74 reviews
While the first REC was a very atmospheric, genuinely scary movie with some new genre elements added, especially in the way the action was captured, by now the REC series has slipped into the cliché trap.
This time around it's zombies on a boat. The director tries to emanate the claustrophobic feeling of a setting like the isolated camp in The Thing, but falls short.
The production is quite good for a horror movie, especially the acting stands out, but one can not help but feeling this is a cash machine franchise that has been milked too far by now. It's still a far better production than most straight to video horror flicks, but by now REC is not the captivating (low budget) horror sensation of the first movie, it's slightly better than run of the mill zombie movies.
Not essential and only if you are a big fan of the series.
This time around it's zombies on a boat. The director tries to emanate the claustrophobic feeling of a setting like the isolated camp in The Thing, but falls short.
The production is quite good for a horror movie, especially the acting stands out, but one can not help but feeling this is a cash machine franchise that has been milked too far by now. It's still a far better production than most straight to video horror flicks, but by now REC is not the captivating (low budget) horror sensation of the first movie, it's slightly better than run of the mill zombie movies.
Not essential and only if you are a big fan of the series.
The fourth & final instalment in the REC franchise, REC 4: Apocalypse concludes the horror that began in 2007 with REC, which still remains one of the scariest horror flicks ever made, was followed by an inferior yet effective sequel in 2009 before hitting an absolute low with a needless third entry that was more a spin-off than a sequel and replaced the nerve-racking tension of the first two films with elements of comedy to serve as a parody of the series.
With REC 4, the tense & claustrophobic atmosphere of the first two films makes its return & so does the ever-adorable Manuela Velasco. Set right after the events of REC 2, the story of REC 4: Apocalypse follows Ángela Vidal who after being rescued from the doomed building is taken to a ship, that's miles off the shore, for further examination. However, things are set in motion when a test subject escapes from the lab and ends up infecting the ship crew.
Co-written & directed by Jaume Balagueró, REC 4 discards the found footage style that was so expertly employed in the first film and replaces it with conventional photography but with that, the effectiveness of those chaotic, frenzy camera-work also diminishes. It still uses the shaky cam technique but it fails to recreate the same chilling vibe of the original. The story isn't compelling enough for a final chapter and what Balagueró has done with Ángela's arc is just absurd.
Despite picking up the story from where it left off in the second chapter, REC 4 spends too much time in setting up its premise by introducing characters no one gives a damn about, and even when the terror begins, it's all poorly executed. The scares are cheap & ineffective and the film as a whole feels more like a generic action flick than a visceral horror. It's good to have Manuela Velasco back but her character undergoes a sudden transition which never works in the film's favour.
On an overall scale, REC 4: Apocalypse is definitely a step up when compared to the turd that was REC 3: Genesis, is similar in look & tone to the first two chapters of the franchise and although by no means it is a fulfilling conclusion of the series, there is no denying that it could've been much worse. Failing to completely tie up all the loose ends, leaving a few questions unanswered and utterly devoid of any scares, REC 4 may not be a total disaster but it's still finishes as a forgettable finale.
With REC 4, the tense & claustrophobic atmosphere of the first two films makes its return & so does the ever-adorable Manuela Velasco. Set right after the events of REC 2, the story of REC 4: Apocalypse follows Ángela Vidal who after being rescued from the doomed building is taken to a ship, that's miles off the shore, for further examination. However, things are set in motion when a test subject escapes from the lab and ends up infecting the ship crew.
Co-written & directed by Jaume Balagueró, REC 4 discards the found footage style that was so expertly employed in the first film and replaces it with conventional photography but with that, the effectiveness of those chaotic, frenzy camera-work also diminishes. It still uses the shaky cam technique but it fails to recreate the same chilling vibe of the original. The story isn't compelling enough for a final chapter and what Balagueró has done with Ángela's arc is just absurd.
Despite picking up the story from where it left off in the second chapter, REC 4 spends too much time in setting up its premise by introducing characters no one gives a damn about, and even when the terror begins, it's all poorly executed. The scares are cheap & ineffective and the film as a whole feels more like a generic action flick than a visceral horror. It's good to have Manuela Velasco back but her character undergoes a sudden transition which never works in the film's favour.
