User reviews

"Ae Watan Mere Watan" fails to hit the target, weighed down by Sara Ali Khan's stiff and unconvincing acting, lackluster dialogue, and missed chances to honor unsung heroes. Sara's portrayal lacks depth, leaving scenes flat and uninspired. The dialogue feels forced, failing to evoke emotion. The film fails the opportunity to shine a light on the bravery of forgotten heroes, opting instead for superficial storytelling.

The supporting cast of Emraan Hashmi, Sparsh Shrivastav, Alexx, and others fails to inject life into the narrative, leaving it flat.

Overall, it's a disappointing watch that falls short of its potential. "Nevertheless, the world needs to hear such stories"

The film starts with anticipation and promises, and halfway through it looks like the plot is building to something good in the middle somewhere it loses its touch and becomes a repeated freedom struggle movie with few good actors and other bad. After all, it is Sara Ali Khan's movie, it revolves around her character Usha, there are parts when her acting looks real but mostly every other co-actor overshadows her work. The movie gets more predictable over time, so much could have been done with this type of plot but it has been wasted with poor writing. The climax is another expected bore and after completing the movie there is nothing much of a takeaway other than knowing these freedom fighters, who deserved a better movie than this.

Ae Watan Mere Watan beautifully captures the essence of sacrifice and patriotism, shedding light on the forgotten heroes of India's independence movement. Inspired by Usha Mehta's story, the film is a poignant reminder of the untold sacrifices made for our freedom. With compelling storytelling and stellar performances, it leaves a lasting impact on the audience, igniting a sense of gratitude and reverence for those who fought for our nation's freedom. Additionally, the masterpiece background music enhances the emotional depth of the film, weaving seamlessly with the narrative to evoke a powerful sense of pride and reverence.

Some of the movies can be avoided just by looking at the main leads. If someone like Sara Ali khan, ananya etc are in a movie as main lead, it's strict avoid. The makeup and style of Sara in this movie doesn't suit the time period. It looks more fake. And her acting is just bad. Even a child actor has more expressions than Sara.

Coming to the story it's again the usual story set during British rule. The story is slow and boring. The makers should do more research before doing such movies. Most of it looks like fiction. Need to fill some more of characters and just adding some random text here.

The story itself is bold, intriguing, and offers an important glimpse into history. It's a story that should be told and brought to light.

Unfortunately, the writing and way the story was told fell flat for me. Despite the close-ups, deep glimpses into the character's eyes, and creation of atmosphere, there was only one scene that stands out to me. One were Usha hides under a burka when the police search for her and Kaushik shows her his shaking hands when she reappears. The rest of the movie felt like the same message and image on repeat: stand up for revolution and freedom. After a while, the same scene and message on repeat is just flogging a dead horse.

What I found frustrating was the message, despite coming from the right place, did not shed any new ideas or perspectives on the plight against colonialism. Instead, it amplified stereotypes. It was the stereotyping in the film and the characters that unsettled me the most. John Lyre, the British man hunting down the revolutionaries, is portrayed as ruthless, cold-hearted, and intense to the point that he feels more like a cartoon than a human man bred to view himself as superior (pure) and take pride in his country (points that could have been paralleled and contrasted with Usha's purity and pride in country, but were entirely missed). Usha, on the other hand, is portrayed as self-righteous, ego-centric (her ideas being the purest above all others'), naive about the impact she had on relationships with family and friends, and ruthless in her intensity to revolutionize India.

The most unsetting point was the way the movie glossed over radicalization. The ability to influence and spread one's beliefs (such as through a radio) comes with intense responsibility. Usha never questions once the possible myriad of outcomes that could happen... including igniting a rebellion that may fail/may lead to needless loss of lives and bloodshed. Especially since the film stated (but did not show) that she was a Gandhian.

Overall, I look forward to learning more about Usha and appreciate the movie from bringing her plight to light.

Was eagerly awaiting Ae Watan Mere Watan, but am terribly disappointed. The lead actor's dialogue delivery is unbearable. Sara Ali Khan needs to go back to acting school. And maybe stay there as a receptionist or marketing executive. After Gaslight & Murder Mubarak, this is a hatrick of poor performances by the actress.

Emraan Hashmi did well.

The director had a good plot but messed it up midway.

Ae Watan Mere Watan is totally avoidable. Viewers may spend there time watching Maamla Legal Hai or Maharani season 3.

A better casting may have saved AWMW. The director needed someone who can act in the lead.

