'Othello', regardless of any criticisms of considered implausibility (such as for some how easily Iago is believed by Othello and how long it takes for Emilia to come forward) and political incorrectness, is nonetheless one of my most fondly regarded Shakespeare plays. Not just the masterful language, with some of Shakespeare's most famous lines that have true intensity and poetic meaning, true of all Shakespeare but 'Othello' is one of the finest examples. But also the dramatic conflict, both darkly intense and poignant, and one of his most interesting characters in the evil incarnate Iago (Othello too is one of his more complex titular characters).
This 2008 Shakespeare Globe production is a solid and mostly well done production, with a lot worth praising. Definitely not a production to put the light out on. A large part of me felt like it could have been much better, especially considering the company performing it (which has a deserved high reputation). A few big things stop it from reaching full potential, especially one principal performance that underwhelms. Yet the production is still recommended.
Am going to begin with what this 'Othello' does right, which is a huge amount. Eammon Walker's Othello is mesmerising, his tenderness is touching and his increasing jealousy has real intensity. Zoe Tapper is a dignified and suitably vulnerable, though not passive, Desdemona. The chemistry between Walker and Tapper is beautifully done, especially in the final act. Which has tension and poignancy aplenty.
Supporting cast is excellent, especially the loyal and shrewd Emilia of Lorraine Burroughs. The costumes and sets are atmospheric and tasteful, while the lighting suits the dark tone of the play very well while not over-emphasising. The production is very well photographed, having a sense of being there while opening up the drama with ease without being overblown and with good use of the space. Did like the audience reactions. Shakepeare's wide range of emotions and masterful use of language is delivered sincerely and passionately. The staging compels, especially in the final act.
For all those truly fine things, a few big things brought the production down. Did feel that there was too much emphasis on the comedy, some of it being too broad. Some of the play's darkness, like in Iago's manipulation, could have been brought out more.
Most disappointing was Tim McInnerny's Iago. Have nothing against McInnerny, but he comes over as far too intense in the role throughout, there is no complexity or progression and despite being clearly a villain Iago is actually a complex character in the play. There is very little charm, the humour in the first act is overplayed and the villainy is so overt from the start that one wonders how anybody could be so easily fooled.
In conclusion, while not an essential and far from perfect it is worth watching. 7/10.
