IMDb RATING
6.0/10
1.4K
YOUR RATING
In the fall of 1950, Nat 'Sweetwater' Clifton makes history in his journey to become the first African American to sign an NBA contract, forever changing the game of basketball.In the fall of 1950, Nat 'Sweetwater' Clifton makes history in his journey to become the first African American to sign an NBA contract, forever changing the game of basketball.In the fall of 1950, Nat 'Sweetwater' Clifton makes history in his journey to become the first African American to sign an NBA contract, forever changing the game of basketball.
- Awards
- 17 wins & 3 nominations total
Herbert 'Flight Time' Lang
- Babe
- (as Herbert Lang)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter decades of failed attempts, thanks to efforts by the Naismith Hall of Fame and writer-Director Martin Guigui, in 2014 Sweetwater Clifton was finally inducted into the Basketball Hall of Fame. At the press conference, Sweetwater's daughter Jataun Robinson accepted on her deceased Father's behalf and said "It's truly an honor, and it's about time."
- Quotes
Mrs. Lapchick: Look at me. You are Joe Lapchick. You don't have to break through a wall. You just go get Sweetwater, and you climb over that wall with him.
Featured review
Sweetwater showcases a unique blend of well-known actors, captivating locations, and meticulously crafted vehicles and props. While the production elements were undoubtedly impressive, my overall experience was marred by underwhelming acting, uninspiring cinematography, and a narrative that felt forced, often relying on guilt-tripping. More on that later.
Let's start with the positives. The film's production team spared no expense in assembling a stellar cast of accomplished actors. Their presence undoubtedly lent credibility to the project and provided a glimmer of hope for an engaging story. Additionally, the attention to detail regarding locations, vehicles, and props was commendable. Each scene felt authentic and immersive, transporting the audience to the United States in the early 50's.
However, despite these strengths, Sweetwater ultimately falls short in some critical areas. The acting performances, unfortunately, failed to live up to the talent of the cast. While they are capable actors in their own right, their delivery often felt lacking, lacking the depth and nuance required to bring their characters to life. This ultimately weakened the emotional impact of the story and left me feeling detached from the film's central conflicts.
Furthermore, the cinematography left much to be desired. The lackluster camera work and uninspired shot composition left me yearning for more visually striking scenes that could have heightened the overall viewing experience.
Another disappointment was the sound design and mix, which offered nothing particularly new or innovative. While the sound elements were technically proficient, they failed to create a memorable auditory experience. It would have been advantageous for the film to take more risks and experiment with soundscapes that could have enhanced the tension and immersion within the story.
Lastly, the narrative of Sweetwater felt overtly reliant on guilt-tripping white men, often presenting them as one-dimensional figures whose sole purpose was to shoulder the blame for historical injustices. While it's important to acknowledge and address societal issues, the film's approach felt heavy-handed and forced, detracting from the overall storytelling and character development.
I am not defending any of the actions that occurred during this time. I despise each and every form of racism. I also understand that this film could not make its point without showcasing the idiotic hierarchy of the color of one's skin, but it felt like a showcase of the moral superiority of the writers.
In conclusion, Sweetwater had promising elements, such as a star-studded cast, impressive production values, and attention to detail in creating the 50's American ambiance. However, weak acting performances, lackluster cinematography, unremarkable sound design, and a narrative that leaned heavily on guilt-tripping white people held it back from reaching its full potential. While the film may still find an audience among fans of basketball history, it ultimately left me wanting more in terms of execution and storytelling prowess.
Let's start with the positives. The film's production team spared no expense in assembling a stellar cast of accomplished actors. Their presence undoubtedly lent credibility to the project and provided a glimmer of hope for an engaging story. Additionally, the attention to detail regarding locations, vehicles, and props was commendable. Each scene felt authentic and immersive, transporting the audience to the United States in the early 50's.
However, despite these strengths, Sweetwater ultimately falls short in some critical areas. The acting performances, unfortunately, failed to live up to the talent of the cast. While they are capable actors in their own right, their delivery often felt lacking, lacking the depth and nuance required to bring their characters to life. This ultimately weakened the emotional impact of the story and left me feeling detached from the film's central conflicts.
Furthermore, the cinematography left much to be desired. The lackluster camera work and uninspired shot composition left me yearning for more visually striking scenes that could have heightened the overall viewing experience.
Another disappointment was the sound design and mix, which offered nothing particularly new or innovative. While the sound elements were technically proficient, they failed to create a memorable auditory experience. It would have been advantageous for the film to take more risks and experiment with soundscapes that could have enhanced the tension and immersion within the story.
Lastly, the narrative of Sweetwater felt overtly reliant on guilt-tripping white men, often presenting them as one-dimensional figures whose sole purpose was to shoulder the blame for historical injustices. While it's important to acknowledge and address societal issues, the film's approach felt heavy-handed and forced, detracting from the overall storytelling and character development.
I am not defending any of the actions that occurred during this time. I despise each and every form of racism. I also understand that this film could not make its point without showcasing the idiotic hierarchy of the color of one's skin, but it felt like a showcase of the moral superiority of the writers.
In conclusion, Sweetwater had promising elements, such as a star-studded cast, impressive production values, and attention to detail in creating the 50's American ambiance. However, weak acting performances, lackluster cinematography, unremarkable sound design, and a narrative that leaned heavily on guilt-tripping white people held it back from reaching its full potential. While the film may still find an audience among fans of basketball history, it ultimately left me wanting more in terms of execution and storytelling prowess.
- user-68-77889
- May 14, 2023
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Свитуотер
- Filming locations
- Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA(Stage 14 -Madison Square Garden- plus various exteriors and interiors in the backlot)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $541,633
- Opening weekend US & Canada
- $351,010
- Apr 16, 2023
- Gross worldwide
- $541,633
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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