IMDb RATING
7.9/10
250K
YOUR RATING
When George, a silent movie superstar, meets Peppy Miller, a dancer, sparks fly between the two. However, after the introduction of talking pictures, their fortunes change, affecting their d... Read allWhen George, a silent movie superstar, meets Peppy Miller, a dancer, sparks fly between the two. However, after the introduction of talking pictures, their fortunes change, affecting their dynamic.When George, a silent movie superstar, meets Peppy Miller, a dancer, sparks fly between the two. However, after the introduction of talking pictures, their fortunes change, affecting their dynamic.
- Won 5 Oscars
- 162 wins & 204 nominations total
Elizabeth Tulloch
- Norma
- (as Bitsie Tulloch)
Nina Siemaszko
- Admiring Woman
- (as Nina Siemazko)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaJean Dujardin became the first-ever French actor to win a Best Actor Academy Award when he won an Oscar® for this film.
- GoofsIn all of the films screened, the THE END title dissolves onto the screen, either over the action or as a separate card. This practice did not begin until the early 1940s; prior to that, all films simply faded to black, then faded in on the end title (the only exceptions being gags, such as a character walking onscreen holding a sign reading THE END).
- Quotes
Doris: I'm unhappy.
George Valentin: So are millions of us.
- Crazy creditsThe opening credits are in the style of the 1920s and 1930s, complete with technical credits shown the way they were then.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #1.18 (2011)
- SoundtracksEstancia OP.8
(Alberto Ginastera))
Conducted by Ernst van Tiel (as Ernst Van Tiel)
Performed by Brussels Philharmonic (as Brussels Philharmonic - The Orchestra of Flanders)
©Boosey & Hawkes c/o Editions Durand/Universal
(p) 2011 La Petite Reine
Courtesy of Universal Music Vision
Featured review
The Artist is a well-made if not particularly involving homage to the silent films of the 1920s. The film itself looks beautiful, and makes interesting use of its lack of sound. However, the story lacks interest, and is as clichéd as the silent films it pays tribute to.
The artist of the title is George Valentin, a silent film star caught in a loveless marriage to a petulant starlet. He gives a jump start to the career of actress Peppy Miller after kissing her at a premiere. However, he soon finds his stardom dwarfed by hers after the debut of talkies and losing his fortune in the stock market collapse.
The film is at its best when it plays with the whole concept of silent movies. The most impressive example is a dream sequence conveying the transition from silent to sound movies. Valentin dreams that his word, previously filled with a silent movie soundtrack, now consumed by overly loud background sounds. This may be the first time in cinematic history in which a dog's bark has conveyed the shift of an entire world.
Unfortunately, the film also suffers from one of the major flaws of silent films in general. Because of the lack of dialogue, The Artist ultimately has a simplistic story with largely one dimensional characters. To a large extent, the plot mimics that of A Star Is Born, focusing on a famous performer ultimately surpassed by his protégé. As a result, the film is boring and predictable.
Furthermore, the film emulates the least interesting of the silent movies. Rather than focusing on the more experimental films that characterized the early years of silent movies, such as The Cabinet of Dr. Caligari and D. W. Griffith's work, it looks at the making of genre films. Given that The Artist, by its very nature, is aimed at film buffs with an extensive set of references, one would think they would give attention to more interesting films.
Still, the film's cast does a lot, particularly given the lack of dialogue. Penelope Ann Miller gives Valentin's harpy wife as much dimension as one can to such a one note character. John Goodman is also good as a dictatorial producer.
The artist of the title is George Valentin, a silent film star caught in a loveless marriage to a petulant starlet. He gives a jump start to the career of actress Peppy Miller after kissing her at a premiere. However, he soon finds his stardom dwarfed by hers after the debut of talkies and losing his fortune in the stock market collapse.
The film is at its best when it plays with the whole concept of silent movies. The most impressive example is a dream sequence conveying the transition from silent to sound movies. Valentin dreams that his word, previously filled with a silent movie soundtrack, now consumed by overly loud background sounds. This may be the first time in cinematic history in which a dog's bark has conveyed the shift of an entire world.
Unfortunately, the film also suffers from one of the major flaws of silent films in general. Because of the lack of dialogue, The Artist ultimately has a simplistic story with largely one dimensional characters. To a large extent, the plot mimics that of A Star Is Born, focusing on a famous performer ultimately surpassed by his protégé. As a result, the film is boring and predictable.
Furthermore, the film emulates the least interesting of the silent movies. Rather than focusing on the more experimental films that characterized the early years of silent movies, such as The Cabinet of Dr. Caligari and D. W. Griffith's work, it looks at the making of genre films. Given that The Artist, by its very nature, is aimed at film buffs with an extensive set of references, one would think they would give attention to more interesting films.
Still, the film's cast does a lot, particularly given the lack of dialogue. Penelope Ann Miller gives Valentin's harpy wife as much dimension as one can to such a one note character. John Goodman is also good as a dictatorial producer.
- TheExpatriate700
- Jan 2, 2012
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Beauty Spot
- Filming locations
- Bradbury Building - 304 S. Broadway, Downtown, Los Angeles, California, USA(Kinograph studio staircase)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $44,671,682
- Opening weekend US & Canada
- $204,878
- Nov 27, 2011
- Gross worldwide
- $133,471,171
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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