breaking streak. This HBO film settles down as a Shakespearean tragedy, almost like a stage play.
Al Pacino's Paterno is a man out of his time. Confused, weak and sick. He is an octogenarian who knows all about college football but has no way to handle the mess he finds himself in.
The film contrasts Paterno's fate with that of local newspaper reporter Sara Ganim (Riley Keough) who doggedly pursued the story of the child abuse and who earned the trust of the families.
However the flip flopping between the two story strands feels like a distraction. Levinson's approach comes across as mild, even anodyne lacking the moral outrage of a movie like Spotlight.
- Prismark10
- Apr 9, 2018
- Permalink
I watched this movie at home on DVD from my public library, my wife skipped it.
I have been a football fan all my life and, while I never was a Penn State fan (go Purdue!) I knew of Joe Paterno and how respected he and the Penn State football program were. I also clearly remember when the events of 2011 broke wide open.
This movie stars Al Pacino as Joe Paterno and, while he does fine I was constantly reminded of the actor by his raspy voice. Paterno had a calm smooth voice, even near the end.
Still the movie is a good dramatization of the events of 2011 that led to Paterno's firing, just a couple of months before his death, when the details of former coach Sandusky's activities with young boys became fully known.
It was argued, and it seems plausible, that as head of the football program Paterno should have known more and should have done more earlier in the Sandusky case, so he was fired in November 2011. Paterno is portrayed as a rather simple man who focused so much on the football and preparation for next games that he was either unaware of Sandusky's activities or just wanted them to go away without his strong involvement.
A good movie of a sad chapter in college football programs.
I have been a football fan all my life and, while I never was a Penn State fan (go Purdue!) I knew of Joe Paterno and how respected he and the Penn State football program were. I also clearly remember when the events of 2011 broke wide open.
This movie stars Al Pacino as Joe Paterno and, while he does fine I was constantly reminded of the actor by his raspy voice. Paterno had a calm smooth voice, even near the end.
Still the movie is a good dramatization of the events of 2011 that led to Paterno's firing, just a couple of months before his death, when the details of former coach Sandusky's activities with young boys became fully known.
It was argued, and it seems plausible, that as head of the football program Paterno should have known more and should have done more earlier in the Sandusky case, so he was fired in November 2011. Paterno is portrayed as a rather simple man who focused so much on the football and preparation for next games that he was either unaware of Sandusky's activities or just wanted them to go away without his strong involvement.
A good movie of a sad chapter in college football programs.
Very disappointed in this sketchy HBO presentation. which glosses over many key characters and injects bits and pieces of real events and presumed behaviors to a viewing audience which can be easily confused by the scattershot script and direction. It seemed like a series of story boards out of order. The film needed much more character development, as well as more coherent storytelling.
Again "HBO" does it with a beautiful and informative life like original movie as this latest called "Paterno" is hard hitting and revealing and very informative as it sheds light and exposes the cover up at Penn State when sexual abuse allegations became national news.
However despite a montage and clips of footage of news about Jerry Sandusky the film is a focus on Joe Paterno(in another brilliant turn from Al Pacino) and how he and his family handle the scandal. As after many years of sexual abuse allegations are revealed against former assistant coach Sandusky, it shows Joe as a surprised yet conflicted and hurt man.
The picture raises the question of moral obligation and it's a clear showcase of institutional failure as Paterno should have reported what he had known and not been so tight lipped. As it's clear the legacy of college football's all time wins coach has been badly damaged due to scandal and cover up. Also notable is Riley Keough as Sara Ganim who was the award winning reporter who helped break the scandal national. Overall good revealing film that's provocative and revealing and truth finding.
However despite a montage and clips of footage of news about Jerry Sandusky the film is a focus on Joe Paterno(in another brilliant turn from Al Pacino) and how he and his family handle the scandal. As after many years of sexual abuse allegations are revealed against former assistant coach Sandusky, it shows Joe as a surprised yet conflicted and hurt man.