The film presents a commendable narrative that beautifully balances patriotism in a nuanced manner. While the screenplay might not captivate everyone, the effort to steer clear of religious and political bias is praiseworthy, contributing positively to the film's integrity. Sara is mediocre but rest of he cast delivers decent performances with the material they're given. Production aspects, including the choice of locations, sets, and costumes, are satisfactorily executed, enhancing the visual appeal of the movie.

Although the cinematography falls short of expectations, it's evident that there was an ambitious vision behind the camera. The direction, despite showing signs of inexperience, demonstrates a commendable effort and a genuine attempt to realize the film's potential. In essence, this movie, with its heart in the right place, is worth watching for those with a keen interest in the subject matter. It's a film that manages to appreciate its themes and aims to deliver a meaningful experience, albeit with some areas for improvement.

First of all, BOLLYWOOD SHOULD LEARN BY NOW there Muslim card has got silent but still on

4% muslim sacrifies are shown as they were 40% part of freedom shadeds

This is a true story of Usha Mehta, who willingly scarified her freedom and went through torture from Briteshers for the sake of radio broadcast Why do you show that a person called "FAHAD" is the one who fought with Usha Mehta, in real there was no such freedom fighter, why do Bollywood always do that and not give the tribute to the one who actually deserves.

Why only you choose mosque to cast a song

Babubhai Khakar, Vithalbhai Jhaveri, and Chandrakant Jhaveri were key figures in organising Congress Radio with Usha

Even Emran Harsmi, the kissing lufanga hero is playing babu Monhoar Lhiya, any one who has read even 4 books on freedom will burn his blood to see this stupidities

Sara Ali did not justified Usha ji very well, very avg acting as if does not get into the character she needs to be Karan Johar is the producer, he better keeps his hands off from patriotist movies.

With troll army behind, they can rate anything to anything.

Is it a great movie? No..

Does it deserve a 4.7 rating? Not at all.

Its a decent attempt to showcase Usha Mehta's journey as a freedom fighter. Direction and screenplay could have been better.

Is it a congress fuelled propaganda?

Prior to 1947, primarily it was either congress or Azad Hind Fauz who had a national presence in fighting Indian Independence movement. However, congress is mentioned a multiple times, could be an integral part of the story ( it is, as that what forms the core premise of the movie) or could be funded as well.. so no comment here.

A good onetime watch, could have been shorter and more tight with naration.

Sara is unbearable throughout. Learn some acting. Doesn't seem like a lead character who can run show or movie on her acting skilles because to be honest she has no skills in acting. The plot seems unbearable and all the character are so boring that they want you to kill yourself. Sara is unbearable throughout. Learn some acting. Doesn't seem like a lead character who can run show or movie on her acting skilles because to be honest she has no skills in acting. The plot seems unbearable and all the character are so boring that they want you to kill yourself. Sara is unbearable throughout. Learn some acting. Doesn't seem like a lead character who can run show or movie on her acting skilles because to be honest she has no skills in acting. The plot seems unbearable and all the character are so boring that they want you to kill yourself.

I really love the movie. I did shed a few tears of appreciation. This is the movie which expresses, and presents the genuine struggle for freedom and the spirit of deshbhakti and sacrifice. These qualities are rarely seen in present times and especially when the country is being torn apart on religious grounds, and polarised. It is very heartening to see a Hindu girl, Usha Mehta and her Muslim Colleague, joining hands with Ram Manohar Lohiya to contribute to Mahatma Gandhi's non-violent struggle to free the country. It is a movie, which is a must watch for every Indian.

The director Kannan Iyer has succeeded in creating the atmosphere in Mumbai in the 40s charged with patriotism.

Not sure what the propaganda of the movie was, ultimate waste of time. Just wanted to show about Usha Mehta and Gandhi, but story is not in sync with reality. May be Rahul Gandhi sponsored the movie. It seems to be election propaganda of congress party. Not recommended even for one time watch. Better watch something else. Sara ali khan has improved her acting skills we can say. But the movie story and direction actually didn't give her the chance to show her skills. Sachin has played the role of her father and makes justice for his role. Over-all not recommended. This could have been made better.

"Ae Watan Mere Watan" sets out with a promising premise: the true story of Usha Mehta, a young woman who defied the British Raj with an underground radio station. But the film stumbles in its execution. While the historical backdrop and supporting cast hold promise, Sara Ali Khan's performance as Usha falls short.

