Inbred

2011
R
1h 38m

IMDb RATING

5.2/10

5.8K

YOUR RATING

Play trailer0:54

2 Videos

11 Photos

Comedy Horror

Four young offenders and their care workers visit the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a bl... Read allFour young offenders and their care workers visit the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a blood-soaked, deliriously warped nightmare.Four young offenders and their care workers visit the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a blood-soaked, deliriously warped nightmare.

See production info at IMDbPro

IMDb RATING

5.2/10

5.8K

YOUR RATING

See production info at IMDbPro

Awards
- 5 wins total

Trivia
In the scene where the townsfolk run out to the road to catch the survivors, the character Podge is imitating Leather Faces chainsaw dance.

Goofs
The glass jug of lemonade, between shots on the pub bar, is next to the tray of glasses, then it is on the tray of glasses.

Alternate versions
German version was cut by approx. four minutes to secure a "Not under 18" rating. In 2014, the uncut version was also released with the same rating, under the "Director's Cut" title.

Connections
Featured in Midnight Movie Review: The Night of Terror 2012 (2012)

Soundtracks
Wartime
written by Louis J. Clark

User reviews85

Review

Featured review

7/10

It's grim up north.

Gory 'film-within-a-film' opening scene aside, Inbred takes a bloody age to get to the good stuff and could never be accused of being all that original, the 'city-folk falling foul of rural maniacs' plot-line borrowing heavily from many sources: The Texas Chain Saw Massacre, The League of Gentlemen, 2000 Maniacs, Hostel, Wrong Turn, and Straw Dogs, to name just a few.

However, it's all well worth the wait, Chandon finally opening the violence valves and lifting the splatter sluice gates after forty-five minutes to transform proceedings into a gloriously demented, blood-drenched piece of xenophobic craziness that more than lives up to the gory hype. True, some of the CGI is less than perfect, but with the level of nastiness set so high, it really doesn't matter: it's easy to ignore the occasional dodgy effect when people are being hideously mutilated with such regularity, enthusiasm and imagination.

Chandon pulls out the stops to entertain in the worst possible taste, with amazingly twisted characters and a catalogue of carnage that is truly staggering, including a fantastic beheading with a meat cleaver, numerous shot gun blasts to the head and torso, a horse stomping a skull, chainsaw dismemberment, and a really disgusting 'slurry pump body explosion'. The only thing he forgets to include is some gratuitous female nudity; even Emily Booth, who has a brief cameo, keeps all of her clothes on!