User reviews

Werner Herzog made this documentary not as a biography, but as a celebration and showcase of the work of a French couple famed for their pioneering photography of volcanoes, a dangerous craft that ultimately cost them their lives. It's pleasingly unpretentious: we see excerpts from their (still stunning) work alongside a little casual footage of the film-makers themselves, while Herzog gives us a quiet commentary more from the perspective of a fan than that of an expert (though of course he knows something of what he is talking about). If there's a tragic dimension (did they keep taking risks because that was what, at the end of the day, they did) Herzog doesn't dwell on it. It might sound dull and pedestrian, but the stunning images keep you attached, and draw out your admiration for those who dared to film them.

I'm glad Herzog's gone back to making documentaries in the twilight of his career because his films of the 21st century have often been disappointing, while his documentaries continue to wow. His voice is a little more aged here, he's getting considerably older, but he's still got the old magic. THE FIRE WITHIN, which follows the career of a couple of ill-fated vulcanologists via their own filmed footage, is classic Herzog, looking at the darker side of mankind's place in nature. Shades of GRIZZLY MAN and others, then. The footage is astonishingly beautiful, accompanied by wonderfully chosen music and Herzog's thoughtful narration.

The pictures of exploding volcanoes are quite extraordinary, the accompanying soundtrack is fittingly haunting, this documentary also shows how devastating exploding volcanoes can be for the human beings, animals & the countryside that lie in their paths. You just have to be in the wrong place at the wrong time. Also Werner Herzog's narration is magnificent in its wonder, tenderness & almost reverence for the power of nature - & his admiration of the Krafft couple is quite evident. You are left really regretting that they were killed during an eruption in Japan because their archive feels unfinished while their legacy lives on.

Despite some rough edits and bare bones production value, another Herzog masterpiece in the same league as Fata Morgana.

The images shot by the Krafts and their home movies of each other are breathtaking. These are stitched together masterfully by Herzog as a lasting tribute to their work and a celebration of their sense of wonder.

It's all the kind of thing Wonka would get out those golden tickets for, to tour the chaotic fringe with a certain operatic whimsy. The sheer danger of it is matched only by the innocence, it is almost childlike to tour the great dangers. From Cave of Forgotten Dreams, to Lo and Behold, Herzog is building toward a total abandonment of the natural world, into the mental universe, leading to total inner and outer distortions. He is not interested in regular people. I take this from his Chatwin documentary as well, the lost art of the explorer of the mental, those catalogue nuggets of culture and history... now everything is available a click away, everything is outsourced by the crowd.

A filmmaker can find the few remaining ones left. In fact, resources are so scarce of these explorers, another director beat Herzog to the punch with the sister documentary Fire of Love. BUT--another documentary beat both of them to the punch too. The Kroffts themselves. Like another great director, Terrence Malick, Herzog is not in a rush always to give you one thing after another. He is that Opera director putting down movements leading to crescendos at just the right moment, he can paint an entire film, then blam, hit you with that one mark that changes you. Other directions will attempt to cram as many peaks as possible into a work.

Herzog will turn the catastrophes of nature into acts of creation. The image of the kids playing with the volcano ash like sand on the beach, is calling to mind Herzog's own biography of being a child and playing in the wreckage of WW2 torn buildings, still in the total safety of childhood adventure. This is how a few scattered images can achieve the profundity, in the cinema that is a cross between the literary and the photograph. He is famous for considering himself an anti-intellectual artist, but most of Herzog's great moments seem both, as his breakdown in the final passage about the cloud that destroyed them. There is an academic professor beneath Herzog's circus exterior.

The sheer repertoire of images he finds here feel like a Jodoworsky apocalyptic acid western, Kurosawa-like depiction of groups in motion, or 1950s flying saucer films. Herzog has his formula but he just gets so bold and effortless with his experience that he can do it in his sleep. Opera. He withholds the footage we're here for until the very end, all that lava, as the visual Operatic peak. Directors will nine times out of ten just show you the lava and fire the whole way. Those final scenes, there is the master again leaving you in tears. It is why we go to these, the downright surreal parallels, juxtapositions, beauty and unease. It is at the end of the day not just a parallel to his subjects, but here it is a freshly meta take about Herzog's love of cinema, filmmaking, and the image. This is the beauty of Herzog is he always seems like the audience alongside us.

There is something so hypnotic for me when it comes to Werner Herzog and his creations, there is something almost animalistic, yet so sophisticated, poetic in all of his movies and documentaries. Werner's films (or book) make me leave everything I do to listen to him, to watch, learn. No different experience I had with this one tonight: so humane, gentle and poetic yet devastating film where humans and nature go in parallel with each of their steps and history. Beautiful, touching, compassionate but artistic, never pathetic - everything you would expect from this great filmmaker and creator. Highly recommendable.

Werner Herzog is presenting a documentary about French volcanologist couple Katia and Maurice Krafft. I've never heard of this couple and suddenly they get two documentaries in short succession. Herzog has the name and the pedigree, but the other film has the Oscar nomination. It is fascinating to see them back to back and compare the two.

Herzog is using almost exclusively footage shot by the couple. I do notice the classic Mount St. Helens explosion footage. I'm sure that there are other non-Krafft footage to fill out the story. It is very compelling that Herzog tells us that they are about to die on that Japanese mountain early in the film. It's like presenting the dead body early in a murder mystery movie. Both documentaries use the couple's awe-inspiring footage, but this one does not have their voices. It is all Herzog narration as in most of his films. He's the one pontificating. Throughout the movie, I kept wanting to hear the couple voices or at least their words. This is more like a tribute spoken in a funeral and that may be the intention. I just have a better sense of the couple from the other movie. That is the main difference.

