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"If we don't love ourselves we use to attract towards new things but as soon as we began to love ourselves we feel confident and old things look prettier again." This is one dialogue from the movie's lead protagonist which teaches how one can come back to his normal life; English Vinglish is a sweet Laddu with almonds of a logical script, cashew nuts of nice music, raisins of love and pistachios of Hope. English Vinglish is not about just English classes, it's just a metaphor or platform to narrate a simple yet very effective story of self determination, self respect and love about family and love about ourselves.

English Vinglish is undoubtedly a movie about the Family, the children & their attitude towards their parents, the husband who does not see his wife skills and potential beyond a born Laddu Maker and yes, it's about a mother who lost her identity as a woman in the society after marriage being a house wife, as her world does not go beyond her family.

Shashi Godbole (Sridevi) is a simple middle class housewife living with her husband Satish (Adil Hussain) along with her daughter Sapna and a son named Sagar in Pune, India. She is an excellent cook searching for her own respect among children and husband due to poor understanding of English language. One day she got the call from her sister to visit New York to attend her daughter's wedding, but she was reluctant to go alone because of her poor English language, thou she finally agreed on her husband's persuasion. In New York, during her visit to a café she felt humiliated due to her understanding of English language which brought a reason for her to fight against the odds and make a place for herself. She left from there and suddenly saw an advertisement for four weeks English speaking classes and that's how she got the way to prove herself by learning a language which is global now and a synonym of 'Being Modern' in Indian societies called English, for Her VINGLISH.

Overall, English Vinglish is a memorable watch for the genuine script, superb performances, nice music and definitely the feel good factor it has. In Last scene, Shashi requests the air hostess a Hindi newspaper in English Language, and that's we called in Sridevi's MJ Style without getting 'Judgemental' –YoOO.

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English Vinglish is a beautiful journey that a middle class Indian housewife takes, to regain something she lost or probably never really got, ironically enough, in a foreign land with a foreign language as a tool.

The movie has a simple plan, and audience gets to know about it right at the beginning. There ain't any surprises or twists therein to wow you, its purely the execution of a simple yet universally appealing plot that makes English Vinglish one of the most beautifully made movie of the year.

This is a sort of cinema which has traditionally been oiled with loads of melodrama and any director would have wanted to do that considering the fact that people who are going to relate the most with the central character are most prone to be pleasantly affected by the overdose of melodrama ( Yes, I am being a little 'judgemental' here!). Credit must go to Gauri Shinde for shunning the temptation and going ahead with a recipe where she was able to create delight out of right mix of ingredients rather than putting a coating of sugar on the 'laddoos'.

Make no mistake, the feel good factor of the movie isn't there just because all the pieces have been put together in the correct order but also because there are layers attached to the story and the characters. These layers help English Vinglish surpass the expectations that an ordinary viewer would have had with it before stepping into the cinema theatre. These layers have been treated with utmost care and are interwoven in the script with great skill. Even though the plot of the movie doesn't encapsulate many genres, the scenes are successful in generating a range of emotions. Thanks to the central plot, humor becomes a part of majority of the scenes and it is never forced upon you.The entertainment quotient of EV is way more than one would have expected.

There are a few sequences which could have easily gone in the zone of 'Oh, thats ridiculous!' but yet they were right there in the 'that will do all right' category and this was only possible because of masterful Sridevi who hasn't lost even an inch of her charm and she still stands way ahead of any of the contemporary actresses when it comes to the art of acting. Her presence is so overpowering that one hardly notices or gets annoyed by certain instances of manufactured dialogues and stereotypical display of characters. The journey, the transformation and its impact on the movie and the audience wouldn't have had half the quality had there not been Sridevi at the helm. Every other actor (and guest actor) plays their part well enough to create the right garnish for this savory meal.

Without taking any credit away from Gauri Shinde, everything from costumes, to music and locations to screenplay had impressions of R Balki's(producer) previous works and he would have been of great help in the making of EV as well.

The affect that English Vinglish will have on a particular individual will depend on the relationship that he/she has with the one/two women that hold the most important place(s) in their lives. The degree of impact will vary, though one thing is for sure, it will only lie on the right side of the axis.

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Many will know I have been following Bollywood films over the last few years with keen interest, with one of the prime reasons being, why not? We have dedicated halls and screens which are always showing the latest the industry has to offer, very often having same day premieres, and I cannot fathom having to close this option off for the lack of language ability. English subtitles is a boon, and my only option to understand what's being said on screen. English is of course the plot element here in this film, written and directed by Gauri Shinde, who has made a film that's strong in heart, and powerful in performance.

I'm talking about Sridevi's comeback to cinema, having retired some 15 years ago to raise her kids. And this leave of absence surely helped her in her protagonist role here, but more on that later. For those unaware, like I was previously, Sridevi is arguably the best actress Indian Cinema has produced over the last few decades, and it is only today that I fully understood why. Her performance as Shashi, the traditional Indian housewife, is impeccable, and the littlest of nuances put into her role, reaped results in the manifold. As a line of dialogue described, her eyes are like coffee drops in a saucer of milk, and that in itself is an understatement.