Khan's portrayal leans too heavily on shouting and forced intensity. The emotional core of Usha's struggle gets lost in the shrillness. We see glimpses of vulnerability, but they're fleeting, leaving the audience with a sense of distance from the character. This is particularly disappointing considering the potential for a nuanced portrayal of a woman defying societal expectations to fight for freedom.

The film shines brighter when the focus shifts to other characters. Emraan Hashmi delivers a solid performance as Ram Manohar Lohia, and Sparsh Srivastav is a standout as a young revolutionary with a quiet but potent patriotism.

I would say it's time for Sara Ali to pack her bags and look for carrer outside of acting.

After viewing Ae Watan Mere Watan I couldn't shake the feeling that the film leaned more towards being a love letter to the Congress Party rather than a faithful biopic of Usha Mehta. While the production design by Amrita Mahal Nakai and Sabrina Singh beautifully recreated the era, the narrative seemed to prioritize political agendas over Mehta's personal journey.

The film's exploration of radio as a tool for resistance during the 1942 Indian independence movement was intriguing, but it felt overshadowed by a strong bias towards the Congress Party. Rather than presenting a balanced portrayal of historical events, the film seemed intent on glorifying the party's role in the independence movement.

Sara Ali Khan's portrayal of Mehta, though competent, felt secondary to the film's political messaging. Her character lacked depth, reducing her personal struggles to mere background noise amidst the larger political narrative.

Furthermore, the film's extended runtime of 133 minutes only served to accentuate its political agenda, with scenes often feeling drawn out to emphasize certain political ideologies.

In summary, "Ae Watan Mere Watan" appears more concerned with celebrating the Congress Party than offering a genuine biopic of Usha Mehta. While it may resonate with certain audiences, those seeking a nuanced portrayal of history may find themselves disappointed by its overt political bias.

Anwar Says: Movies were earlier made on unsung heroes of Freedom Movement , Sardar Udham Singh , Tanaji and Shershah on Vikram Batra are the recent one and I thank Dharmatic Productions to dig out the story of Padma Vibhushan Late Usha Mehta and thanks to Kannan Iyer , the director, who introduced the lady behind Congress Radio, during Quit India movement in 1942. Surprised , why the own nephew and famous director Ketan Mehta didn't pay the tribute?

After Alia Bhatt , this grand daughter of Pataudi has shown that she can carry the whole film on her shoulder. Struggled sometimes but came back with a vigor . Well supported by Emraan Hashmi aka Ram Manohar Lohia. So good to see Mr. Hashmi playing so many diverse roles. Camerawork, costume and sets of the 40's are upto the mark but what lacks is the spark. The last half an hour doesn't have the drama and pace that a feature film should have. There were much scope to create tension but not been able to built well.

Definitely one time watch to know the relatively less told stories of freedom movement. However, a better craftsman would have chiseled it better.

#PrimeVideo #anwarsays #FreedomMovement #unsungheroes #UshaMehta #ketanmehta #congressradio #RamManoharLohia #saraalikhan #EmraanHashmi #QuitIndiaMovement #KaroYaMaro.

A Tale of Mixed Performances!

Ae watan mere watan presents an engaging narrative supported by a talented cast, yet hindered by uneven performances. While the film offers standout performances from actors like Imran Hashmi on the one hand, Sara Ali Khan's portrayal falls short, detracting from the overall viewing experience.

Imran Hashmi delivers a standout performance, effortlessly embodying the nuances of his character. However, Sara Ali Khan's performance proves to be a glaring weak point in an otherwise strong ensemble. Khan's portrayal lacks depth and authenticity, failing to fully capture the emotional complexity of her character. Her exaggerated facial expressions and overly theatrical delivery detract from the film's realism, making it difficult for audiences to connect with her character on a meaningful level. While Khan's screen presence is undeniable, her acting feels forced and unnatural, leaving much to be desired. One time watch if you have patience to bear Sara's acting.

This movie is likely to be enjoyed by cinegoers who have in interest in the politics at that time. I have little knowledge of the subject to so it was hard to resonate with the story. The movie is shot in sepia and was kinda boring tbh, it took me a few times to finish watching it. Sara's gives probably her best performance to date, however there is still something lacking on screen. She doesnt emit the passion for the character/movie. Her acting is relagated to her face and it seems she puts a lot of effort to portray her emotions through. I think if she tries to act with her body then her performance will be much better.

I really love this movie. I did shed a few tears of appreciation. The movie presents and expresses the genuine spirit of sacrifice, patriotism and the fight for freedom.

The director Kannan Iyer has succeeded in presenting very convincing atmosphere in mumbai in the 40s charged with the love for the nation and desire to free it from the clutches of the colonial power.