The picture raises the question of moral obligation and it's a clear showcase of institutional failure as Paterno should have reported what he had known and not been so tight lipped. As it's clear the legacy of college football's all time wins coach has been badly damaged due to scandal and cover up. Also notable is Riley Keough as Sara Ganim who was the award winning reporter who helped break the scandal national. Overall good revealing film that's provocative and revealing and truth finding.
If it does nothing else than remind you that acting legend Al Pacino still has what it takes to deliver a commanding lead performance, then HBO's and Barry Levinson's Paterno is worth the watch.
After what seems like years' worth of average to bad performances in feature films (bar the loveable Danny Collins), Pacino has quietly been going about his business with some impressive projects in the world of the small screen in roles for such films and series like Phil Spector and You Don't Know Jack and Paterno is another impressive feat for the living tressure, even if the film around him can't quite match his on-song turn.
Much like Pacino, director Barry Levinson has struggled over the last decade or so to recapture the directing form that helped him deliver classics like Rain Man and Good Morning Vietnam in the 80's, with forgettable 2000 films such as Envy and The Humbling doing nothing but tarnishing his reputation as a filmmaker of note, so it's nice to see Paterno offer the talented artist a chance to showcase his abilities once more, even if this experience is a lot more dreary and dramatically focussed than we'd usually see from him.
Focussing its attentions on a very specific and publicly profiled period in the life of the aging and famed Penn State football coach Joe Paterno and his entanglement in the horrific sexual abuse allegations that swirled around his onetime colleague Jerry Sandusky, Paterno offers a brief glimpse into the life of the winningest coach in college football history and how these terrible abuses tarnished his final days as a member of the Penn State fraternity.
Paterno gives Pacino one of his most quietly devastating performances to date, there's no showy moments here and under some impressive makeup, Pacino utterly convinces as the recognisable and well-loved American figure even if the film around him does feel like it can't quite escape its TV movie origins.
With Levinson focussing so much of his time on Paterno, other characters within the film feel rather underdeveloped and lacking in screen time but with Paterno taking centre stage, we are gifted into an insight into a haunted man who is slowly but surely coming to the realisation that despite all the good he has done, a misguided and terribly misjudged component of his life will be what he takes to his grave.
Final Say -
It feels and acts like the TV movie that it is but thanks to Pacino's commanding turn and the insight it offers us into a particular time in the life of one of the most fascinating football figures ever to have lived, Paterno is a cut-above other similar TV biopics and a reminder to us all that Pacino still has what it takes to anchor a feature film.
3 ½ campus riots out of 5
After what seems like years' worth of average to bad performances in feature films (bar the loveable Danny Collins), Pacino has quietly been going about his business with some impressive projects in the world of the small screen in roles for such films and series like Phil Spector and You Don't Know Jack and Paterno is another impressive feat for the living tressure, even if the film around him can't quite match his on-song turn.
Much like Pacino, director Barry Levinson has struggled over the last decade or so to recapture the directing form that helped him deliver classics like Rain Man and Good Morning Vietnam in the 80's, with forgettable 2000 films such as Envy and The Humbling doing nothing but tarnishing his reputation as a filmmaker of note, so it's nice to see Paterno offer the talented artist a chance to showcase his abilities once more, even if this experience is a lot more dreary and dramatically focussed than we'd usually see from him.
Focussing its attentions on a very specific and publicly profiled period in the life of the aging and famed Penn State football coach Joe Paterno and his entanglement in the horrific sexual abuse allegations that swirled around his onetime colleague Jerry Sandusky, Paterno offers a brief glimpse into the life of the winningest coach in college football history and how these terrible abuses tarnished his final days as a member of the Penn State fraternity.
Paterno gives Pacino one of his most quietly devastating performances to date, there's no showy moments here and under some impressive makeup, Pacino utterly convinces as the recognisable and well-loved American figure even if the film around him does feel like it can't quite escape its TV movie origins.
With Levinson focussing so much of his time on Paterno, other characters within the film feel rather underdeveloped and lacking in screen time but with Paterno taking centre stage, we are gifted into an insight into a haunted man who is slowly but surely coming to the realisation that despite all the good he has done, a misguided and terribly misjudged component of his life will be what he takes to his grave.