Charisma is something that you have, or have not, and Sridevi's presence is something that arrests your attention immediately when she comes on screen. Carrying the entire movie, it's unbelievable to think that she's pushing 50 already, as her performance here will probably inspire many actresses of today's generation sit up and take note, to realize that they still have a long way to go to reach a fraction of her level. I'm sold, impressed, and very eager to catch up on her filmography to see what more she had to offer during the 80s and 90s when she was at the peak of her popularity then.

Her comeback in English Vinglish is a casting coup for its filmmakers, and let's not forget Shinde's story which was custom fit for her as well, playing the role of a mother, which probably made it quite an easy transition back to the industry. But it's an important role because one of the key takeaways from the narrative, is how we often take those who love us for granted, and as part of the process, inadvertently hurt them too. We may not realize it, or sometimes we do, but these hurt will likely be the worst possible. A callous word and a careless comment go a long way, and is difficult to, or sometimes cannot be taken back.

It's something many of us have been through and experienced, regardless which side of the equation one was on, where respect does not get accorded, and where words go out to make others feel small about themselves. In Shashi's case, this happens to be her lack of command in the English language, perceived to be an ability of social status, made quite unbearable when her children thinks it so, and when her husband (Adil Hussain) also gets in on a private joke with their daughter.

The film's story worked on many layers, and what I especially admired is how Sridevi becomes the spokesperson for lessons without being too overt about it, save for the ending speech that hammers in the emotion, and is sure to make your eyes well up. It deals with, on a macro level, how as humans we should be helpful and tolerant to those who don't speak our language or understand our culture, that one shouldn't be made to think one's superior just because, or make the other look small. And on the more micro level, the structure of the family and its importance. All these and more, told through a story about a woman finding her inner strength to stand out, stand up and be counted, building and reinforcing confidence that she's more than just a Laddoo machine.

But social factors aside, the more obvious ingredient that's put into the movie, is the Mind Your Language type scenes when Shashi enrolls herself into an English crash course to learn conversational English in four weeks. Instead of Mr Brown, there's Mr David (Cory Hibbs) the teacher (whose sexual orientation again highlights the differences in the human race and the need for tolerance and acceptance), and a motley crew of classmates from various parts of the world bonding together. From a woman who centered her life around family, building a network of friends became something of a lifeline of sorts, in keeping life interesting through the sharing of experiences, and of course, food.

English Vinglish has everything a typical Indian film contains, from comedy to romance - handled with such maturity - culture and language. What more, it has Sridevi's remarkable return, showing why she was, and still is, one of the iconic female actresses ever to grace the screens of Indian Cinema. A definite recommendation, and though formulaic at parts, is delivered with such slickness, that I'd shortlist it as one of the best this year.

The essence of few stories lies in its simplicity portraying characters from our day-to-day lives and their struggle. English Vinglish is one such beautifully woven simple concept with which audience can identify themselves.

English Vinglish is the story of Mrs Shashi Godvale,a regular home-maker from an upper middle-class household whose life revolves around doing the regular household chores. Alongwith homemaking she keeps her passion for cooking intact and within the homely set-up started a small scale business by making laaddoos. Her potential never gets the due diligence from either her indifferent husband who seem to get charged up only in bed, or her daughter who is ashamed of her mother's lack of English knowledge. It seems her lack of sophistication has even crafted the gap with her husband. She is more connected to her little son and her caring mother-in-law. Under circumstances she lands up in New York for her elder niece's wedding and eventually in an English tuition class and the story follows how her life changes thereafter. Learning a new language is symbolic of a key to regain her long lost confidence and self-esteem.

Gauri Shinde's directorial debut needs to be applauded for the sheer treatment of the film. She wrote a dignified script which never crossed the line becoming overtly-dramatic. Her skill lies in passing a relevant message without getting didactic. The film re-iterates the importance of woman in our lives. In fact it is dedicated to all the middle-class housewives who are never valued in their own household in this patriarchal society.Mrs Godvale showcases pathos of all such women who are dying under the burden of inconsequential existence even though they have significant potential unexplored. Shinde's script does justice to all the characters. The characters are simple and relatable. Mr Godvale is never depicted as a wife beating devil or an infidel husband. He is just a regular working professional who has lost interest in her wife due to cultural differences and sadly that's the scenario of most arranged marriages (still) happening in our country where the wife is not at par as husband in terms of social strata. Such a marriage becomes a compromise, unsigned deal where physical proximity is rampant but the mental bonding is like searching meaning in a RohitShetty film.

