New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are te... Read allNew York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city.New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city.
- Awards
- 2 wins & 4 nominations total
Storyline
Did you know
- TriviaJoel McHale spent months training with knives and martial arts in order to do his own knife stunts in the film. He managed to go through months of training, as well as most of filming without a single injury. However during one of the last days of filming, his son was visiting on set and McHale used his knife to cut a piece of white chocolate for him. He cut his hand and bled profusely.
- GoofsEarly in the film, Sarchie's arm is slashed by Jimmy in an encounter, suffering a deep gash that it is stated will require stitches. In the very next scene at the Bronx Zoo, the wound is not visible. Immediately following, we see him at home and the arm is bandaged.
- ConnectionsFeatured in Chelsea Lately: Episode #8.102 (2014)
Featured review
Filmmaker Scott Derrickson has definitely been through a lot when it comes to movies even if he hasn't output a large volume. He's also been through several areas of the movie industry; everything from home video, independent to mainstream blockbuster studios. And of course now that he's been inducted into the family of Marvel Studios, his credibility has been more or less confirmed. Prior to this though he was still trying to make a name for himself in way that would make him stand out. While The Day the Earth Stood Still (2008) remake was boring for most, his comeback with Sinister (2012) turned the tables in his favor. While Sinister (2012) did engage its audience at the beginning, the predictability became fairly obvious as time went on. Sadly it seems as though Derrickson did not notice this when he released this movie as his next feature.
The story for this movie displays events that allegedly were told to be true by a New York police officer named Ralph Sarchie. According to him, he came across a number of strange moments where he would be on duty and witness abnormal actions by people. Playing Sarchie is Eric Bana and soon he teams up with a priest by the name of Father Mendoza (Edgar Ramírez) who believes the cases are related to a greater evil. With the screenplay adapted by Derrickson and Paul Harris Boardman, the execution of the story feels very similar to that of Sinister (2012). At the start, the plot will capture the viewers' attention, but over time it begins to lose its grasp on what matters most. This is unfortunate because initially it has an interesting detective supernatural vibe going for it, but then it turns to a rather conventional method of execution and begins to lose traction.
And there's a reason why the play out to this feature feels similar. The explanation to this is that Paul Harris Boardman has been a familiar writer to that of other Scott Derrickson productions, surprisingly not Sinister (2012) though. Putting this aside however, the acting by the main cast is fairly good. Eric Bana as the tough Sgt. Sarchie has a captivating presence along with his partner Butler played by Joel McHale, who seems to find a way of making light of any situation. Olivia Munn is also involved as Sarchie's wife who adds some tension to the story being that most married protagonists are easily held as leverage. Edgar Ramirez as Father Mendoza has a peculiar back story working with the supernatural and also serves as a good backup to Sarchie. Lastly there's Sean Harris who plays a significant part to the plot, and Sarchie's investigation.
The visuals to the film were properly placed. Derrickson has done horror films before and this one does not divert from what's been done before. The gore is not over the top but can get grotesque.at times. This makes for an effective take on just how bad things can get surrounding Sgt. Sarchie. The worst it gets is body contortions and really freaky looking faces. The special effects themselves though are well done. There's no areas in the run time that look heavily edited or overly fake. Though some of the events that happen are questionable as to if they actually happened at all. Of course this comes with the understanding that certain liberties will be taken with the story that was given from the original source. The question is, exactly how much of it is true? That's to be debated over since the screenplay is based off of a book by Sgt. Sarchie.
The camerawork was well done too. Filmed by Scott Kevan, the cinematography is displayed competently. There are dark areas throughout the film but it is not to a point where the audience will not be able to see what is happening. If anything it helps emphasize how peculiar some scenarios get. Occasionally there is some shaky cam and dutch angles, but it occurs quite infrequently that it's not really a bother. Kevan was also the cinematographer to Cabin Fever (2002), Death Race (2008) and The Darkest Hour (2011). Composing the film score to this feature was Christopher Young who has not only worked with Derrickson before but has done many horror scores in general. Sadly, what's only heard here are repeated tracks from other movies like Sinister (2012), and the rest are all stings. It's pretty underwhelming because only a couple areas actually sound unique.
Music and story execution is unfortunately a large portion why the movie could not be as good as it presents itself. Yet the actors, horror visuals and premise make the view enjoyable to watch for the most part. It's decent enough to warrant at least one watch but that's it.
The story for this movie displays events that allegedly were told to be true by a New York police officer named Ralph Sarchie. According to him, he came across a number of strange moments where he would be on duty and witness abnormal actions by people. Playing Sarchie is Eric Bana and soon he teams up with a priest by the name of Father Mendoza (Edgar Ramírez) who believes the cases are related to a greater evil. With the screenplay adapted by Derrickson and Paul Harris Boardman, the execution of the story feels very similar to that of Sinister (2012). At the start, the plot will capture the viewers' attention, but over time it begins to lose its grasp on what matters most. This is unfortunate because initially it has an interesting detective supernatural vibe going for it, but then it turns to a rather conventional method of execution and begins to lose traction.
And there's a reason why the play out to this feature feels similar. The explanation to this is that Paul Harris Boardman has been a familiar writer to that of other Scott Derrickson productions, surprisingly not Sinister (2012) though. Putting this aside however, the acting by the main cast is fairly good. Eric Bana as the tough Sgt. Sarchie has a captivating presence along with his partner Butler played by Joel McHale, who seems to find a way of making light of any situation. Olivia Munn is also involved as Sarchie's wife who adds some tension to the story being that most married protagonists are easily held as leverage. Edgar Ramirez as Father Mendoza has a peculiar back story working with the supernatural and also serves as a good backup to Sarchie. Lastly there's Sean Harris who plays a significant part to the plot, and Sarchie's investigation.
The visuals to the film were properly placed. Derrickson has done horror films before and this one does not divert from what's been done before. The gore is not over the top but can get grotesque.at times. This makes for an effective take on just how bad things can get surrounding Sgt. Sarchie. The worst it gets is body contortions and really freaky looking faces. The special effects themselves though are well done. There's no areas in the run time that look heavily edited or overly fake. Though some of the events that happen are questionable as to if they actually happened at all. Of course this comes with the understanding that certain liberties will be taken with the story that was given from the original source. The question is, exactly how much of it is true? That's to be debated over since the screenplay is based off of a book by Sgt. Sarchie.
The camerawork was well done too. Filmed by Scott Kevan, the cinematography is displayed competently. There are dark areas throughout the film but it is not to a point where the audience will not be able to see what is happening. If anything it helps emphasize how peculiar some scenarios get. Occasionally there is some shaky cam and dutch angles, but it occurs quite infrequently that it's not really a bother. Kevan was also the cinematographer to Cabin Fever (2002), Death Race (2008) and The Darkest Hour (2011). Composing the film score to this feature was Christopher Young who has not only worked with Derrickson before but has done many horror scores in general. Sadly, what's only heard here are repeated tracks from other movies like Sinister (2012), and the rest are all stings. It's pretty underwhelming because only a couple areas actually sound unique.
Music and story execution is unfortunately a large portion why the movie could not be as good as it presents itself. Yet the actors, horror visuals and premise make the view enjoyable to watch for the most part. It's decent enough to warrant at least one watch but that's it.
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Líbranos del mal
- Filming locations
- Abu Dhabi, United Arab Emirates(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $30,577,122
- Opening weekend US & Canada
- $9,740,471
- Jul 6, 2014
- Gross worldwide
- $87,937,815
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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