Abandoned by his father, a young boy is left in a state-run youth farm. In a random act of kindness, the town hairdresser agrees to foster him on weekends.Abandoned by his father, a young boy is left in a state-run youth farm. In a random act of kindness, the town hairdresser agrees to foster him on weekends.Abandoned by his father, a young boy is left in a state-run youth farm. In a random act of kindness, the town hairdresser agrees to foster him on weekends.
- Awards
- 9 wins & 31 nominations
Cécile de France
- Samantha
- (as Cécile De France)
Samuel De Ryck
- Éducateur 2
- (as Samuel De Rijk)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFor both the moments where Cyril is running from the police and ends up in the doctor's office and the opening scene when he's using the phone and won't let go, the young actor was just instructed by the directors not to give up what the character was doing under any circumstance.
- GoofsWhen the hairdresser is leaving the orphanage after she returned Cyrill's bike the car she is driving makes the sound of Diesel engine, but in the next scene with the same car the car sounds like it has a petrol engine.
- Quotes
Guy Catoul: It's too much. I can't look after him.
- ConnectionsFeatured in At the Movies: Cannes Film Festival 2011 (2011)
- SoundtracksAdagio un poco mosso
from Piano Concerto No. 5, Op. 73
written by Ludwig van Beethoven
performed by Alfred Brendel and the London Philharmonic Orchestra
conducted by Bernard Haitink
Featured review
The Kid with a Bike (2011)
A troubled boy finds an informal foster mom who tries her best to keep in line. That's the story and in way that's the whole depth of the story. The details—his rebellion, his responding to love, his being suckered by a drug dealer—are expected and interesting and beautifully told. The story has a slightly polished realism to separate it from its forebear, the great classic "The Bicycle Thief," and there might be a slight gap in motivations to explain, but in general you get sucked into this situation and the awkward relationship between the two. It is a tale appreciated in its siimple telling.
I had a foster child for a couple of years at an age close to this boy's, and there is a lot here that makes vivid sense. The woman, perhaps too lovely for normal realism (played by Cecile De France), is nevertheless sincere and quite smart in her mothering skills. She gets the boy to live with her almost by chance, and follows that chance, and learns to give him some rope and to also reign him in by example and through compassion.
But even this isn't enough. That's one of the terrifying truths of being a foster parent (or any parent)—you can only do your best. Some of the result is a product of luck, or personality, or some course of outside events that you don't predict (even if later you can say you saw them coming). All of this is included here, well done, with a kind of filmic modesty.
The one bit of high drama comes down to the child pushing his limits when he gets into a criminal plan, and the results of that, which leads to a bit of small time revenge that goes wrong. The boy is now beyond his own limits and is literally stunned. By the last scene, you ought to be heartbroken but also really hopeful. The message finally is that kids are really resilient, and you have to keep opening the right doors for them and let them make good choices.
This film lets us do that.
A troubled boy finds an informal foster mom who tries her best to keep in line. That's the story and in way that's the whole depth of the story. The details—his rebellion, his responding to love, his being suckered by a drug dealer—are expected and interesting and beautifully told. The story has a slightly polished realism to separate it from its forebear, the great classic "The Bicycle Thief," and there might be a slight gap in motivations to explain, but in general you get sucked into this situation and the awkward relationship between the two. It is a tale appreciated in its siimple telling.
I had a foster child for a couple of years at an age close to this boy's, and there is a lot here that makes vivid sense. The woman, perhaps too lovely for normal realism (played by Cecile De France), is nevertheless sincere and quite smart in her mothering skills. She gets the boy to live with her almost by chance, and follows that chance, and learns to give him some rope and to also reign him in by example and through compassion.
But even this isn't enough. That's one of the terrifying truths of being a foster parent (or any parent)—you can only do your best. Some of the result is a product of luck, or personality, or some course of outside events that you don't predict (even if later you can say you saw them coming). All of this is included here, well done, with a kind of filmic modesty.
The one bit of high drama comes down to the child pushing his limits when he gets into a criminal plan, and the results of that, which leads to a bit of small time revenge that goes wrong. The boy is now beyond his own limits and is literally stunned. By the last scene, you ought to be heartbroken but also really hopeful. The message finally is that kids are really resilient, and you have to keep opening the right doors for them and let them make good choices.
This film lets us do that.
- secondtake
- Dec 10, 2013
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Cậu Bé Với Chiếc Xe Đạp
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,470,000
- Opening weekend US & Canada
- $45,933
- Mar 18, 2012
- Gross worldwide
- $7,011,798
- Runtime1 hour 27 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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