In this beautiful Film Noir rendition of a vignette taken from life in an art studio during World War II, Trueba succeeds in depicting an idyllic picture of an encounter between an aged French sculptor played by Jean Rochefort, and a Spanish country girl escapee from a concentration camp, who by necessity becomes an artist model, played by Aida Folch. The vignette is set in nature and is soothing despite the short background danger intrusions reminding the viewer that war is raging on.
The artist's thoughts about the female human body that he adores, his old age-related frustrations, and the initial inexperienced model, set tension between the movie stars. However, the tension is short-lived. The climax arrives in the beautiful scene in which the model while lying in bed, responds to the artist's frustrations by holding and caressing his head.
Both Rochefort and Folch play their roles brilliantly. Rochefort, as the mature experienced, and thoughtful artist, and Folch, as the country girl who accidentally finds a possible future vocation as an artist model.