The English tuition reminds us of famous yesteryear serial "Zaban Sambhalke" where genius Pankiaj Kapoor played the Hindi teacher. There we had hybrid of cultures which created hilarious sequences due to their differences but by the end they got united under the umbrella of a common language. The setting is similar here and the students here are well-edged characters who help in elevating the pace of the film. With mixture of various cultures the experience that comes out is satisfyingly hilarious. Using the back-drop of the tuition class Shinde throws subtle hints on different issues like Indo-Pak peace, tolerance towards homosexuals and understanding them etc. She even used this medium to hint on the hypocrite mindset of male dominated Indo-Pak society as they verbally attacked the French student for openly admitting his soft corner towards Shashi. The relationship between Shahshi and the french student Laurent reminded of relationship shown in WoodyAllen's films. As she converse in Hindi and he reciprocates in French, there seem to be exchange of bouquet of emotions even though they are alien to each other's language. That's the power of feeling and mutual respect which Shashi wanted from her husband. Shashi & Laurent relationship remained as sweet and subtle as the rest of the film. The film can be summarized in one statement of Godvale where she sadly exclaimed that she doesn't need love; she needs Respect. It seems majority of the woman of India is speaking through her and with watery eyes I remember my own mother.I had even lost the opportunity to hug her and openly express my love for her which I never did while she was there beside me 

Technically the film is well edited by Hemanti Sarkar. The scenes never looked dragged. Utekar's cinematography added the feel-good factor without swaying into K Jo style of escapist extravaganza. Amit Trivedi's music is, as always, rocking. He manages to surprise with every film and his music syncs with the mood of the film, never looking like a separate music album unlike most music directors' scores. Swanand Kirkire is a gifted lyricist and he proved his mettle yet again.

And special mention to casting directors (Rita & Sean Powers) who came up with some brilliant and off-beat cast for the film. Sridevi is plain brilliant as Mrs Godvale. I was never a Sridevi fan but was amused by her potential which I felt was never utilized to the fullest barring few films. She looked confident and underplayed her role to suit the character. Adil Hussain as her husband is expectantly efficient and did justice to his NSD degree. One of the finest actors, I sincerely hope this film opens more doors for him. Experienced French actor Mehedi Nebbou was fantastic in the role of Laurent and expressed with his eyes. His equation with Sridevi deserves mention. Priya Anand is spontaneous as Shashi's niece who instills confidence in Shashi's character. Cory Hibbs is rocking as the English teacher. The whole bunch of actors as the students of English tuition are superb. Rest of the supporting cast are all splendid especially the adorable kid who played Shahshi's son. Amitabh Bachchan is present in a meaningful cameo in the flight scene.

Overall English Vinglish is a simple and linear yet effective,a touching story of majority housewives of our previous generation. While we are heading towards a more independent society we sincerely hope the mindset towards our woman changes so that we can Really be Proud of our culture and parampara.Hope the time is not far away with more Godvale's understanting their worth and fighting to earn back their dignity rather than letting oneself to be a subject of sympathy.

For about the last 3 years, i have special interest with Indian movies. I found out that Indian movie is worth to watch, the idea of the story is original, based on India everyday life, problem, dilemma. I know Vinglish was something when I read about the plot. This is not about romance between two countries, love which separated by time and distance, unapproved love. This about a good housewife who was very loyal and serve her family entirely. Her name is Shashi. She had side job as a laddu maker (Indian traditional cake). But one thing which become a family joke all the time was her inability to speak English. A very obvious moment how embarrassed her daughter, Sapna, with her was when she should replaced her husband in school meeting (reports day). This the new information to me, in some schools in India, the daily language is English. Sashi unable talk in English and asked the teacher talked in Hindi, Sapna glared at her and refused talk to her on their way returned home. Not only Sapna, her husband, Sathish somehow disregarded her ability as a laddu maker only.

Sashi asked by his sister to help her prepared her wedding's daughter in US, Sashi willing to help, but the consequence was she must leave by herself. The others family member would joined her later. Sashi was afraid because she unable speak English and this is the first time she left her home all by herself. But eventually she left. With full of happiness meeting her sister and nephew, Radha, she's still bothered about the embarrassment of her daughter and what her husband said.

One day she saw an ad about learning English fluently on 6 weeks! Sashi showed her interest and memorized the number. She sign up herself for the program secretly. In this course she meet a cute French guy, Laurent, who helped her in the other day. He fancy her which was just too visible! Sashi enjoyed the class very much and followed the lesson well. She gained confidence and decided to follow the class till the end of the program. But Radha found out Sashi walked with Laurent, and asked who was he. Sashi revealed she took an English course and Radha supported her. Will Sashi finish her English course? Which one Sathi choose, Sathis or Laurent? You should find it by yourself by watching this humor-drama movie!

Many scenes become my favorites, conversation between Amitabachan and American Immigration officer is one of. Gauri Shinde as a director, was very rigorous present it in a smart way, which is mostly I found in Hollywood movie. As an Indian movie, i gave you all my thumbs! :)

After long gap of 15 years Sridevi's flick has released.The story of movie is so cute.Family,friends anyone can watch this movie. The movie is about a married woman who doesn't know English language and has always been humiliated by her daughter,hubby and people around her.. Later she decides to learn it and teaches a lesson to all people who humiliated her because of not knowing English well. This flick makes you realize that 1.Don't ever accuse and make fun of people about their weakness who knows what they will be in future.. 2.Its you yourself who can make you learn and be successful.Don't rely on anyone not even on family members. 3.Family love is everything else is worthless.

