A shy girl, outcast by her peers and sheltered by her religious mother, unleashes telekinetic terror on her small town after being pushed too far at her senior prom.A shy girl, outcast by her peers and sheltered by her religious mother, unleashes telekinetic terror on her small town after being pushed too far at her senior prom.A shy girl, outcast by her peers and sheltered by her religious mother, unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
- Awards
- 6 wins & 7 nominations
Eddie Max Huband
- Harry Trenant
- (as Eddie Huband)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBecause Chloë Grace Moretz was a minor, she was limited to eight hours of work per day. When she was unavailable, director Kimberly Peirce substituted; she would be off-screen. This was only done with scenes that Julianne Moore would talk to Carrie.
- GoofsWhen Tommy collapses on the stage, he is facing Carrie, but when Carrie tries to cradle Tommy, he is facing the backdrop.
- Quotes
Sue Snell: No! Carrie please don't hurt me.
Carrie White: Why not? I've been hurt my whole life.
- Alternate versionsThe theatrical version ends with a brief scene of Sue in court for the White Investigation (an integral part of the Stephen King novel otherwise omitted from the film) and then laying a flower on Carrie White's grave, which cracks as she walks away. The alternate Blu-ray cut omits the courtroom scene and features a different edit of Sue placing the flower on Carrie's grave. This scene is followed with Sue in the delivery room giving birth, but instead of a baby, Carrie's arm emerges from between her legs and grabs her. There is then a quick cut to Sue's mother, who is holding and trying to awaken her hysterical, pregnant daughter from this nightmare.
- SoundtracksEnd of the Earth
Written by Ben Schneider
Performed by Lord Huron
Courtesy of IAMSOUND Records
By arrangement with Sony Music Licensing
Featured review
I have been eagerly awaiting this movie since I heard of the casting of Chloe Grace Moretz. I could totally picture her portraying the character in the style and feel created by Sissy Spacek and followed up by Angela Bettis (2002 TV movie). I knew she would be a worthy successor after seeing the film Let Me In. I was, however, skeptical of the casting of Julianne Moore as the religious fanatic mother of Carrie, Margaret White.
After seeing the film twice this weekend, Julianne Moore turned out a creepy performance that should definitely garner her an Academy Award nod. Her portrayal of Margaret White was an emotional witches brew of fanaticism, insanity, and maternal instinct. For me, it was an unexpected treat.
As for Carrie, Chloe Grace Moretz did a fine job. She had big shoes to fill, and her performance does not top that of Sissy Spacek. However, she does hold her own. In all three versions of Carrie, each actress has portrayed Carrie in a different way. Each excelling in making the role their own while maintaining the artistic concept of Carrie herself. Chloe did deliver a chilling performance during the scenes where Carrie is exacting her revenge.
As for the movie itself, I would describe it as a remake of the 1976 film sprinkled with some additional elements from the Stephen King novel. It was very well made, and the modernization is appropriate without being too obvious of the change in times, i.e cell phones, the Internet, etc.
In closing, Carrie is an extremely competent attempt at remaking a classic. As I say with all remakes, you have to go into it with an open mind and not with the mind set of comparing it to the original. If you do that, you will find Carrie is a good movie.
After seeing the film twice this weekend, Julianne Moore turned out a creepy performance that should definitely garner her an Academy Award nod. Her portrayal of Margaret White was an emotional witches brew of fanaticism, insanity, and maternal instinct. For me, it was an unexpected treat.
As for Carrie, Chloe Grace Moretz did a fine job. She had big shoes to fill, and her performance does not top that of Sissy Spacek. However, she does hold her own. In all three versions of Carrie, each actress has portrayed Carrie in a different way. Each excelling in making the role their own while maintaining the artistic concept of Carrie herself. Chloe did deliver a chilling performance during the scenes where Carrie is exacting her revenge.
As for the movie itself, I would describe it as a remake of the 1976 film sprinkled with some additional elements from the Stephen King novel. It was very well made, and the modernization is appropriate without being too obvious of the change in times, i.e cell phones, the Internet, etc.
In closing, Carrie is an extremely competent attempt at remaking a classic. As I say with all remakes, you have to go into it with an open mind and not with the mind set of comparing it to the original. If you do that, you will find Carrie is a good movie.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Cơn Thịnh Nộ Của Carrie
- Filming locations
- Mississauga, Ontario, Canada(Carrie's House)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $35,266,619
- Opening weekend US & Canada
- $16,101,552
- Oct 20, 2013
- Gross worldwide
- $84,790,678
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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