Martin van Waardenberg delivers a unique (but not ecessarily good) cinematic experience with Ome Cor. A film that embodies the spirit of Rotterdam. Shot with minimal resources and dedicated to supporting the Sophia Children's Hospital, the project itself is a commendable achievement. Shot with only one camera and a drone, this film showcases creativity at its best.
The plot of Ome Cor takes a backseat to the film's overarching purpose: celebrating Rotterdam. From the iconic Erasmus Bridge to the rugged charm of the harbor to De Kuip; the city is beautifully captured. Despite being limited to a single camera the cinematography impresses. For locals the film offers a delightful sense of familiarity while outsiders can enjoy a lighthearted glimpse of the city's essence.
Van Waardenberg shines as Ome Cor. He portrays a down-on-his-luck petty thief struggling with life's misfortunes and a strained relationship with his daughter, played by his real-life daughter Floortje. This father-daughter dynamic combined with cameos from notable Rotterdammers, including the mayor, keeps the story engaging and full of surprises. While the plot won't revolutionize cinema it provides enough substance to hold your attention.
Ome Cor isn't trying to be high art and that's precisely why (at least in my opinion) it succeeds. It's a delightful love letter to the city by the Maas. Brimming with humor and simplicity. Will it leave a lasting impression? Perhaps not. But it's undeniably worth a watch. It offers the charm of a cabaret performance stretched into a film.