Superb! Fantastic! Definitely worth a Standing Ovation! This movie is a winner all the way. Right from the script to the characters, everything falls in place. Very difficult to find faults, in fact there is no need to find faults. This movie takes you on a journey of a typical Indian housewife who can hardly speak English. The treatment of the movie is such that you feel a connection with the movie. The best 'part' of the movie is, of course, Sridevi. Yes, The Sridevi. Her acting is so natural and realistic that you feel the emotions that she is going through in the movie. Sridevi has proved once again (after a break of 15 long years) that she is still the Queen of Bollywood, the so-called Female Amitabh Bachchan (as she was known as in the 80s & 90s). I saw this movie today in an overseas theater and not surprisingly, the theater was mostly full of mature audience, her fans. The movie and Sridevi's performance is worth not only many Filmfare Awards but most definitely an Oscar! Well Done Sridevi!

For someone who has been born and brought up on English medium schools, and I don't say this proudly, but for whom English is his first language of thought, it is very hard to put self in Sridevi's shoes. Someone, who doesn't know English, but in all other ways is very competent. Someone, who is constantly the butt of family jokes and jibes, especially by the husband and the rapidly growing daughter. That the film succeeds in making us feel her angst, and her ways of coping with it, showing the kind of situations she encounters, especially when she goes to New York, is a tribute to the story and the performances, especially the virtuoso acting masterclass by Sridevi, who shows, in more ways than one, that she's still got it !

The debilitating effect of not knowing the language is brought alive by her mispronounciation of 'Jazz', a visit to her daughter's PTA, her solo trip to New York, handling immigration, her ordeal there buying coffee and various snide ones by both her husband ('She is born to make laddoo's') and her daughter ('Why did you take my book if you cant read ?'). Redemption arrives when she decides to take English lessons, while in New York, visiting her sister to help with her niece's wedding. She finds unlikely allies in the sister's house and a gallant, romantic French fellow student. And suddenly, life is not so bleak anymore.

The film tries hard not to get too sentimental, balancing every tear with a chuckle or a smile. Amitabh Bachchan's delightful cameo, the other madcap students in the English class, none as zany as Salman Khan, the Pakistani, the cheerful nature of her son, her own special, sari-clad Michael Jackson impersonation, all serve to smoothen out the various trials and tribulations thrown her way.

Sridevi makes you root for her, getting her every expression, every frown, every smile spot on. Most of the other characters are stereotypes – the busy, indifferent husband, the cute son, the gallant Gaul, the bombastic Pakistani etc. But she has shades to her character, moments of weakness followed by instances of strength. Waffling indecision followed by gutsy action.

Isn't life about communication, rather than the language ? About the message, rather than the medium ? When / How did we get so snobbish about how different people speak, their accents. As the film rightly asks, why have we become so judgemental merely based on the persons attire, language ? Surely there is more to life than that ? More at www.apurvbollywood.blogspot.com

If creative intellectuals have their way, when the history of Indian Cinema is written, it will be written in two parts: Before Sridevi and After Sridevi. With due respect to Dilip Kumar, Kamal Hassan, and even Amitabh Bachchan, Sridevi stands as the sole female actor in a country whose native cinema has historically preferred its women to be little more than ornamental showpieces to equal and even generally outrank and outshine her male counterparts by building a legacy that is as artistically rich as it is historically significant.

She has achieved every benchmark befitting a historic thespian who is now commonly referred to as "India's Meryl Streep": as the only Indian actor (male or female) to have achieved supremacy in every major regional language of the World's Largest Film Industry, her return to the silver screen is not one that can go unnoticed. This is, to put it mildly, The Return of the Queen.

And now, at age 49, she reinvents the wheel yet again, giving audiences reluctant to view women past the age of 35 as anything other than matronly spinsters a fully existential view of middle-aged femininity that is somber, sweet, and wholly unlike anything Indian cinema has ever dared to say about women of a certain age. Fifteen years after her last film, Judaai (in which she triumphantly played a materialistic husband-selling virago), she returns to the big screen with a difficult but simple story of a middle class housewife named Shashi who finds her life, relationships, and identity limited by the fact that she cannot speak English.

Summoned to New York by her sister to help with the preparations for her niece's upcoming wedding, Shashi finds herself confronted with ideas, customs, and individuals that, while foreign, are not wholly alien to her. She doesn't mind that strangers offer her wine on planes, or that gay couples stroll hand in hand on the Upper West Side. Shashi should be a narrow-minded and provincial simpleton. She is, instead, a warm and accepting woman with a heart of gold who simply doesn't know the language of the world. Or does she?