On an overall scale, REC 4: Apocalypse is definitely a step up when compared to the turd that was REC 3: Genesis, is similar in look & tone to the first two chapters of the franchise and although by no means it is a fulfilling conclusion of the series, there is no denying that it could've been much worse. Failing to completely tie up all the loose ends, leaving a few questions unanswered and utterly devoid of any scares, REC 4 may not be a total disaster but it's still finishes as a forgettable finale.
- CinemaClown
- Oct 2, 2015
- Permalink
Rec 1 and 2 are two of the greatest horror films ever made.
Using found footage, they were able to add incredible immediacy, tension and rawness to a tired genre and established an identity all of their own.
The second film also managed to raise the stakes by adding a really creepy Satanic dimension to proceedings.
I was utterly gripped by the story and was looking forwards to 3 and 4 to see where the story would lead.
It went only one place...straight down the toilet. Rec 3 and 4 are almost tragically bad. Selling out everything that made the first films such bona fide classics in favour of tired cliché.
This particular film is just a poor man's Resident Evil.
I don't suppose we'll ever really know what happened and why the creative team made such poor choices, but it's a real pity. They had the formula, they'd set the story up perfectly...but then they fixed everything that wasn't broken, and completely broke it.
No series I've ever heard of has betrayed itself in this way before, and we can only hope it never happens again.
Using found footage, they were able to add incredible immediacy, tension and rawness to a tired genre and established an identity all of their own.
The second film also managed to raise the stakes by adding a really creepy Satanic dimension to proceedings.
I was utterly gripped by the story and was looking forwards to 3 and 4 to see where the story would lead.
It went only one place...straight down the toilet. Rec 3 and 4 are almost tragically bad. Selling out everything that made the first films such bona fide classics in favour of tired cliché.
This particular film is just a poor man's Resident Evil.
I don't suppose we'll ever really know what happened and why the creative team made such poor choices, but it's a real pity. They had the formula, they'd set the story up perfectly...but then they fixed everything that wasn't broken, and completely broke it.
No series I've ever heard of has betrayed itself in this way before, and we can only hope it never happens again.
This follow-up packs a sinister and horrifying atmosphere by means of shaky camera as well as the former Spanish films titled Rec 1 , 2 and 3 . Horror story plenty of suspense , restless terror and in thrilling style . The story starts with an elite squad of soldiers attempting to rescue to the young reporter Angela Vidal (Manuela Velasco) at a Barcelona apartment complex teeming with the victims of a demonic possession virus that has transformed them into vicious killers . After army doctor Guzman (Paco Manzanedo) and soldier Lucas rescue TV reporter Angela Vidal from the apartment building where occurred the viral outbreak and its immediate follow-up occurred , they all find themselves at sea on a ship that's been commandeered as a temporary quarantine . Then the action now takes place miles away from the original location and giving the film an entirely fresh yet disturbing new reality . As Angela Vidal manages to make it out alive , but what the soldiers don't know is that she carries the seed of the strange infection . She is to be taken to a provisional quarantine facility , a high-security installation where she will have to stay in isolation for several days . An old oil tanker, miles off shore and surrounded by water on all sides , has been especially equipped for the quarantine . As our starring Television reporter Ángela is rescued from the building and taken to an oil tanker commanded by Capitán Ortega (Mariano Venancio) to be examined by a medical team run by Dr Ricarte (Héctor Colomé) . However, it is unknown whether it is her who is carrying the seed of the mysterious demonic virus whose origin results to be the possessed girl (Tristana Medeiros is the only character to appear in all four films) who started the outbreak . But the infection has contaminated the tanker and events go wrong . Later on , the ship turns into a nightmare when horrific events take place as some of the crew start showing signs of a strange illness . Also aboard is a little-old-lady wedding guest (Maria Alfonso Rosso) who slept through the third film's massacre, and thus was the only person to survive it . As our protagonists find seamen have been possessed by strange demoniac forces . They are brutally attacked by psycho people ; they soon learn that people on the boat have been infected by something unknown .