Final Say -
It feels and acts like the TV movie that it is but thanks to Pacino's commanding turn and the insight it offers us into a particular time in the life of one of the most fascinating football figures ever to have lived, Paterno is a cut-above other similar TV biopics and a reminder to us all that Pacino still has what it takes to anchor a feature film.
3 ½ campus riots out of 5
- eddie_baggins
- Apr 18, 2018
- Permalink
Cable TV is really hitting it out of the park these days. Paterno is one of the better movies I've seen in awhile including theatrical movies. I probably don't need to recap the entire plot for anyone, since the news covered it widely at the time. This film centers on the horrific Penn State scandal of sexual molestation of young boys by a man who was at one time on the Penn State coaching staff and was a "pillar of the community." What makes this different though than any news coverage you've seen is that it goes inside Joe Paterno 's life to show the downfall of a community and sports icon from the inside.
Of course, one must take into account that filmmakers take some license when it comes portraying Paterno and his family. While I'm sure they did their research, they weren't actually sitting at his dining room table for those intimate encounters with his kids during the aftermath of all of this. I think a question that most people had when they heard about the scandal was, "What was Joe Paterno thinking? Why did this powerful leader not do more? What was going on inside head?" This movie delves into that, giving an interesting and very possible take on what really was going on inside Paterno's head. Other great things about this movie: Riley Keough is fantastic as the reporter who originally breaks the case, and Al Pacino is so amazing as Paterno that you will forget you are even watching Pacino.
Of course, one must take into account that filmmakers take some license when it comes portraying Paterno and his family. While I'm sure they did their research, they weren't actually sitting at his dining room table for those intimate encounters with his kids during the aftermath of all of this. I think a question that most people had when they heard about the scandal was, "What was Joe Paterno thinking? Why did this powerful leader not do more? What was going on inside head?" This movie delves into that, giving an interesting and very possible take on what really was going on inside Paterno's head. Other great things about this movie: Riley Keough is fantastic as the reporter who originally breaks the case, and Al Pacino is so amazing as Paterno that you will forget you are even watching Pacino.
- anemone90210
- Apr 29, 2018
- Permalink
A Tour-De-Force, A Term I Never Have USED...
Get "the Emmy's" ready for "best actor/ director/ and film"...
The reason that this is a TOUR-DE-FORCE simply can be described in four words:
AL PACINO & BARRY LEVINSON
Get "the Emmy's" ready for "best actor/ director/ and film"...
The reason that this is a TOUR-DE-FORCE simply can be described in four words:
AL PACINO & BARRY LEVINSON
- richardstranger
- Apr 8, 2018
- Permalink
I wasn't sure what to expect with this. Focusing on a figure in a scandal that isn't the perpetrator, a witness, and attorney or a victim seemed odd to me. There are so many different players in the Sandusky scandal and the movie attempts to peripherally include some of them, while omitting others. Yet even those included are there solely for background noise. I'm not even sure why they case the female reporter in the movie since her involvement wasn't contemporaneous with Paterno's. But I guess every movie needs a young female heroine.
Acting was excellent, and I feel that that was Levinson's whole purpose for the movie. One last crack at some award for both he and Pacino. But I just didn't feel like I got anywhere. Even the ending seemed like a "oh crap we're out of material, let's throw something outrageous in at the end" moment. Thank goodness this was just an HBO movie and I didn't pay anything at the box office.
Acting was excellent, and I feel that that was Levinson's whole purpose for the movie. One last crack at some award for both he and Pacino. But I just didn't feel like I got anywhere. Even the ending seemed like a "oh crap we're out of material, let's throw something outrageous in at the end" moment. Thank goodness this was just an HBO movie and I didn't pay anything at the box office.
