A lesbian daughter fights off an arranged marriage in India while a religious fundamentalist targets an anti-extremist scholar in New York.A lesbian daughter fights off an arranged marriage in India while a religious fundamentalist targets an anti-extremist scholar in New York.A lesbian daughter fights off an arranged marriage in India while a religious fundamentalist targets an anti-extremist scholar in New York.
- Awards
- 2 nominations
Storyline
Did you know
- TriviaThis is the first film made in India which consists of real on-screen lesbian sex-scene.
- Crazy creditsThe end credits show in split screen, similar shots from the two stories in the movie.
Featured review
Unfreedom means to tackle pressing issues of the modern society. It seems like it was supposed to be quite an ambitious movie, and when one looks at its description it really seems so. The picture tells two separate stories: one is about a Muslim terrorist who comes to New York City to kill a controversial Muslim scholar, the other is about a Hindu woman, who is supposed to marry a man chosen by her father, but who is actually a lesbian.
What could have been a moving story, very quickly turns out to be increasingly annoying and very poorly made. The storytelling is quite incoherent, taking leaps without any explanation. This robs the characters of emotional depth, as the movie never stops to explore their feelings. Even the most violent and bloody scenes weren't able to move me, as they seem like something out of a cheap exploitation movie and not what I believe was meant to be a moving drama. This blandness of the characters is also reflected in the acting, which in most cases is wooden even when it should be full of emotion. The only exception is Preeti Gupta as Leela, who is terribly overacting instead.
Almost every other aspect of the movie is similarly poor. The camera is often so shaky it may make the viewer dizzy and there is really no need for this here. The editing is super fast, cutting every 10 or 15 seconds, even in the scenes which are meant to be calm. The music is often too apparent, which is quite annoying. At first I found it sad that the movie could have been really good, but turned out very poor, but then I realised that a picture which is so bad in every possible way never had a chance of being good, even if it tackles really important issues.
What could have been a moving story, very quickly turns out to be increasingly annoying and very poorly made. The storytelling is quite incoherent, taking leaps without any explanation. This robs the characters of emotional depth, as the movie never stops to explore their feelings. Even the most violent and bloody scenes weren't able to move me, as they seem like something out of a cheap exploitation movie and not what I believe was meant to be a moving drama. This blandness of the characters is also reflected in the acting, which in most cases is wooden even when it should be full of emotion. The only exception is Preeti Gupta as Leela, who is terribly overacting instead.
Almost every other aspect of the movie is similarly poor. The camera is often so shaky it may make the viewer dizzy and there is really no need for this here. The editing is super fast, cutting every 10 or 15 seconds, even in the scenes which are meant to be calm. The music is often too apparent, which is quite annoying. At first I found it sad that the movie could have been really good, but turned out very poor, but then I realised that a picture which is so bad in every possible way never had a chance of being good, even if it tackles really important issues.
- Evil_Herbivore
- Aug 25, 2018
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Details
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $3,778
- Gross worldwide
- $3,778
- Runtime1 hour 42 minutes
- Color
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