This fast paced and entertaining fourth entry contains familiar faces behind and in front of the camera and with the ordinary living dead virus . Highly engrossing horror , this exciting movie contains noisy action , thrills , chills and loads of blood and gore . The film was well produced by Julio Fernandez and Castelao Pictures, and co-written by Balaguero and Manu Diez . This is the only installment of the franchise that is not filmed as found footage at all and it took 8 months to film and only 3 to edit . Picking up where the first sequel ended — with a desultory nod to "Rec 3's" underwhelming wedding-party digression — this supposedly final though none-too-conclusive chapter . This sequel to one of the highest earning horror movies of the last years titled ¨Rec¨ is realized in similar premise to original and displays a good cast such as Manuela Velasco , Paco Manzanedo , Mariano Venancio and special mention for recently deceased Héctor Colomé as Dr. Ricarte . And Maria Alfonso Rosso as the elderly woman on the ship is a survivor of the Rec ³: Genesis (2012) wedding massacre , although she believes she is still attending the party . This stirring terror picture displays horrific scenes , drama , action, suspense, and results to be quite entertaining . The frightening as well as scary story begins well and grows more and more until a surprising finale . The horror moments are compactly made and fast moving . The origins of the demonic outbreak are explained in the graphic novel ¨Rec : Untold Stories¨ , released alongside "Génesis" in Europe . In a clever twist that draws together the plots of the first three movies, this fourth part of the saga also works as a decoder to uncover information hidden in the first two films . The movie is a great sequel as well as a parallel story to the events of ¨Rec¨ , as the writers provide a well-knit plot with mystery and horror, giving full rein to Jaume Balaguero natural talent for the terror genre .
Most of the film was shot on an actual oil rig ship , some of the sets had to be recreated from the ship at the studio in order to allow space to film and do stunts . Appropriate cinematography by Pablo Grosso , series's usual , and atmospheric musical score by Arnau Bataller fitted perfectly to action . The flick was nicely produced by the chairman of Filmax and Castelao Productions , Julio Fernandez who along with his brother Carlos Fernandez are two successful producers and experts on Horror genre , producers of hits as ¨The machinist¨ ,¨ Fragiles¨, ¨Darkness¨, and many others . The picture was professionally directed by Jaume Balaguero . Balaguero along with Paco Plaza are the main Spanish filmmakers expert on terror cinema , both of whom have realized the box-office big successes such as these ¨Rec 1¨ , ¨Rec 2¨, stumbling with third entry ¨Rec¨ 3 , but the original is far superior , it did good biz in territories already infected by the earlier fright flicks . It's an entertaining terror and sometimes graphically gory and turns out to be an acceptable attempt to cash in the Zombie sub-genre .
This fast paced and entertaining fourth entry contains familiar faces behind and in front of the camera and with the ordinary living dead virus . Highly engrossing horror , this exciting movie contains noisy action , thrills , chills and loads of blood and gore . The film was well produced by Julio Fernandez and Castelao Pictures, and co-written by Balaguero and Manu Diez . This is the only installment of the franchise that is not filmed as found footage at all and it took 8 months to film and only 3 to edit . Picking up where the first sequel ended — with a desultory nod to "Rec 3's" underwhelming wedding-party digression — this supposedly final though none-too-conclusive chapter . This sequel to one of the highest earning horror movies of the last years titled ¨Rec¨ is realized in similar premise to original and displays a good cast such as Manuela Velasco , Paco Manzanedo , Mariano Venancio and special mention for recently deceased Héctor Colomé as Dr. Ricarte . And Maria Alfonso Rosso as the elderly woman on the ship is a survivor of the Rec ³: Genesis (2012) wedding massacre , although she believes she is still attending the party . This stirring terror picture displays horrific scenes , drama , action, suspense, and results to be quite entertaining . The frightening as well as scary story begins well and grows more and more until a surprising finale . The horror moments are compactly made and fast moving . The origins of the demonic outbreak are explained in the graphic novel ¨Rec : Untold Stories¨ , released alongside "Génesis" in Europe . In a clever twist that draws together the plots of the first three movies, this fourth part of the saga also works as a decoder to uncover information hidden in the first two films . The movie is a great sequel as well as a parallel story to the events of ¨Rec¨ , as the writers provide a well-knit plot with mystery and horror, giving full rein to Jaume Balaguero natural talent for the terror genre .