Some scenes were so awe-inspiring I had to watch twice. I particularly savoured the pairing of the Kyrie from Bach's Bminor Mass with erupting volcanoes and larvae flow as it gave an unexpectedly graceful impression. Later on we hear extracts from Verdi's Requiem but not the overly famous bit! We don't learn much of what motivates Katia and Maurice Kraft to be so consumed by volcanoes which is part of the charm of the documentary as it gives the viewer an opportunity to ruminate instead. The narration gives plenty of space. The few words which are spoken are very telling. A masterpiece which I feel immensely privileged to have watched.

It's easy to see why Werner Herzog was attracted to the story of Katia and Maurice Krafft, seeing as they had a job that involved some kind of unusual natural phenomena, they had a determination that put themselves in immense danger, and they were also keen filmmakers, in a way.

Plenty of Herzog movies (his feature films and documentaries alike) have unusual or unconventional figures pursuing something outdoors, and I think The Fire Within feels almost like a spiritual sequel to Grizzly Man, in some ways. We learn the fate of the central figures straight away, and in both films, those figures left behind much film footage that more or less speaks to who they were. The key difference is that in Grizzly Man, grizzly bears were the dangerous threat within nature, and in this documentary, it's volcanoes.

I feel like there might be less mystery or psychological deep-diving here on Herzog's part, which might be the main reason this didn't grip me as much as Grizzly Man, nor some of the very best Herzog documentaries out there. Maybe there was less to ponder about when it came to Katia and Maurice Krafft, or maybe Herzog was more intent on letting the footage speak for itself (unlike Grizzly Man, The Fire Within does notably lack interviews with other people throughout).

But for the amazing footage on offer, and the interesting presentation/editing, The Fire Within's still good. It wasn't done any favors by coming out the same year as the superior Fire of Love, because that one focused on the same people and was, from memory, much more emotionally resonant, but I still feel like there's enough on offer in The Fire Within to make it worth watching alongside that other 2022 documentary about Katia and Maurice Krafft.

"The Fire Within" is a documentary by Werner Herzog about French volcanologists Katia and Maurice Krafft, who were consumed by their love for volcanoes. The film showcases their footage and photography of volcanic eruptions, showcasing their achievements and passion. Herzog's film is a requiem to the couple, fuelled by heavy instrumental and choral music, highlighting their life and achievements while barely dwelling on the accusations that they provoked dangerous situations. The documentary shows the Kraffts' surreal footage from around the world, featuring volcanic eruptions and nature's creatures, with one last powerful glimpse at two people joyfully following their passion into the belly of the beast.

I could honestly not listen to some parts of the awe inspiring footage for the shouting and wailing music. This type of music is so divisive I don't know why they didn't just use emotive classical music. It spoiled the whole documentary for me. What I did see with the sound turned down was amazing. The couple seem to have a death wish at times and are more thrill seekers than volcanologist. The footage they filmed is incredible though. To see the devastation volcanos wreck on human and animal life is heartbreaking. This is how our amazing planet began and to honour the death from our past we should do more to save our future.

This is possibly Werner Herzog's most beautiful film, although he did not do it himself. It's a tender tribute to the volcanologist couple Maurice and Katia Krafft, who ultimately perished in the pursuit of the beauty of the natural force of volcanoes. The film begins with that last visit to a volcano on an island in Japan before the euption that killed them, so you learn the end of the story from the beginning. Then the story turns to the beginning of their quests, their story is told in documentary neutrality but with the personal voice of Werner Herzog making the long report poignant in its sensitive respect, intimate admiration and tender factual truthfulness making the documentary touchingly personal. What he has done is simply editing the Krafft couple's own documentaries from travelling all over the world in filming active volcanoes, from countries like Iceland, Hawaii, Brazil, Colombia, Indonesia and Japan. So it's their own filming that Herzog has saved and made presentable in one comprehensive and accomplished form, and he has illustrated the final compelling film with exquisite music mainly from Requiems, never obtrusive or importuning but always discreetly almost quiet like providing an enchanting background of appropriate melancholy mood. I loved the film from the beginning and could hardly wait to watch it again. As the title clearly indicates it was intended as a Requiem for the brave couple, and as such it is one of the finest Requiem compositions ever made.

Fast forward to 1 hour 15 minutes and basically you have seen the whole documentary, it's an hour and 5 minutes of volcanoes erupting and once you've seen one you've seen them all. I really enjoyed Grizzly Man but this is on a level of boredom I have not seen in a while. It runs for 1 hour 20 minutes and really the whole story (the title of the documentary) could have been told in 20 minutes. Sorry Werner but your incessant use of opera, stock footage of volcanoes got me fast forwarding after about 35 minutes and that was with the documentary in the background. 2 people got too near a volcano and died after not heeding the previous warnings they had. Well let's pad it out to 1 hour 20 minutes with useless video. I am not sure who related volcanoes erupting to opera songs, new one on me. Herzog seems to have an attraction to "found or archived" footage and while it worked in Grizzly Man it certainly did not work here. A boring mess of regurgitated video. I think a 2 rating is being kind.