- underscore1
- Apr 7, 2018
- Permalink
- ridsidorova
- Jan 18, 2022
- Permalink
You get an all time great actor, Al Pacino to play long time coach Joe Paterno at the time the Jerry Sandusky molestation case broke, and what does HBO do? Nothing that measures up to their reputation. Pacino looks and sounds like Paterno, but then everything stops there. Pacino just goes around looking dazed and confused and gives no insight. There is really no insight given into the Paterno family, or the victims - not even the victim that is portrayed here, or the reporters cracking the case. The whole thing is just so superficial. There is nothing to take away from this other than universities often act like big corporations - asking "How can we protect ourselves here?" and firing anybody that answers that question, even someone lionized by the school for over 50 years. But in this cynical age that comes as no surprise. HBO, I've come to expect better from you.
History repeats itself once again with the systemic failure, from the top down, of the incompetence of so many people who chose to ignore a problem and pretended that nothing would ever happen due to their inability to accept responsibility and accountability. A very good performance by Al Pacino as Joe Paterno. You won't regret taking one hour and 45 minutes to view this film.
It's HBO so you know the acting and production value will be great; that aside, the movie doesn't really seem to know where it wants to go and what message it is trying to get across. Without a doubt, the entire situation is terrible with no happy endings - but even from an entertainment standpoint the pace was quite slow and muddled.
- allstarrunner
- Sep 3, 2018
- Permalink
- JurijFedorov
- Jul 7, 2022
- Permalink
While its not another HBO masterpiece, I found it interesting enough to watch the whole thing and enjoyed it. I liked many things about it but I also didn't like some things, and I'll talk about that. At the beginning, it starts with the indictment so I was worried we wouldn't give enough background going back to 1998, but thankfully the film has many flashbacks and the reporters are also used as an explanation device of the past. The film did not shy away from the tough aspects of this tough subject. I did enjoy the Paterno scenes where he is confronted on the charges and how he deals with it, though it can be a little slow. I found the framing device to be interesting and Al Pacino's performance was great, I didn't see Al Pacino, I saw his character. The cinematography was also top notch, what can be expected from and HBO movie. But there were things I didn't like, and I will discuss it.
I personally didn't like how they opened it, they opened it in a spot where a lot of things already happened, but to be fair the film does go back and explains things. The pacing is also hit and miss, sometimes things are paced fine, and sometimes I felt it jumped around too quickly. I also wish is a bit longer or a show because there were a couple story points I feel could have been explored more and would have been beneficial to the story to delve into. I also didn't connect with any of the other characters except for Paterno, no character really stood out and wowed ne. All in all it was an interesting enough film that I finished and mostly enjoyed.
I personally didn't like how they opened it, they opened it in a spot where a lot of things already happened, but to be fair the film does go back and explains things. The pacing is also hit and miss, sometimes things are paced fine, and sometimes I felt it jumped around too quickly. I also wish is a bit longer or a show because there were a couple story points I feel could have been explored more and would have been beneficial to the story to delve into. I also didn't connect with any of the other characters except for Paterno, no character really stood out and wowed ne. All in all it was an interesting enough film that I finished and mostly enjoyed.
- neener3707
- Apr 7, 2018
- Permalink
And before anyone attempts to call my review a "Penn St faithful" or "Aterno faithful" or anything like it... I'm a Buckeye. Lifelong, die hard Buckeye. So I owe nothing to the Nittany Lions. But I've got to be honest... this movie literally has nothing to do with Joe Pa. This movie should've been titled "Sandusky" and Pacino could have honestly been left out of this film entirely. Save a heavy hitter like him for a real movie about this man. They really wasted Pacino.
And it was honestly a pretty ridiculous plot line. They attempted to pin Sandusky's cover up and scandal on Joe, but also attempting to paint him as basically senile or something. Like he seems completely out of it for anything at all besides football. So if that how you feel, then why are you trying to blame him for what Sandusky did? ESPECIALLY considering that the moment Joe heard about it he told the AD exactly what he knew? If Joe is so spaced out and such, why are you attempting to blame him and not the fully of sound mind AD???
I don't get this film at all. It seems like they are just trying to capitalize on a big name and big scandal and not actually make a credible or even entertaining film.