Most of the film was shot on an actual oil rig ship , some of the sets had to be recreated from the ship at the studio in order to allow space to film and do stunts . Appropriate cinematography by Pablo Grosso , series's usual , and atmospheric musical score by Arnau Bataller fitted perfectly to action . The flick was nicely produced by the chairman of Filmax and Castelao Productions , Julio Fernandez who along with his brother Carlos Fernandez are two successful producers and experts on Horror genre , producers of hits as ¨The machinist¨ ,¨ Fragiles¨, ¨Darkness¨, and many others . The picture was professionally directed by Jaume Balaguero . Balaguero along with Paco Plaza are the main Spanish filmmakers expert on terror cinema , both of whom have realized the box-office big successes such as these ¨Rec 1¨ , ¨Rec 2¨, stumbling with third entry ¨Rec¨ 3 , but the original is far superior , it did good biz in territories already infected by the earlier fright flicks . It's an entertaining terror and sometimes graphically gory and turns out to be an acceptable attempt to cash in the Zombie sub-genre .
Although being better than REC 3, REC 4 Apocalypse still is a big letdown. Of course, a major part in this being a letdown is the fact that it's not shot with a hand-held camera which made the first two instalments so great. What's the point in calling it a REC movie when the hand-held camera is missing? Next to that this movie just felt like some kind of action movie. It doesn't have the creepy atmosphere that the first and second movies had. There is a lot of action going on, with a lot of gore, but the creepiness is nowhere to be found. There were a couple of promising scenes that could have been scary, but failed to do so because they weren't executed right. The plot and dialogue in REC 4 is pretty shallow and highly predictable. What made the first movie so great is that it was different, something new. It gave a good mysterious background about what the virus was, but they didn't do anything with it in the third and fourth movie, not even continue it. There are a couple of good things about this movie and one of them is Manuela Velasco. Her acting is good and she gives a convincing performance. The second thing are the zombies. They look amazing, just like in the first two movies which is a big plus. I was really stoked for this movie and after the bad reviews on REC 3 I hoped they would go back to their success formula, but they didn't. It just didn't deliver and it couldn't live up to the high expectations/standards REC 1 & 2 had created. It was good on some ends, but it just had to many flaws.
- MisterAwesome
- Jan 4, 2015
- Permalink
I really lost hope after i saw Rec 3 !!! A wedding !! a Bride who does a karate Moves :P
But thank god Rec is Back to the Story of "Ángela Vidal" and they connected the story to the first two movies ,,, amazing turn of events ..
The plot this time literally elevated to a new level ... Ohh and the ending is just another thing.
The scenes is so thrilling this time,, Jumped out of my seat a couple of times ;)
I still have no idea if there's another movie Rec 5 ;) but if there is ,they better make it connected and around the same story..
The Set is Genius.,. full of surprises and curves which were useful to make more frightening.. it's really amazed me though how you can do so much in such a small Set or location ..
So it must be also said the cinematography and the visual effects are Applaudable.
But thank god Rec is Back to the Story of "Ángela Vidal" and they connected the story to the first two movies ,,, amazing turn of events ..
The plot this time literally elevated to a new level ... Ohh and the ending is just another thing.
The scenes is so thrilling this time,, Jumped out of my seat a couple of times ;)
I still have no idea if there's another movie Rec 5 ;) but if there is ,they better make it connected and around the same story..
The Set is Genius.,. full of surprises and curves which were useful to make more frightening.. it's really amazed me though how you can do so much in such a small Set or location ..
So it must be also said the cinematography and the visual effects are Applaudable.
- Aktham_Tashtush
- Mar 7, 2015
- Permalink
It is our belief that about ten years removed from the end of the franchise that the REC films will be considered horror classics that delivered from first entry until last. The first REC was released in 2007 and followed a television reporter and a cameraman as they accompanied emergency workers who were called to an apartment complex where a terrifying outbreak had been reported. Produced and shot in Spain, the film was interesting enough for Hollywood studios to remake the film with Jennifer Carpenter in 2008.
REC2 followed in 2009 and put a whole different slant on things. What we thought was an outbreak of a disease was brought into question. A possibility of demonic possession was introduced as a potential cause for the horror and this twist added multiple layers to an already engrossing story.
