A ruling class sociopath kills a working class girl in a hit and run and uses a deck of playing cards to determine his fate.A ruling class sociopath kills a working class girl in a hit and run and uses a deck of playing cards to determine his fate.A ruling class sociopath kills a working class girl in a hit and run and uses a deck of playing cards to determine his fate.
- Awards
- 2 wins & 8 nominations
Photos
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
Charlie Casanova: You tell your lowlife family and friends there's a new breed of top dog in this town; we are the movers, makers, shakers and takers and you fuck with us at your peril.
Featured review
Charlie Casanova is an angry film that challenges an apathetic audience. Written in response to events more shockingly relevant than ever before, the subject matter deals with a class system and the ramifications of such a system and its inevitable misuse of power.
Using close shots to give an uncomfortably claustrophobic feel, the film follows a group of friends over the course of a weekend. Lack of a budget was no hindrance to this film; clever use of white noise in the sound design helps build tension and low lighting adds to the taut, uneasy mood. With raw and at times iconic performances and a muscular yet beautifully crafted script, this is a film that connects and resonates.
Using Brechtian technique to alienate the audience, McMahon gives us a new anti-hero in Charlie Barnum, played with force and true vitriol by Emmett Scanlan. We watch as Barnum lies and manipulates, is revered and reviled in turn by each of his companions. We see him destroyed and reborn in Donald, played with understated malevolence by Tony Murphy. Unshackled from the usual ties of empathy for a central character, given this unfettered clarity of objectivity, we are free to despise this eponymous creation; to know his form and ultimately to rise up against him and his type. "He doesn't know you but he already hates you." A fitting yet chilling tag-line to an important, unprecedented piece of filmmaking.
Using close shots to give an uncomfortably claustrophobic feel, the film follows a group of friends over the course of a weekend. Lack of a budget was no hindrance to this film; clever use of white noise in the sound design helps build tension and low lighting adds to the taut, uneasy mood. With raw and at times iconic performances and a muscular yet beautifully crafted script, this is a film that connects and resonates.
Using Brechtian technique to alienate the audience, McMahon gives us a new anti-hero in Charlie Barnum, played with force and true vitriol by Emmett Scanlan. We watch as Barnum lies and manipulates, is revered and reviled in turn by each of his companions. We see him destroyed and reborn in Donald, played with understated malevolence by Tony Murphy. Unshackled from the usual ties of empathy for a central character, given this unfettered clarity of objectivity, we are free to despise this eponymous creation; to know his form and ultimately to rise up against him and his type. "He doesn't know you but he already hates you." A fitting yet chilling tag-line to an important, unprecedented piece of filmmaking.
- dnspattison
- May 5, 2012
- Permalink
Details
Box office
- Budget
- €937 (estimated)
- Gross worldwide
- $5,401
Contribute to this page
Suggest an edit or add missing content