And it was honestly a pretty ridiculous plot line. They attempted to pin Sandusky's cover up and scandal on Joe, but also attempting to paint him as basically senile or something. Like he seems completely out of it for anything at all besides football. So if that how you feel, then why are you trying to blame him for what Sandusky did? ESPECIALLY considering that the moment Joe heard about it he told the AD exactly what he knew? If Joe is so spaced out and such, why are you attempting to blame him and not the fully of sound mind AD???
I don't get this film at all. It seems like they are just trying to capitalize on a big name and big scandal and not actually make a credible or even entertaining film.
- MilesKelley
- Apr 9, 2018
- Permalink
I got as much (if not more) by just reading the front page headline in the New York Times when they broke the news for the first time that Jerry Sandusky, the former long-time defensive coordinator of Pennsylvania State University's football team was charged with 40 counts of child sex abuse.
No really, this film totally sucked and it provided no additional insight into what Penn State head football coach Joe Paterno did or didn't do to address child predator Jerry Sandusky, who was Paterno's long-time defensive coordinator. I can't recall one scene in the film where Paterno even confronted Jerry Sandusky about his diddling ways, or where the two characters were even in the same room.
Al Pacino also sucked playing head coach Joe Paterno who in reality was 84 years old and still coaching one of the elite college football teams in the United States, until his culpability in the alleged sex scandal that he allowed to continue for decades under his leadership got him fired.
There is a story in the actual events, but it is too bad that the lazy screen writers and the absolute poor acting by Al Pacino and his two sons played by Greg Grunberg and Larry Mitchell didn't put it in the film. These actors and the rotten story line drove me nuts as they discussed how to address the news reporters outside their home and would not address the elephant in the room. How ironic that Penn State football coach Joe Paterno escaped much of the public outcry and newscasters criticism by simply dying a few months after the story broke. Even with his death the film fizzled and the end credits rolled.
A total snore and bore fest
No really, this film totally sucked and it provided no additional insight into what Penn State head football coach Joe Paterno did or didn't do to address child predator Jerry Sandusky, who was Paterno's long-time defensive coordinator. I can't recall one scene in the film where Paterno even confronted Jerry Sandusky about his diddling ways, or where the two characters were even in the same room.
Al Pacino also sucked playing head coach Joe Paterno who in reality was 84 years old and still coaching one of the elite college football teams in the United States, until his culpability in the alleged sex scandal that he allowed to continue for decades under his leadership got him fired.
There is a story in the actual events, but it is too bad that the lazy screen writers and the absolute poor acting by Al Pacino and his two sons played by Greg Grunberg and Larry Mitchell didn't put it in the film. These actors and the rotten story line drove me nuts as they discussed how to address the news reporters outside their home and would not address the elephant in the room. How ironic that Penn State football coach Joe Paterno escaped much of the public outcry and newscasters criticism by simply dying a few months after the story broke. Even with his death the film fizzled and the end credits rolled.
A total snore and bore fest
- Ed-Shullivan
- Jan 2, 2020
- Permalink
I thought the movie was going to be your typical made for TV movie and that's exactly what we got. Not good, not bad just somewhere in the middle. That being said this movie wasn't meant to be uplifting, it was meant to be dark and brooding because of the subject matter. This movie absolutely should have been about Paterno because he is the story here. The most powerful person in the state who could have stopped this long ago but was too worried about his sport, his university and his legacy to lift a finger. Paterno was made out to be a idiot in this movie because when the scandal broke that's exactly how he acted, the portrayal is spot on. He played the old man card in the most transparent way possible, blaming his memory and feeble mindedness when asked questions after it broke that he knew what was going on. I kept expecting to hear him say no habla ingles towards the end.
Far as I'm concerned he was portrayed accurately I could care less about his legacy and even the most loyal and diehard Nittany Lion fan should feel the same.
Far as I'm concerned he was portrayed accurately I could care less about his legacy and even the most loyal and diehard Nittany Lion fan should feel the same.