Like all Sridevi creations, Shashi is complex in both her design and her ambition. Unlike all other Sridevi creations, however, Shashi is firmly rooted in reality. Sridevi has almost exclusively been held to the larger than life standard that has enabled her to play some of the most unique and legendary characters ever enacted by any actress, Indian or otherwise. As Mani Ratnam famously said in 1995, "Asking Sridevi to play the typical heroine role is like asking Picasso to paint your wall."

With due respect to Picasso's creative process, Sridevi is able to conjure miracles in seconds. Shashi has no grand designs on life. Her only desire is to be taken seriously, to know that she is as important as her family members that converse and operate in English when at the office or at school. For her, there is no tragic event that becomes the impetus for her desire to learn English. It is the cumulative effect of a thousand petty humiliations, borne upon her face day after day, as she is derided, diminished, and dismissed as being less than. Shashi knows that she is capable and intelligent; her mind is as open as her heart; and yet no one will take her seriously.

Despite the supporting cast's best efforts, all of the film would be for naught were it not for the heart-poundingly delicate performance from Sridevi who elevates the film as only a master can. That Sridevi is a world-class thespian does not need to be repeated. What does bear pointing out is the utterly flawless way in which Sridevi communicates Shashi's building frustration with her linguistic limitations at every moment when she is derided or disdained by her daughter, husband, or random strangers abroad. It becomes clear to Shashi that no one – not even her loved ones – view her as an individual. She is only to be considered in terms of her social relations- as wife, mother, homemaker. That she is an existential being in her own right, with her own desires and ambitions, is something only Shashi asserts, albeit in complete silence. The look of muted broken heartedness that Sridevi conjures at every slight is something to behold: she swallows her humiliations with bitterness, unsure that this is the way things are supposed to be. Sridevi's frankly perfect performance gives rise to more than just her second innings as an actor: it heralds the beginning of a new Golden Age in Hindi Cinema.

Such expectations aside, critics and Sridevi fanatics alike have all been asking the same question: where does her portrayal of Shashi rank among her legendary performances? Is it of the caliber of her greatest achievements Sadma, Chaalbaaz, Mr. India, and Lamhe? Does it deserve the same consideration of her landmark work in movies like Chandni, Gumrah, and Laadla? All I can positively assert without any hesitation is that Sridevi's Shashi allows her to produce a fine and finessed performance that is unassuming and wise at the same time. Sridevi has long been "afflicted" by the demand that she play only grandiose women. Even "ordinary" women like Chandni became larger-than-life purely because Sridevi was playing them. Her very essence speaks to the isolated, the elevated, and the unique.

As R. Balki has recently said of Sridevi, an actress of her ability is born but once in a thousand years, and that she must continue to act, not only for the sake of her own career but for the sake of cinema itself. Some artists are their medium in such definitive ways that their absence means a weakening of the entire medium itself. Sridevi is, almost 50 years since the beginning of her career, the purest distillation of Acting India has ever known. And if the 15 years since Judaai are any indication, she will remain thus.

Bollywood legend Sridevi returns in a starring role as Shashi Godbole, a small time homemaker/ housewife and mother of two who makes and sells laddoos on the side. Her poor grasp on English is ridiculed by her husband, Satish, and teenage daughter, Sapna.

Shashi's niece is to get married in New York, where she is settled, and she has to go a few weeks ahead of her family to help her sister with the arrangements. In her time there, she secretly enrolls in a conversational English class geared to help improve her English in four weeks time. She bonds with her fellow students and soon proves to be the most promising student there, watching English movies and reading English newspapers in her spare time.

Her husband's ridiculing is irritating, but a realistic scenario that you can find in such a family in India. But her daughter's irreverent and downright rude attitude is atrocious. A few tight slaps could have made the ending a lot better... but that's my opinion.

It is a well crafted movie, with a well grounded, realistic premise. The improvement in English is gradual, and Sridevi nails the gradient well, with just a few exceptions (Mid way through her classes, she absent mindedly places an order in perfect English; a perfection her character doesn't master even towards the end of the movie. That was slightly distracting, but I'm nitpicking). At 49, she is stunningly beautiful, and a far better actress than most leading ladies in Bollywood today. Hopefully, we'll get to see more from her.

"English Vinglish" is a film that only a woman could have made. Gauri Shindi lends her feminine sensibilities to the film which is why it is a big success. She captures the nuances in a typical Indian housewife's tryst with her kids and husband.

Although there is no true villainous character in the film, it is painful to see the leading lady Shashi (Sridevi) suffer unintentional humiliation at the hands of her teenage daughter and husband because of her inability to converse in English.

It is very satisfying to see her grasp the basics of the English language and thereby gain self-confidence. Her English class has an interesting mix of students from across the world including a Frenchman who is besotted with her.

The feel-good nature of the film can be attributed to the final scene in particular in which Shashi delivers a thoughtful speech in English. Loved the film but didn't think too much of the soundtrack, especially the track "Manhattan". Also felt that her experiences with people in America were sugar-coated.