REC3 was an all-out blood fest. The setting was moved from the interior of a dark building to what was supposed to be a joyous wedding. As the wedding party fights for their survival, the red messy stuff covers the screen in an absolute gem of a whimsical horror film.
And as all good things come to an end, we have REC4 to close the books on the franchise. The setting is again changed for the third sequel. Our survivors are now fighting within the confines of an ocean liner where the zombie/rage-induced hordes. Manuela Velasco again plays Angela – the lone survivor of the REC2. It is her awakening on a high-security facility floating on the ocean that catapults the story.
Angela is able to team up with a small group of survivors and together they use just about every tool or weapon not nailed down on the ship to fight off the apocalypse and ensure their survival. Jaume Balagueró, who co-directed REC and REC 2 with Paco Plaza (Plaza directed REC 3 solo), returns to helm the fourth instalment of the saga and finish the series off with a spectacular and bloody bang.
There is a tremendous amount of fun to be had in REC4. The floating vessel is the perfect setting to induce a claustrophobic and seemingly hopeless feel. The kills in the REC series have gotten more and more flamboyantly violent in cartoonish escalation and REC4 has some kills that had our packed house audience clap and cheer in unison with its execution.
There are some interesting turns in the overall story arch some which are fun and others are almost groan inducing. The characters in REC4 are not as interesting as the other installments and once every character was trotted out, I was dead on in my assumption as to who would make it to the closing credits. Still, this is horror. Fans of the genre and the series are sure to find enough in REC 4 to make the experience enjoyable. The series never really lost steam from its opening in 2007 as it reinvented itself a few times along the journey. This journey is just bloody fun.
www.killerreviews.com
REC2 followed in 2009 and put a whole different slant on things. What we thought was an outbreak of a disease was brought into question. A possibility of demonic possession was introduced as a potential cause for the horror and this twist added multiple layers to an already engrossing story.
REC3 was an all-out blood fest. The setting was moved from the interior of a dark building to what was supposed to be a joyous wedding. As the wedding party fights for their survival, the red messy stuff covers the screen in an absolute gem of a whimsical horror film.
And as all good things come to an end, we have REC4 to close the books on the franchise. The setting is again changed for the third sequel. Our survivors are now fighting within the confines of an ocean liner where the zombie/rage-induced hordes. Manuela Velasco again plays Angela – the lone survivor of the REC2. It is her awakening on a high-security facility floating on the ocean that catapults the story.
Angela is able to team up with a small group of survivors and together they use just about every tool or weapon not nailed down on the ship to fight off the apocalypse and ensure their survival. Jaume Balagueró, who co-directed REC and REC 2 with Paco Plaza (Plaza directed REC 3 solo), returns to helm the fourth instalment of the saga and finish the series off with a spectacular and bloody bang.
There is a tremendous amount of fun to be had in REC4. The floating vessel is the perfect setting to induce a claustrophobic and seemingly hopeless feel. The kills in the REC series have gotten more and more flamboyantly violent in cartoonish escalation and REC4 has some kills that had our packed house audience clap and cheer in unison with its execution.
There are some interesting turns in the overall story arch some which are fun and others are almost groan inducing. The characters in REC4 are not as interesting as the other installments and once every character was trotted out, I was dead on in my assumption as to who would make it to the closing credits. Still, this is horror. Fans of the genre and the series are sure to find enough in REC 4 to make the experience enjoyable. The series never really lost steam from its opening in 2007 as it reinvented itself a few times along the journey. This journey is just bloody fun.
www.killerreviews.com
- gregsrants
- Sep 18, 2014
- Permalink
Balaguero returns to direct, Velasco is back to finish business and no more wedding shenanigans. This was poised to be a claustrophobic restoration of a series that commenced with one heck of a statement. The original 'Rec' is one of the finest horror exports ever conceived. Its sequels on the other hand, not so much. Alas, after the continuity shattering third instalment, this final entry (apparently...) was the one to infect us all ferociously. Yeah, it's not. In fact, it's easily the weakest chapter yet, and another clear reason why this franchise should be shot in the head and severed by an outboard motor. After the apartment was quarantined, news reporter Angela is rescued and escorted to a remote facility in the middle of an ocean, only to find that an infected test subject has escaped and is chomping on all the passengers.
