User reviews

The scenario is Saladillo, a small town 200km southwest of Buenos Aires, and the characters five women whose point of contact is that they work in a depressing sweatshop without natural light doing sewing work with obsolete and potentially dangerous equipment. Each confronts family and town pressure to conform to the "normal." Sofía lives with her retired father who worries about her not having a boyfriend with marriage in mind. Norma lives alone and she faces the coming small town stigma of solterona, old maid. Marisa and Mercedes are on marriages gone stale and feel caged in the town and, finally, Ana, whose mother died long ago, lives with her grandmother, who raised her. She is gravely ill but has not told anybody except her sweatshop friends.

The leading subject in Crisálidas (Chrysalises) is that of women trapped in their own prisons in search of a way to fly away, to develop themselves and their own qualities and inclinations (hence the title; the point is made somewhat heavyhandedly in the last scene). It is one of a series directed by Fabio Junco and Julio Midú within the project Cine con Vecinos (Cinema with Neighbors), mostly filmed in Saladillo with almost no budget, some times with borrowed equipment, and nonprofessional actors. All in all, this film attains its objectives but is not up to the best in the Junco-Midú series. The telling of each woman's story is uneven (that of Ana is almost telegraphic), music is frequently obtrusive and there is some preaching (as in the last scene). Anyway, worth watching.