Nonetheless, the film was worth its time. I'm looking forward to introducing my mother to this film.

Good things come in small packages and "English Vinglish" is the latest addition to such a package.Simple,sweet,predictable film which never tries to do more or different, much like its lovable protagonist.Sridevi is terrific in her comeback venture and gives a performance which would rank among her best along with Sadma. Debutant director Gauri Shinde's blotted approach,treatment, casting and crisp editing makes EV a joyride which could be otherwise a saccharine tale of a lost housewife.Adil Hussain, Mehdi Nebbou(remember Munich),the two kids,the niece,the teacher,the class-mates are all perfect in their roles and add so much without trying anything at all.As a feel good movie to bring a smile to your face, I found it way better than Barfi,the latest sensation.You can avoid it if you are not much into sweets but if you try this LADDU without being much JUDGEMENTAL you may end up liking it.Anyway,it does not have much side effects.

English Vinglish directed by Gauri Shinde is an outstanding movie.

English Vinglish also marks the comeback of Sridevi,who plays the role of Shashi with bravura! Story: A belittled and insecure Indian housewife,Shashi (Sridevi) enrolls in an English language class.

The movie's only drawback is the slow pacing.But yet,first-time director Gauri Shinde does an excellent job in making this movie a delightful one.

The music is soothing.

The cinematography is top-notch.

The dialogs are well-worded The screenplay is water-tight.

Performances: Sridevi rocks as Shashi!I feel that her performance must earn an National Award.If not at least a Film-fare Award.Kudos to her! Amitabh Bachchan,although in a cameo steals the show.The whole theater went berserk when Amitabh Bachchan makes his appearance.His comic timing is superb!He truly rocks! Adil Hussain is efficient.Navika Kotia and Shivansh Kotia as the children,act well.

Cory Hibbs as David Fischer,Rajeev Ravindranathan as P.Ramamurthy,Ruth Aguilar as Eva,Damian Thompson as Udumbke and Sumeet Vyas as Salman Khan play their parts very well.Mehdi Nebbou as Laurent is good.

All in all,English Vinglish is a must-watch for everyone.I am giving it a nine out of ten.Strongly Recommended!If you miss it,its your loss!

I have seen this movie numerous times till date but tonight while I was watching it again, I felt a sudden urge to write a bit about this movie.

English Vinglish is one of the most original, priceless movies to have come along in the recent past.

A very big salute to Gauri to have written such a script and for the way Sridevi acted in this film. I am spellbound every time I watch it. There are so many scenes, so many of them in which you will be amazed by Sridevi's expressions.

Each and every time I watch it, I love it all the more. English Vinglish emotes numerous feelings: Its about the purest form of love- a mother has for her children. The way she hugs her kid, attends the PTA, does the michael jackson dance, cries on leaving her family back home while traveling to US. Its about fighting your inner fears. Its about respecting your mother and so much more.

The entire cast of the movie was superb. Her family and the members in her English class, all were outstanding. Amit Trivedi's music was fantastic and complemented the movie perfectly. Some dialogues were quite impressive especially "When you don't like yourself, you tend to dislike everything connected to you. New things seem to be more attractive. When you learn to love yourself, then the same old life starts looking new, nice." That is what life is and couldn't have been put in better words.

At the end the only thing I would like to say is that this movie is very close to my heart. Its one of the most refreshing movies you will ever come across and it will leave you with a big smile on your face. And lastly, she deserved the best actress award that year, every bit of it. I am not saying that others didn't deserve, but Sridevi's performance was at par with the rest. Till date whenever I watch this movie I feel extremely disappointed for her not receiving the best actress award for English Vinglish.

A delightful film that must be appreciated of its simplicity in delivering an important message.

How important are the feelings of those, who do not know a language that we speak so much. Is it right to belittle those for they can be good in something else? Is it right to disrespect parents and feel embarrassed when they do not know English?

More than anything else, this is the tale of a mother who is being deserted by her kids and husband for she does not know a language that they all speak. And she learns it to redeem her respect. I loved the way Sridevi carried herself and am so very happy seeing her back on the silver screen which she set ablaze many years ago with films like Chandni, Mr. India and Chaalbaaz to name a few. Sridevi is indeed the best part of this film, as she has a poise that subdues the flamboyance and the stardom of her and gets her into the character. So what I saw here was Shashi (Sridevi) more than Sridevi and that's great to begin my review with.

If you loved a movie like PAA, then there are definite chances that you may love this too, coz it takes the simplicty from there and applies the same to a different story. I loved PAA, so I loved this one too. But even if you dislike PAA, try this and you may have a surprise then.

The good thing of this movie is it's writing, take that scene in which Shashi gets a call from her daughter when she was looking for her scrapbook, and here it is

Shashi : "Maine use chupaya taaki main bhi na padh sakoo" Daughter :Padhna Aaye tab na"

That is, "How can you read, when you don't know"

The supporting cast has also done well from a French cook to a Pakistani guy, they all teamed up well, but it has it's share of not so likable or rather preachy moments like the teacher being gay. But I will give in to all that, coz it is done quietly and not making fuss.