Ensue carnage as the small crew of survivors literally scream, stare and flee from the oncoming disease. Now, as much as I scorned the religious flair of the "infection's" origins, it did hold some originality and thematic grip. Seems as though Balaguero, aside from presenting some archival footage of an exceedingly greater entry, forgot about the possession mumbo-jumbo and wait straight for a parasitical presence instead, essentially tarnishing the purpose of the previous entries. Honestly, I don't know how many times I have to say this, but continuity is the most crucial element to any franchise. Period! Never mind the CGI monkeys, self-destruct sequence and infected growls that resemble stock sound effects of a grizzly bear. It's deemed pointless if the film fails to continue with its over-arcing premise. What made 'Rec' the unique "zombie" horror that it was, has now dissipated by becoming as generic as any other entry in the sub-genre.
It's not just the plot though. The found footage style has been swapped out for a basic inexpensive aesthetic that unveils more budgetary weaknesses than anything else. Why? It's called 'Rec' for a reason! The characters were stupid. The acting was mediocre. The frenetic editing meant audiences couldn't see anything. The dim lighting didn't assist in that department either. Oh, and the horror was non-existent. Gone are the days of claustrophobic apartment hallways where every turn could result in a nasty bite.
It's not all terrible. I will say that the character of Nic was incredibly likeable and really was the true hero of this story. Anyone who can pretend to hack into security cameras with just a few keyboard presses deserves to have their time in the spotlight. And the prosthetic gore, which easily could've been visualised, showcased excellent makeup work so I appreciate the authenticity.
Still, it deviates so far left from the original premise that it's essentially its own film entirely. The new direction doesn't work for me, and prepare yourselves for a fifth entry that involves a fish. Watch this space. It's going to happen. Now, "vamos!"
Ensue carnage as the small crew of survivors literally scream, stare and flee from the oncoming disease. Now, as much as I scorned the religious flair of the "infection's" origins, it did hold some originality and thematic grip. Seems as though Balaguero, aside from presenting some archival footage of an exceedingly greater entry, forgot about the possession mumbo-jumbo and wait straight for a parasitical presence instead, essentially tarnishing the purpose of the previous entries. Honestly, I don't know how many times I have to say this, but continuity is the most crucial element to any franchise. Period! Never mind the CGI monkeys, self-destruct sequence and infected growls that resemble stock sound effects of a grizzly bear. It's deemed pointless if the film fails to continue with its over-arcing premise. What made 'Rec' the unique "zombie" horror that it was, has now dissipated by becoming as generic as any other entry in the sub-genre.
It's not just the plot though. The found footage style has been swapped out for a basic inexpensive aesthetic that unveils more budgetary weaknesses than anything else. Why? It's called 'Rec' for a reason! The characters were stupid. The acting was mediocre. The frenetic editing meant audiences couldn't see anything. The dim lighting didn't assist in that department either. Oh, and the horror was non-existent. Gone are the days of claustrophobic apartment hallways where every turn could result in a nasty bite.
It's not all terrible. I will say that the character of Nic was incredibly likeable and really was the true hero of this story. Anyone who can pretend to hack into security cameras with just a few keyboard presses deserves to have their time in the spotlight. And the prosthetic gore, which easily could've been visualised, showcased excellent makeup work so I appreciate the authenticity.
Still, it deviates so far left from the original premise that it's essentially its own film entirely. The new direction doesn't work for me, and prepare yourselves for a fifth entry that involves a fish. Watch this space. It's going to happen. Now, "vamos!"
- TheMovieDiorama
- Oct 3, 2019
- Permalink
After watching an awful and even ridiculous REC 3 I must admit I didn't expect anything about this movie, the original idea of a zombie attack had been replaced by a stupid demon attack you could control by praying but this movie brought back the fear and the despair of a movie I consider one of my favorites. REC 4 was such a surprise because I really felt what only the first movie made me feel, that's fear. Maybe most of you won't agree with me but I can assure you this movie is much better than the previous one, at least worth a watch. Plus the acting of Manuela Velasco is great as always and the idea of developing the movie aboard a ship makes you think you have no other choice than to fight and try to survive as long as you can. I give 8 stars out of 10.
