A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.
- Awards
- 3 nominations
Babis Hatzidakis
- Stall Keeper
- (as Babis Chatzidakis)
Stella Fyrogeni
- Barmaid
- (as Stela Fyrogeni)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaViggo Mortensen on his character's wardrobe: "I particularly liked the white linen suit that you see in the poster that Chester wears, and in a way that's another character in the movie because the journey of that beautiful cream-colored linen suit, on the Acropolis in the sunshine in the beginning, this immaculate, perfect, fits perfectly, looks great. You see that suit at the very end of the story, and that suit's been through it, it's a bit torn, it's frayed, it's not as clean as it was, it's suffered almost as much as the man wearing the suit."
- GoofsIn the beginning Rydal recounts the legend of Aegeus on the steps of the Acropolis and says that it was there that Aegeus jumped to his death after his son, Theseus returned from Crete and forgot to change the black sails to white to denote his success. This is untrue; you would not be able to see the Aegean from the Acropolis, anyway. According to the legend Aegeus was waiting for the ships to arrive at Cape Sounion and when he saw the black sails he plunged into the sea (which is called the Aegean Sea after him). It is unlikely that a tour guide would not know how to recount the legend properly.
- Quotes
Chester MacFarland: I'm sorry I disappointed you.
- Crazy creditsAfter the production company logos, there are no opening credits.
- ConnectionsFeatured in Film '72: Episode dated 5 March 2014 (2014)
Featured review
If this movie had been made back in mid-century when Alfred Hitchcock and Stanley Donen and Billy Wilder were at their peak, it probably wouldn't get much attention. But given we're in an age where Transformers XVI is a possibility, a movie like this--taut, suspenseful, well-acted, well- written, is kind of a marvel. It doesn't promise a lot: there are no special effects, the plot twists aren't terribly surprising; in fact, nothing in the movie really surprises. But it's all so seamlessly put together, so pleasingly directed, and shot with such loving attention to the scenery, Two Faces is a real delight. Don't come with great expectations--come simply for the pure entertainment of what a movie can be when everything in it works well. (Also, it's based on a Patricia Highsmith novel, so you know that if nothing else, there will be sophistication and wit.)
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Tháng Giêng Hai Mặt
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $507,463
- Opening weekend US & Canada
- $43,116
- Sep 28, 2014
- Gross worldwide
- $13,551,951
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was The Two Faces of January (2014) officially released in India in English?
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