- prog-58654
- May 16, 2018
- Permalink
I tracked this story and still have all the ESPN podcast interviews and "in the moment" reactions. This film is extremely significant to understanding man, institutions, and human behavior!
If you understand the Christian doctrine of The Fall and idolatry, this movies makes a whole lot of sense. If not, than it is up to you to come up with a salient apology for mankind.
There are a few proverbial statements that will help anyone who wants to see and understand. The first is; You cannot get a man to understand something if his career depends upon him NOT understanding--Upton Sinclair
The second is; The frog in water analogy. Drop a frog in hot water and he will jump out, slowly raise the temperature and the frog in water will boil to death.
The last is the movie Bridge on A River Kwai. A noble man who got lost in his own glory, a bridge to reflect himself--an idol! In the process, he sacrificed the lives of his soldiers for noble causes motivated to build a bridge to reflect himself!
Take all three of these and blend them up and you have Joe Pa. Keep in mind Joe is not the criminal here, but he turned deaf, dumb, and blind because of his own glory...reputation, Joe was guilty of looking the other way in the same manner those who knew Harvey Weinstein was molesting and raping women or Bill Cosby...there are always enablers along the way, those who because of their own career, rationalize to get part of the pie, even leftovers.
Then there are the loyalists. This resembles a cult. Cult members who will not hear the truth because it taps their idolatry--a warped sense of identity and pride. It is here we have religion! Religion allows one to compromise common sense for the greater good because to face the truth means one's life has been spent in vanity! Nothing is worse for the soul than to realize you spent your entire life worshiping the wrong religion!
Joe Paterno was most likely guilty of his own ego. His own desire to be the best at all costs. Al Pachino sadly reminds me of my own father, Italian good ol boy that plays the game, has no clear sense of self and the group, club, organization, church becomes his soul source of who he is. There is an arrogance here that is disturbing. What is weird is I had an Uncle George that never got married as well. This movie really hits home in my family.
If you understand the Christian doctrine of The Fall and idolatry, this movies makes a whole lot of sense. If not, than it is up to you to come up with a salient apology for mankind.
There are a few proverbial statements that will help anyone who wants to see and understand. The first is; You cannot get a man to understand something if his career depends upon him NOT understanding--Upton Sinclair
The second is; The frog in water analogy. Drop a frog in hot water and he will jump out, slowly raise the temperature and the frog in water will boil to death.
The last is the movie Bridge on A River Kwai. A noble man who got lost in his own glory, a bridge to reflect himself--an idol! In the process, he sacrificed the lives of his soldiers for noble causes motivated to build a bridge to reflect himself!
Take all three of these and blend them up and you have Joe Pa. Keep in mind Joe is not the criminal here, but he turned deaf, dumb, and blind because of his own glory...reputation, Joe was guilty of looking the other way in the same manner those who knew Harvey Weinstein was molesting and raping women or Bill Cosby...there are always enablers along the way, those who because of their own career, rationalize to get part of the pie, even leftovers.
Then there are the loyalists. This resembles a cult. Cult members who will not hear the truth because it taps their idolatry--a warped sense of identity and pride. It is here we have religion! Religion allows one to compromise common sense for the greater good because to face the truth means one's life has been spent in vanity! Nothing is worse for the soul than to realize you spent your entire life worshiping the wrong religion!
Joe Paterno was most likely guilty of his own ego. His own desire to be the best at all costs. Al Pachino sadly reminds me of my own father, Italian good ol boy that plays the game, has no clear sense of self and the group, club, organization, church becomes his soul source of who he is. There is an arrogance here that is disturbing. What is weird is I had an Uncle George that never got married as well. This movie really hits home in my family.
Just another reporters are saints, rich guys are bad and cover up for child molesters/abusers, middle America is dumb and needs said reporters to tell them who the good and bad guys are movie.
At least I liked the scene that shows how morally corrupt NCAA fans are. That was accurate. They worship the coaches and players as Gods, unless said player takes money under the table, then they're the worst person ever. It's one reason I just don't watch college sports anymore, especially as the alum of a Big 10 school. The wannabe fans who never went to college are the worst. They've never been to college and don't know anything about the academic atmosphere and student-athletes are like. Simply put, it was another world. It didn't belong. The rich kids and out-of-state students there just didn't care about it. The students that did were kind of looked at funny.
