A young woman, born at the turn of the 20th century, is rendered ageless after an accident. After many solitary years, she meets a man who complicates the eternal life she has settled into.A young woman, born at the turn of the 20th century, is rendered ageless after an accident. After many solitary years, she meets a man who complicates the eternal life she has settled into.A young woman, born at the turn of the 20th century, is rendered ageless after an accident. After many solitary years, she meets a man who complicates the eternal life she has settled into.
- Awards
- 1 win & 10 nominations total
Peter J. Gray
- Clarence James Prescott
- (as Peter James Grey)
Izabel Pearce
- Flemming (Age 5)
- (as Izabel A. Pearce)
Storyline
Did you know
- TriviaThe story about the ships beneath San Francisco is true. Hundreds of ships were abandoned by hopeful gold miners. One fellow set up a salvage company, hauling some of them ashore and leaving some afloat to be used as storage units, boarding houses and even a jail and a church. The city needed to expand its acreage so that they could expand the harbor so they sold water lots. People would take an abandoned boat, scuttle it, and then claim the lot. To keep it they had to fill in the water by dumping rock, sand, and dirt. As it settled, much of it served to support the ships and many of the hulls were preserved largely intact. Decades later as underground utilities were being installed the ships were discovered. So far they have found some 500 of them. Much of downtown San Francisco was built on top of them,
- GoofsWhen she is pulled over near the beginning of the film, her driver's permit as a ZIP code on it, even though she was born in 1908 and the cop says she's 45, making it 1953. ZIP codes were not introduced until 1963.
- Quotes
Adaline Bowman: Tell me something I can hold on to forever and never let go.
Ellis Jones: Let go.
- SoundtracksSince I Don't Have You
Written by Jimmy Beaumont (as James Beaumont), Wally Lester (as Walter Lester), Joseph Rock, Jack Taylor (as John Taylor), Joe Verscharen (as Joseph Verscharen), and Janet Vogel
Performed by The Skyliners
Courtesy of The Bicycle Music Company
Featured review
No wise man ever wished to be younger." Jonathan Swift Walking into the cinema... Intrigueing is the word that comes to mind with The Age of Adaline. It is hard to categorise this film. Is it fantasy, a romance, a philosophical exercise, or a combination of them all? Overall rating: 3.5 stars Cinematic value: 3 stars Big Questions value: 4 stars What would you do if you were to remain 29 years of age for the rest of your life? Some might think that this would be ideal, while others would consider this to be a horrifying experience. This is the life of Adaline Bowman (Blake Lively). Through a series of fantastic phenomena, she has remained as a 29 year old for eight decades. She has to experience a life of solitude and separation, because she cannot age with those that she is closest to in her life. Her life is veiled in secrecy, until she meets Ellis Jones (Michiel Huisman), a philanthropist who ignites her passion for life and unknowingly he is a link to her past. What seems to be an innocent weekend away, becomes a crossroads for the truth and a chance for her to decide what she will do with the rest of her life. I will admit it, a good romance is a joy to experience. Romances may not be my favourite genre, but they have their place in cinematic history. The Age of Adeline will not win awards for groundbreaking film making, but it does fill a void in this year's celluloid offerings. It is a good, straight forward, romantic journey. Even with the fantasy element of eternal youth, this was a good film for the romantic at heart. It can get a bit sappy, but it is a satisfying tale. Indie director Lee Toland Krieger (Celeste and Jesse Forever) is able to incorporate a level of geekiness to satisfy any male audience members without sacrificing the primary storyline. His measured style develops a believability of this inventive story. Kreiger hearkens back to the beautiful romances of bygone eras, where subtlety and magnificent cinematography aid in delivering a beautiful romance. With the same level of measured performance, Blake Lively is excellent as the lead. She portrays the melancholy of a woman who lives with the mind of an elderly woman trapped in a perpetually young body. She allows herself to fall for Ellis, who is an old soul in a young man's body. Huisman brings a depth of character that makes this relationship right for both of them. One of the challenges of decade jumping films is the ageing of key characters, but Kreiger manages to make this element convincing. From the excellent supporting performances from Harrison Ford and Ellen Burstyn to the young actors that portrayed them in earlier decades, these characters were convincing and do not cause any distraction. Admittedly, the unfortunate component of watching this genre is the anticipation of sappiness or the inevitable tragedy. The Age of Adaline is a romance and contains some of these inevitable trappings, but due to the melancholy of the lead character and the control she has to shoulder for eight decades, this tale contains the bitter sweetness needed to move beyond the syrupy elements of many good hearted romances. Which leaves the verdict that Kreiger delivers an appealing and enjoyable romance. Before the opening sequence, this romantic adventure provides some of the best discussion points in recent cinema. In our era of desired eternal youth or the desire to merely appearing young, The Age of Adaline allows the audience to see the curse that this gift can be on anyone's life. It helps that Blake Lively is an attractive woman and manages to not experience any disfiguring accidents in her one-hundred and seven years. Which could cause a level of disbelief in the story, but does not become a consideration. Her pain seems to come from being attractive to most men, but she cannot allow herself to respond to their advances and she is only is allowed to be close with her dog, Reggie. Thoughts move from eternal youth to eternal life. Her melancholic spirit is shown in her awareness of this life that she remains trapped in. There has to be more as death occurs all around her, but she seems to be eternally trapped. She maintains a mental strength to not seek death as the answer to her pain, but death does add to the shadow that envelops her life. If that is not enough, Adaline has to lie and say farewell to all who come into her life. Her life is a moral conundrum and explains why she seems to be a shell of a woman throughout much of the film, until she is eventually allowed to tell the truth and live the life she never thought she could live. The Age of Adaline proves to be more than a romance. It is a philosophical journey packaged as this year's romance. Leaving the cinema: Is it ironic that a film of ageless beauty would be packaged in the film making style of yesteryear? This felt like a romance from the past, but will meet modern audiences with a fresh view on romance. This is a film that can bring out the romantic in anyone. It may have a sappy element, but it is satisfying and may make the date night dinner conversation deeper and more meaningful. Reel Dialogue: What are the bigger questions to consider from this film? 1. Would you want to be forever young? (Ecclesiastes 12:1, 2 Timothy 2:22) 2. Is an eternal soul better off being in heaven than on earth? (John 14:2, Philippians 3:20) Written by Russell Matthews based on a five star rating system
- russellingreviews
- Apr 13, 2015
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El secreto de Adaline
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $42,629,776
- Opening weekend US & Canada
- $13,203,458
- Apr 26, 2015
- Gross worldwide
- $65,663,276
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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