The movie is also one of the few feminist portrayals of heroism and will inspire a lot of women to participate in nation building. Especially in today's times where our Watan is being divided on religious grounds, this movie provides a ray of hope! It is a must watch for every Indian!

Exciting to see exposure and homage to important figures and times in history and upon further research Usha is a person worth learning about.

The movie it self if very 1 tone, follows a predictable/typical formula for patriotic movies with no real standout scenes.

The supporting actors did well, particularly Sparsh Shrivastav (who I've never seen before now). Dialogue at times felt forced and Sara's body language at times felt stiff and unconvincing. Emraan Hashmi was... there.

Overall the movie is barely average at best, its not something I will watch again nor recommend to anyone for any reason.

Kannan Iyer definitely credit for bringing to live an unheard tale but the writing needed to be more strong for the viewers to care about Usha Mehta, Some of the supporting characters do stand out like Sparsh Shrivastava a comrade suffering from polio but doesn't let the physical disability come in the way of his Zeal. Emraan Hashmi as Ram Manohar Lohia also does a good job in spite of having a late entry. The atmospherics of Pre independence India has been recreated well. Apart from the inconsistent writing Sara Ali Khan's Shrill performance is another minus. Unfortunately for Sara this film isn't her Raazi.

I don't want to call this as a missed opportunity as nobody should ever miss any opportunity like this in the first place. This is the times where false propaganda is getting sold all over and rarely comes an inspiring riveting tale from our history, based on the real life events of Usha Mehta who along with her friends broadcasted Congress Radio at a time when the transmission was banned. It inspired to reignite the quit India movement. A tale like this must be narrated and definitely not in this way.

Dharmatic aiming for the film to be an OTT release is no excuse to keep everything this basic in the first place. The melodrama is amplified to no effect. The performances and the dialogues including the dialogue delivery somehow didn't raise above an ordinary play, school/college level. I will not call the performances to be bad but the talent involved were simply capable of lot better. For a powerful story like this, there were barely a moment that gave the chills. Using of technology to enhance the communication through underground network while the British struggle to find the source of broadcast was a gold subject and the makers just wasted it.

Biopics or real-life story are always a treat to watch as it narrates the story which are largely unknown to masses. It adds the entertainment value to the story and tells you important events of the individual on whom the movie is made upon which is why it always finds an audience.

This movie is about freedom fighter Usha Mehta, who fought to tooth and nail by starting an underground radio station to keep the Quit India Movement going. When major freedom fighters were getting arrested by British, she kept the fire of freedom awake through the radio station with help of her two friends.

Sara Ali Khan plays the titular character and has been harshly bashed online for her portrayal. She did her best for the role given to her, but it doesn't take away the fact that the movie would have been on other level, if it was done by another strong performer. Sparsh Srivastava is a find of this generation, and he shines as Sara's ally with perfection. Abhay Verma as an innocent lover gives a heartwarming performance and in extended cameo Emraan Hashmi is decent enough.

Few developments look bit too dramatic, and dialogues could have been much better for a story of the period it is being depicted. The songs add value to the movie and BGM is in synch with the whole aura of the movie.

A movie about freedom struggle should instigate patriotism and that is where it faulters. It evokes no sense of pride or any emotional turbulence. There are no high points in the story and the story just goes on one tone making you not root for any character too. The screenplay could have been better.

It is an average affair and could be watched to know the story of our freedom fighters who has given us the Freedom, we are enjoying today. #pranureviews #AeWatanMereWatan #AeWatanMereWatanReview.

The main character cannot act. This is her second movie I watched in the last 3-4 weeks and I remember being disappointed about her performance in that movie too.

The language used is modern compared to the historical context. Same for the costumes.

I would say every aspect of this movie is under cooked. The dialogs are poorly written, the change of emotions during dialogs also go through wild swings. I thought there is enough content to make a great movie but fell in the wrong hands.

I would not recommend watching this movie. It just leaves you feeling dissatisfied and angry given the time commitment.

Do watch . Very good story telling about the freedom struggle in india . This can be a quick freedom struggle refresher for the younger generation in india . The story focuses on a small radio statio that was broadcasting pro india freedom struggle content . This really annoyed the British . The story is all about the efforts to close the radio station down and on the part of freedom fighters to continue broadcasting.

The cast is great , story telling is amazing , fast paced and impactful . There is never a dull moment : movie sets and and costumes are compemenatry of the story line . Direction is on point as well .