Be it the climax, it was done in a subdued manner and that is why it was beautiful for me.

I love this film for its simplicity and for just one reason "SRIDEVI" all the other technical departments did their job superbly but "SRIDEVI" did something really beautiful. Even the way she walked on those streets was graceful. Also, a mention to music and Amit Trivedi has given beautiful music.

Thanks Gauri and R Balki for giving SRIDEVI back to us with this. And thanks to SRIDEVI for doing this film. A 4/5 for this.

Good things come in small packages, and "English vinglish" is the best example of that. In my opinion, one of the best ways to judge a movie is by how it makes you feel when you walk out of the theater. To sum-up the experience of watching 'English vinglish' in one word - Beautiful!

I had the least expectations from a come-back movie of Sri Devi, but no one could have done a better job for this role. Sri Devi has the most realistic and lively expressions you will get to see in an actress. As my wifey puts it: "One of the most appealing characteristic of Sri Devi's acting is her ability to talk with her eyes", and you are going to see a lot of her eyes. Movie shows the ever-young face of Sri Devi for about 80-85% of the time, but you will never get bored of watching her or her "talking eyes". For all those people who wonder why Sri Devi still has a big fan following, this movie is the reason :-).

The story of 'English vinglish' has a very nice flow to it. You are going to be surprised as to how simple the story is and what a brilliant job the creators have done to shape it into a master-piece. If not for the last scene, this movie would have scored the max points on my ratings, but kudos to the director for keeping it real. Putting aside the acting of Sri Devi, all the co-actors too have done an excellent job in keeping the movie entertaining. Not the mention the unexpected appearance of a guest Super-Star in the movie was a pleasant surprise too. But nothing beats the feeling of an "expected bad" movie turning into an awesome one.

My suggestion: Perfect for family, couples, and friends, as there is something for everyone to take away from this movie. Just try to not focus on Sri Devi's surgically enhanced nose:-) (Bummer!)

This movie was released in multiple languages. I saw this movie in the Tamil version. This movie is about a typical Indian woman who has trouble with English speaking and her New York expedition. The simple one line story is whether Sashi (Sridevi) succeeds her English learning mission? Coming to the lead role Sridevi has done it picture perfect in her role of a middle aged typical Indian women. She proves us that her acting skills are legendary through her expressions and dialogue delivery. Her casual looks suits the role perfectly. The whole movie we see her domination on screen. Priya Anand comes as Sridevi's niece and helps her to succeed in her mission. She didn't have much screen space yet delivers a decent performance and her casual advice to Sridevi about 'love after marriage isn't wrong' we see her American cultural influence. Other characters like the husband and daughter of Sridevi has fulfilled their roles in humiliating. Perfect group was the classmates of Sridevi all of them were so perfect in choice and did their part very well. The French cook with his love for Sridevi and the unknown language conversation between them was interesting. Surprise element in the Tamil version is Actor Ajith . He travels along with Sridevi to New York and comforts her during her flight with his comic sense. The only drawback we could feel when watching it in Tamil was we could not take the entire faces in the movie to be a Tamil people. The marriage ceremony was done in Marathi style where we cannot take that as Tamil culture. But we have to come face to face with the fact that this was a Hindi movie dubbed in Tamil. Except this cultural point the overall movie was clean in its scope and casting. Nice work by Director Gauri Shinde and team. We feel like when the movie ends as if we are out of the English class. Get in for a feel light entertainment drama from the house of "Cheeni kum" and "Paa". Verdict: "English Vinglish" Mission Spoken English accomplished .Definitely Sridevi sweeps it all. Reviewed by Balachandran Sivakumar

English Vinglish is a well made film about an Indian housewife's self- pride and her regained confidence. Its director Gauri Shinde's debut venture executed beautifully, which neither offends the people fond of using English, nor it forgets to feel proud of our own Indian languages lead by Hindi.

EV begins calmly with the charming Sridevi returning on the screen in her simplest avatar. She straight away wins your heart with her elegant presence and makes the viewer realize that no one can ever look more innocent on the screen than Sridevi, even today. The first half of the film is a complete winner as it never stresses upon the language, has some really good soothing songs and also holds a very entertaining pleasant surprise for the viewers, which is going to impress them all unanimously. Plus I really loved the way Sri declares intermission with an adorable Michael Jackson step right in the middle of a foreign street forcing you to fall in love with her respectful character played effortlessly.

Post intermission, the proceedings become a little slow and the script doesn't progress with the same energy of the first half. No doubt, impressive sequences keep coming in after every few minutes but still I strongly felt that the writer/director could have avoided the intentionally added love angle in the script used quite elaborately (Can't we make films without any love triangle?). The fun element goes missing in the crucial moment of its final hour which eventually affects the momentum for a while. However it all ends on an impressive note and you are bound to have tears in your eyes watching Sri's last speech at the wedding rendered superbly.

