IMDb RATING
7.6/10
9.3K
YOUR RATING
This riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to supp... Read allThis riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to support his family (in Tagalog w/ English subtitles).This riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to support his family (in Tagalog w/ English subtitles).
- Nominated for 1 BAFTA Award
- 9 wins & 10 nominations total
Moises Magisa
- Buddha
- (as Moises Mag Isa)
Daniel Magisa
- Conman #1
- (as Danny Mag Isa)
Jervi Cajarop
- Police Officer
- (as Jervie Cajarop)
Storyline
Did you know
- TriviaMetro Manila returned to 12 UK cinemas on 28th November 2013 for a one off screening to raise money for the victims of typhoon Haiyan/Yolanda that had hit the Philippines and killed close to 6000 people. 12 screens were donated by VUE cinemas and raised a total of £3540 for the DEC charity. Its British director, Sean Ellis said: "The people of the Philippines were tremendously supportive during the making of Metro Manila, and it's only right that we should now use the film to raise money to help the victims of this terrible disaster."
- GoofsThe key for the security box is far too simple in design. There was no need to take an impression and use a rather unrealistic casting process: any strip of metal could have been quickly used to pick such a simple lock. One simply coats the strip with a film of wax, tries to turn it in the lock, and this immediately shows which parts have to be cut away. This technique was already old in the Victorian era, and is not hard to think up for oneself.
- ConnectionsReferenced in Anthropoid Press Conference (2015)
- SoundtracksOscar and Mai Theme
Written by Robin Foster
Piano performed by Guy Farley
Recorded by Ronan Phelan
Assistant engineer Greg Marriott
Recorded at Sphere Studios London
Featured review
"Metro Manila" is like two films in one. The first hour was about how Oscar Ramirez (Jake Macapagal), a poor farmer from Banaue, decides to bring his wife Mai (Althea Vega) and kids to Manila so he can find a better job so they can escape their poverty. It turns out that Manila is not really the paradise at all that it is cut out to be, as the Ramirez family continues to wallow in abject squalor. The major portion of this first half of the film are the sad images of the "real" Metro Manila with its polluted environment and overpopulation.
The second half of the film is the main crux of the story. Oscar gets a job as a courier of an armored car service, facing danger daily as they transport safety-deposit boxes containing a lot of money and other valuables. He is partnered with the more senior and jaded guard/driver named Douglas Ong (John Arcilla). Ong overly showers Martinez with kindness and generosity. But Oscar will soon find out later that Ong would have favors of questionable integrity to ask of him. As problems of criminal and ethical nature arise, what would Oscar do next?
Jake Macapagal really disappeared into his role as Oscar. It was like he was not acting in his scenes. We deeply feel his frustration and confusion as a father who desperately wants to provide for his family. Althea Vega tends to have a blank look on her face in some of her scenes, but she is much better here than her lead role in "Amor Y Muerte" earlier this year. John Arcilla was over-the-top in his characterization of Ong, and he really exuded that dangerous vibe about him. The tension was so thick when he is around. Ana Abad Santos made an impact even only with her two short scenes as Ong's wife, Dora.
The main plot is simple, about the corruption of the innocent in the wild jungle of the big city, and the film shows it well. I did like its setting of a security/armored car service, which I found to be novel and interesting. The set-up and revelation of the ending was wonderfully written and executed, very effective and poignant. I was expecting this to have English subtitles since I was interested to see how certain words and phrases would be translated, but there was none where I watched it.
As a resident of Metro Manila, I was very excited to see this film made by a foreigner about the city I live in. But upon watching, I admit I was not very happy at the sordid way Manila was depicted in an international film like this, now on its way to potential Oscar glory. It runs counter to all our efforts done to attract tourists to our country. However, I also know that the montage of unflattering scenes about the streets and slums of Manila is unfortunately true and accurate. It may be an incomplete picture of Metro Manila, yet it remains an undeniable reality. This is what British producer/director/writer/cinematographer Sean Ellis saw when he was in Manila, and we have to accept that.
The second half of the film is the main crux of the story. Oscar gets a job as a courier of an armored car service, facing danger daily as they transport safety-deposit boxes containing a lot of money and other valuables. He is partnered with the more senior and jaded guard/driver named Douglas Ong (John Arcilla). Ong overly showers Martinez with kindness and generosity. But Oscar will soon find out later that Ong would have favors of questionable integrity to ask of him. As problems of criminal and ethical nature arise, what would Oscar do next?
Jake Macapagal really disappeared into his role as Oscar. It was like he was not acting in his scenes. We deeply feel his frustration and confusion as a father who desperately wants to provide for his family. Althea Vega tends to have a blank look on her face in some of her scenes, but she is much better here than her lead role in "Amor Y Muerte" earlier this year. John Arcilla was over-the-top in his characterization of Ong, and he really exuded that dangerous vibe about him. The tension was so thick when he is around. Ana Abad Santos made an impact even only with her two short scenes as Ong's wife, Dora.
The main plot is simple, about the corruption of the innocent in the wild jungle of the big city, and the film shows it well. I did like its setting of a security/armored car service, which I found to be novel and interesting. The set-up and revelation of the ending was wonderfully written and executed, very effective and poignant. I was expecting this to have English subtitles since I was interested to see how certain words and phrases would be translated, but there was none where I watched it.
As a resident of Metro Manila, I was very excited to see this film made by a foreigner about the city I live in. But upon watching, I admit I was not very happy at the sordid way Manila was depicted in an international film like this, now on its way to potential Oscar glory. It runs counter to all our efforts done to attract tourists to our country. However, I also know that the montage of unflattering scenes about the streets and slums of Manila is unfortunately true and accurate. It may be an incomplete picture of Metro Manila, yet it remains an undeniable reality. This is what British producer/director/writer/cinematographer Sean Ellis saw when he was in Manila, and we have to accept that.
- How long is Metro Manila?Powered by Alexa
Details
Box office
- Budget
- £250,000 (estimated)
- Gross worldwide
- $200,584
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content