In 11th-century Persia, a surgeon's apprentice disguises himself as a Jew to study at a school that does not admit Christians.In 11th-century Persia, a surgeon's apprentice disguises himself as a Jew to study at a school that does not admit Christians.In 11th-century Persia, a surgeon's apprentice disguises himself as a Jew to study at a school that does not admit Christians.
- Awards
- 5 nominations
Makram Khoury
- Imam
- (as Makram J. Khoury)
Adam Thomas Wright
- Rob Cole (10 Years)
- (as Adam Wright)
Mohamen Mehdi Ouazanni
- Mirdin's Father
- (as Mehdi Ouazzani)
Fatima Herandi Raouya
- Mirdin's Mother
- (as Fatima Harrandi)
Storyline
Did you know
- TriviaIn the West, Ibn Sinna is referred to as Avicenna. He is renowned as a foundational figure in the history of medicine.
- GoofsMuslims never gave "sajda" (bending with their head down on ground) in front of their kings/shah. At most they bend a little while standing.
- Alternate versionsGerman TV version runs approx. 30 minutes longer.
- SoundtracksAmor es Aquella Cosa
Lyrics by Schirin Partowi
Music Composed by Ingo Frenzel and Schirin Partowi
Performed by Schirin Partowi
Orchestra: Deutsches Filmorchester Babelsberg
Featured review
The two hours and a half movie has a lot of good things going for it. First there is the acting, coming from people that are mostly quite unknown, but which is good even for actors in secondary roles. Stellan Skarsgård and Ben Kingsley do, as expected, a great job. Then there are the landscapes, starting from wet green Britain and ending in the Arabian desert. But of course, the best of it all is the story.
In an age where Europe is a cesspool of ignorance and filth, while the East is where the knowledge resides, the plot follows a young boy witnessing the death of his mother from an incurable disease, which I assume is appendicitis, and grows to want to become a healer. Pretending to be a Jew, he travels to the Middle East to train with a famous and wise healer, played by Kingsley. He proceeds in defeating diseases, healing friends and finding the love of his life, while religious extremism and violence stretch through the region.
Now, I have some qualms with some of the details of the story. I understand they tried to describe a larger piece of history in the span of a single movie and I also understand that drama requires brutal realism while the mechanisms of movie making require happy endings and satisfying the money people. However, there are some things that just don't sit well, like presenting Europeans as filthy barbarians using their faith only to oppress, the Arabs as either tyrants or violent zealots, while Jews are all nice, helpful and never take up weapons to hurt anyone. This kind of unilateral bias sours an otherwise quite nice and beautiful story. The repeated scenes of the Torah burning (oy vey) while tomes of medical knowledge burning in Ibn Sina's university were mere an afterthought is one of those things, too.
Bottom line: the switch from filthy barbarism to enlightened richness, from decadence to overzealous morality, from peaceful people to thieves and murderers and all back again makes for an inconsistent world. However it is a nicely presented world, with interesting well played characters in epic journeys that change their and the viewer's perspective on the world. A well done movie, I would have preferred it less biased and more focused, but one can't look a horse gift in the mouth; after all, how many new movies are there to advocate science and knowledge over special effects and cheap emotions? Good film. You should watch it.
In an age where Europe is a cesspool of ignorance and filth, while the East is where the knowledge resides, the plot follows a young boy witnessing the death of his mother from an incurable disease, which I assume is appendicitis, and grows to want to become a healer. Pretending to be a Jew, he travels to the Middle East to train with a famous and wise healer, played by Kingsley. He proceeds in defeating diseases, healing friends and finding the love of his life, while religious extremism and violence stretch through the region.
Now, I have some qualms with some of the details of the story. I understand they tried to describe a larger piece of history in the span of a single movie and I also understand that drama requires brutal realism while the mechanisms of movie making require happy endings and satisfying the money people. However, there are some things that just don't sit well, like presenting Europeans as filthy barbarians using their faith only to oppress, the Arabs as either tyrants or violent zealots, while Jews are all nice, helpful and never take up weapons to hurt anyone. This kind of unilateral bias sours an otherwise quite nice and beautiful story. The repeated scenes of the Torah burning (oy vey) while tomes of medical knowledge burning in Ibn Sina's university were mere an afterthought is one of those things, too.
Bottom line: the switch from filthy barbarism to enlightened richness, from decadence to overzealous morality, from peaceful people to thieves and murderers and all back again makes for an inconsistent world. However it is a nicely presented world, with interesting well played characters in epic journeys that change their and the viewer's perspective on the world. A well done movie, I would have preferred it less biased and more focused, but one can't look a horse gift in the mouth; after all, how many new movies are there to advocate science and knowledge over special effects and cheap emotions? Good film. You should watch it.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Tabib: Ibn Sino shogirdi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $36,000,000 (estimated)
- Gross worldwide
- $57,284,237
- Runtime2 hours 35 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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