Regarding its inspirational factor, EV has only got some slight resemblances with the famous comedy serial Zabaan Sambhaal Ke or with its original version Mind Your Language but nothing more than that. Apart from its admirable simplicity, EV also has an impressive Background Score and some good soothing songs well composed by the talented Amit Trivedi. And he is fast becoming the most sought after music director by the thinking directors of such off-beat subjects. Cinematography adds a lot to this lovable venture along with a balanced art direction and a decent costume designing which catches your attention.

English Vinglish is purely a Sridevi film from start to finish and the reputed actress rightly chooses a good script which was just perfect for her much awaited come-back. Because after watching it, you cannot even imagine anyone else doing the role of Shashi in the film with such innocence and conviction. The character wins over the viewers in just a few minutes and then you take her home along with you after that memorable final scene written & performed thoughtfully.

Priya Anand as Sridevi's niece strongly stays there in the film along with Sri and the girl has got both the looks as well as the spark to do a bigger act. Adil Hussain, as her husband and Sujata Kumar as her elder sister perform well in their important roles along with Sulbha Deshpande, who is a complete natural making an appearance after a long gap. From the cast playing Sri's co-students at the English class, French actor Mehdi Nebbou says a lot with his expressions and acts fine but strangely there is no explanation given in the movie for what he actually says in all those French dialogues. And talking about the surprise element which I would not like to disclose…………, he is truly magnetic.

Moving ahead than just being a film for your entertainment, English Vinglish also gives two important messages to the society, particularly to the Indian Society mentioned below: One, it's really not fair to consider the humble house wives taking care of our homes as the least contributors in our daily life or in our materialistic growth (as done by the husband in the film). If truth be told then they are actually the "Base Makers" of that delicious "Life Pizza" we all keep on enjoying day after day without any routine hassles and obstacles. So those silent home-makers strongly deserve an equal status and respect by every single person in the family without any questioning.

Secondly, it's about the delicate issue of the changing relationship between the growing kids and their parents in our present age families. The issue gets highlighted through two child actors in the film namely Shivansh Kotia (Sri's son) & Navika Kotia (her daughter) who has a problem with her mother's inability to speak English. The girl feels insulted by this and takes no step to teach or help her own mother overcome this minor problem in her life, which she could have done easily. And this is the other issue which deals with the "Respect Factor" needed to be maintained between the parents and the growing kids of our families, who in most of the cases, think to be much more knowledgeable and ahead then their own parents & grandparents in many fields. Ideally it's the duty of the younger generation to teach or to take along their parents and let them enjoy the new blessings of this advanced world too as they rightly deserve it. The mistake is finally realized by the daughter in the film while Sri delivers her emotional wedding speech in the end with twinkles in her eyes and their loving hug brings the family back together as never before.

Therefore, English Vinglish is a film which deserves to be watched not only by all those House Wives who need to re-invent themselves urgently but its even a more essential watch for all the Husbands and Kids since it has got a valuable lesson for them too in its 135 minutes of entertainment. So do watch it with everyone in the family together and have a good time.

Sridevi is back from well over a decade hiatus to critical acclaim in this story that brings old traditions to the modern world. The story of an Indian woman who ends up in New York City and struggles to learn the English language while dealing with a society who is less than tolerable is a touching theme. The script conveyed the issues of what a stranger in a foreign land deals with so naturally you feel the characters insecurities and pain. The cinematography, score and production quality captured the spirit of New York City and pulled you into the heart of the film.

The supporting cast was extremely talented but the breakout star of this film was Yu Son played by Maria Romano. Ms. Romano lit up the screen and her performance stole the scenes. A true young starlet in the making and I would like to thank the director Gauri Shinde personally for recognizing such talent. The movie was wonderful but see this film if only to get your first glimpse of Maria Romano and see what the future of Hollywood will be!!!

English Vinglish

Hindi, 2012, 2 hr 13 min Genre: Drama, Comedy, Family Direction: Gauri Shinde Cast: Sridevi, Adil Hussain, Mehdi Nebbou, Priya Anand IMDb: 7.7/10

English Vinglish is one of those films that you can easily watch with your family, that evokes some laugh and that leaves a pleasant feeling after watching. The story revolves around a typical Indian housewife Shashi, beautifully done by yesteryear star Sridevi, who is made fun of by her own family due to her lack of knowledge in English. She feels hurt in her mind but do not share her sorrows. As it is, she has to go for US to attend her sister's daughter's wedding. How would she cope in the US without proper English? The movie also shows the mature relation between Shashi and Laurent, who is a soft spoken French cook staying in the US. The story says genuine communication requires no knowledge of languages (maybe true, to an extent). The storyline is filled with clean humor. The family values of India are also highlighted. Director Gauri Shinde, who also has written the film, should be lauded.