The problem with autobiographical cinema is that it can be very self-indulgent or just downright dull depending on the life being portrayed. Olivier Assayas made "Apres Mai" in 2012, looking back to his student days in the Paris of 1971. To give the film its English title it was a time when there was "Something in the Air", revolution mostly. It was a time when France, indeed the world, was changing. Assayas himself went on to have a very successful and productive career in cinema but you would never guess it from this film in which he is a callow youth , (played by newcomer Clement Metayer), going through the motions most of us went through at the time without realising we only made a difference if we were part of a much larger picture. Autobiographical cinema is better when it makes that larger picture the centre of attention. Of course, maybe I'm just an old cynic who now finds that period of student revolution not so much 'something in the air' as something in the past. Fundamentally this is a film for Assayas acolytes and old hippies who want to relive their youth, very well done for what it is, but ultimately adding little to the Assayas canon.