This movie is a rare dog for HBO. Just all out of the place, no charm to it, nothing new, no one is likable. It feels unfair to me that this movie defines Paterno's entire career. 3/4's of it should have been about his career, leave the last 1/4 to the Sandusky case just to illustrate how destructive it was to his legacy. This movie is just a chance for Pacino to mug for the camera for 2 hours. It's terrible. Pass.
At least I liked the scene that shows how morally corrupt NCAA fans are. That was accurate. They worship the coaches and players as Gods, unless said player takes money under the table, then they're the worst person ever. It's one reason I just don't watch college sports anymore, especially as the alum of a Big 10 school. The wannabe fans who never went to college are the worst. They've never been to college and don't know anything about the academic atmosphere and student-athletes are like. Simply put, it was another world. It didn't belong. The rich kids and out-of-state students there just didn't care about it. The students that did were kind of looked at funny.
This movie is a rare dog for HBO. Just all out of the place, no charm to it, nothing new, no one is likable. It feels unfair to me that this movie defines Paterno's entire career. 3/4's of it should have been about his career, leave the last 1/4 to the Sandusky case just to illustrate how destructive it was to his legacy. This movie is just a chance for Pacino to mug for the camera for 2 hours. It's terrible. Pass.
Looking at the film OBJECTIVELY, Barry Levinson does a fine job presenting the story centered on Paterno during the aftermath of the Sandusky sex abuse scandal without any major bias. Its to be expected that some who will see this film will simply condemn it or trash it based upon their own emotional or bias connection to the subject matter. I believe that this film does a great job portraying several aspects. One, just how disgusting and awful the actual child sex abuse scandal was and how it even affected the first victim who broke his silence. Then we have initial reporter who helped bring the story to life. Thirdly, the film effectively displays how it affected Paterno and his family in the aftermath. Lastly and most of all how Paterno himself handled the entire situation. If nothing else, this film provides a general condemnation of inaction and corruption with regards to the abuse and not taking quicker action on it.
Al Pacino completely immersed himself into the character of Joe Paterno. Pacino is measured and controlled with how he portrays Paterno's struggle to come to terms with the Sandusky abuse, and how he possibly overlooked certain signs from the past, and even the betrayal of that partnership/friendship. Like some vintage Pacino performances (aka: Michael Corleone), he communicates so much emotion through the use of his eyes and silence. Several scenes involve Paterno just sitting while his family debates and the question continues to be posed to him if he knew anything else or if he ever spoke to the child. Pacino brilliantly captures the overwhelming dread and sadness that filled the final days of his Paterno's life and how this particular dark moment that will forever change Paterno's career and legacy.
Don't pay attention to all of the negative reviews on here from those that clearly have an agenda to do so. As a dramatic exploration of a man, Joe Paterno, who was a larger then life legend at Penn State and his sad downfall, the film succeeds on all levels, particularly Pacino's performance.
Al Pacino completely immersed himself into the character of Joe Paterno. Pacino is measured and controlled with how he portrays Paterno's struggle to come to terms with the Sandusky abuse, and how he possibly overlooked certain signs from the past, and even the betrayal of that partnership/friendship. Like some vintage Pacino performances (aka: Michael Corleone), he communicates so much emotion through the use of his eyes and silence. Several scenes involve Paterno just sitting while his family debates and the question continues to be posed to him if he knew anything else or if he ever spoke to the child. Pacino brilliantly captures the overwhelming dread and sadness that filled the final days of his Paterno's life and how this particular dark moment that will forever change Paterno's career and legacy.
Don't pay attention to all of the negative reviews on here from those that clearly have an agenda to do so. As a dramatic exploration of a man, Joe Paterno, who was a larger then life legend at Penn State and his sad downfall, the film succeeds on all levels, particularly Pacino's performance.