An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.
- Awards
- 18 wins & 39 nominations
Rachel Dik Dukes
- Carrie
- (as Rachel Dik)
Storyline
Did you know
- TriviaThe film was shot in chronological order, and the ending was created and improvised on-set, according to Elle Fanning.
- GoofsWhen Jesse locks her motel room door about halfway through the movie, the deadbolt goes from locked to unlocked and back to locked between shots.
- Alternate versionsThe theatrical R-rated version and unrated version are different only in the second morgue scene as follows: (A) Female genital nudity is depicted 1 hour 29 minutes and 0 seconds into the film. In the R rated version (which played in US theaters), when Ruby was kissing the corpse (played by a female actress), the bottom of the frame showed the upper half of the vulva (inclusive of somewhat blurred labia, due to the camera focus on the kissing). In the "unrated" version (NOT the theatrical version or the director's narrative - which both emulate the R rated version seen in US theaters), that same moment depicts VERY clear labial exposure (as in medical clarity, yet artistically depicted). (B) Note that the unrated version also shows Ruby's hand brush along the genitalia as it sweeps up to the left breast (R rated version prolongs the cut-away to the Jessie fantasy shot), and also depicts Ruby bouncing on the corpse as she reaches orgasm (while the R rated version shows only the close up of her face). The foley work and soundtrack during the unrated morgue scene are subtly but noticeably different. In short, the unrated cut sounds a lot more "squishy" with ample "smacking" sounds. The uncut version appears to be available through iTunes only, despite being an Amazon production,which you can find here: https://itunes.apple.com/mt/movie/the-neon-demon/id1129719992 (That means if you want to watch it on a TV you'll need an AppleTV to play it).
- SoundtracksNeon Demon
Composed by Cliff Martinez and Peter Adams
Featured review
The Neon Demon (2016)
*** (out of 4)
Sixteen-year-old Jesse (Elle Fanning) arrives in Hollywood with big dreams of becoming a famous model but soon she realizes there is always a price to pay.
In my opinion Nicolas Winding Refn's DRIVE was one of the best movies from the past couple decades and he followed that up with the so-great-it's-awful or so-awful-it's-great ONLY GOD FORGIVES. As strange as that film was there's really nothing that can prepare you for THE NEON DEMON. I'm not going to spend too much time on the plot but lets just say that the less you know the better. In fact, revealing too much plot would ruin some fairly bizarre twists so be sure you don't read too much detail.
As far as the film goes, it's visually a masterpiece and technically it's one of the greatest films from recent memory. The film certainly has a very European feel to it and it appears that the director was inspired by various Italian filmmakers including Dario Argento and Mario Bava. I can't help but think that SUSPIRIA was a major influence and especially the visual look of the film as well as how the music plays in the madness. The cinematography here is among the best that you'll see in any movie and there's no doubt that the director knows how to make something surreal and bizarre.
The story itself is one we've seen countless times before. We learn that Hollywood is evil. Women are sadistic on each other and especially their looks. Men are perverted creeps. The film will probably "say" something different to everyone who watches it but I do think there were some major plus. One being that the film takes way too long to get to where it's going. I thought the build up to the final act dragged on a tad bit too long and I think a shorter film probably would have really helped the psychological aspect of the film.
One of the greatest things about the movie was the performance of Fanning. I was really shocked at how wonderful she was in the film because she's basically playing a naive and innocent girl who finds herself in a world she's just not ready for. The way Fanning showed off her innocence was really something remarkable and her transformation works extremely well and it's very believable. Christina Hendricks, Jena Malone, Bella Heathcote and Karl Glusman are all extremely good as well. Both Abbey Lee and Keanu Reeves are also very good in their supporting roles.
Again, I'm not going to spoil anything but the entire film is downright strange and surreal but the final act takes a turn that will have most people leaving the theater, if they're still even there. This certainly isn't going to be a film for everyone and like the director's previous movies it's easy to see how people would walk out very early on. Those who don't mind challenging movies will certainly find a lot of great things here but I only wish it had been a little bit tighter.
*** (out of 4)
Sixteen-year-old Jesse (Elle Fanning) arrives in Hollywood with big dreams of becoming a famous model but soon she realizes there is always a price to pay.
In my opinion Nicolas Winding Refn's DRIVE was one of the best movies from the past couple decades and he followed that up with the so-great-it's-awful or so-awful-it's-great ONLY GOD FORGIVES. As strange as that film was there's really nothing that can prepare you for THE NEON DEMON. I'm not going to spend too much time on the plot but lets just say that the less you know the better. In fact, revealing too much plot would ruin some fairly bizarre twists so be sure you don't read too much detail.
As far as the film goes, it's visually a masterpiece and technically it's one of the greatest films from recent memory. The film certainly has a very European feel to it and it appears that the director was inspired by various Italian filmmakers including Dario Argento and Mario Bava. I can't help but think that SUSPIRIA was a major influence and especially the visual look of the film as well as how the music plays in the madness. The cinematography here is among the best that you'll see in any movie and there's no doubt that the director knows how to make something surreal and bizarre.
The story itself is one we've seen countless times before. We learn that Hollywood is evil. Women are sadistic on each other and especially their looks. Men are perverted creeps. The film will probably "say" something different to everyone who watches it but I do think there were some major plus. One being that the film takes way too long to get to where it's going. I thought the build up to the final act dragged on a tad bit too long and I think a shorter film probably would have really helped the psychological aspect of the film.
One of the greatest things about the movie was the performance of Fanning. I was really shocked at how wonderful she was in the film because she's basically playing a naive and innocent girl who finds herself in a world she's just not ready for. The way Fanning showed off her innocence was really something remarkable and her transformation works extremely well and it's very believable. Christina Hendricks, Jena Malone, Bella Heathcote and Karl Glusman are all extremely good as well. Both Abbey Lee and Keanu Reeves are also very good in their supporting roles.
Again, I'm not going to spoil anything but the entire film is downright strange and surreal but the final act takes a turn that will have most people leaving the theater, if they're still even there. This certainly isn't going to be a film for everyone and like the director's previous movies it's easy to see how people would walk out very early on. Those who don't mind challenging movies will certainly find a lot of great things here but I only wish it had been a little bit tighter.
- Michael_Elliott
- Jun 26, 2016
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El demonio neón
- Filming locations
- Canfield-Moreno Estate - 1923 Micheltorena Street, Silver Lake, Los Angeles, California, USA(Outdoor scenes in and around the swimming pool.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $1,333,124
- Opening weekend US & Canada
- $589,014
- Jun 26, 2016
- Gross worldwide
- $3,073,700
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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