- svartamoln
- Jan 2, 2015
- Permalink
It's a good go-ahead but a bad one. The film is about Angela's story after she escaped the building. The surprises inside the film obviously liked it. Especially the images shown from the 1st and 2nd movies were beautiful. It's really ridiculous in some parts of his fiction. The end result is the same as many virus-related films. Apart from the first one, I would say that three other films were definitely shot for money.
The reason is that I think the concept of other films is more action oriented. If you do not watch movies other than the first REC.
⭐ 100/50
⭐ 100/50
- tolunayd22
- Nov 25, 2019
- Permalink
For a franchise that's called "[ REC ]", we rarely get anymore "live recording" POV after the second entry of this series, which is extremely disappointing, as this was what made the first two instant horror classics, and distinguished itself from so many other ones! This sequel is even more bad than it's predecessor, as the found footage style is non-existing in this one... The only real connections to the first movies, is Angela and her damaged camera with footage from the first movie, which the doctors on the boat is trying to recover, in order to figure out what happened inside the building and trying to make a cure. Standard stuff really. The last time we left Angela, she was possessed by a demon. The one that caused the first outbreak. She killed a priest sent by the vatican, and was granted safe access to the outside world using his radio, in order to further spread the virus. In this one, we find out she is somehow no longer possessed, which is rather disappointing and makes no sense... When we find out why she's suddenly free and what happens next, i almost stopped the movie out of sheer frustration... I got so bored, so quickly that i only paid half attention to what was happening, and what they said to each other after just 20 minutes! I really disliked all of the characters, especially Nick! He was extremely cowardly throughout most of the movie. He only got brave when it was about Angela, like he just wanted to get laid, which is fine really, but he could've at least tried to help some of the others as well, that would've benefited his character. The boat setting, is supposed to make us feel the claustrophobia, paranoia and fear like in the original two, but it fails to deliver scares, even tiny ones, and the hopelessness that keeps you on the edge of your seat is never really there, which every good horror movie should have! There is no suspense, as we feel the characters are never really in any serious danger like in the building. I never rooted for anyone, i just wanted it to end quickly no matter what the cost. This sequel is essentially just like the last one, a splatterfest with less splatter, but just as painfully boring and slow. They should've let this franchise end with the second one, which had the best ending this series could've possibly hoped for, as it fitted perfectly with the style and overall feel. These last two entries has gone away from the found footage style in favor of experimenting with something different, which is not okay and not at all in keeping with the movies central themes and title. It would be like if the next Paranormal Activity was filmed in third person. It's called Paranormal Activity but it's not really Paranormal Activity. I am so glad that this is hopefully the last one, and if not I will never EVER watch another-quote unquote-[ REC ] movie! Do yourself a favor and stick with the original first two, which is far superior and actually scary and consistent with the overall theme and plot, and stands as a golden testament to Spanish horror, and horror in general!
- Connor_Kenway
- May 20, 2015
- Permalink
What on Earth happened with the script? This is laughable, badly done and even worse directed final film. Sucks big time, so sorry to say goodby to the franchise in this fashion.
(TIFF'14 Intro) The film premiered as part of the midnight madness lineup. Jaume Balagueró and Manuela Velasco introduced the movie. Velasco announced that this would be her first time watching the movie as well. Balagueró thanked a bunch of people involved and restated that this is the final movie in the series, and effectively ends the story.
(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.
The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.
The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.
In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.
(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.
The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.
The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.
In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.
After a promising beginning for the franchise with two exhilarating and frightening films, REC 3 threw the biggest cinematic spanner into the works like no other film franchise I have ever witnessed. After that, I knew that REC 4 couldn't possibly be any worse. So it has that going for it.
REC 4 certainly is an improvement, but it's still a disappointment. What it wisely does is ditch the found-footage style completely, as opposed to the third film's disorientating switch partway through. The "comic" elements from the third film still unfortunately linger in bits and pieces, though the overall dark mood of the film works in its favour.
Yet the film doesn't seem to know what to do with itself, its plot or its characters (a warm welcome back to Manuela Velasco, by the way), and ends up being a bizarre amalgam of other sources. It's like Captain Phillips crossed with Braindead. And by the time the ending does arrive, I had sort of already wished the ship would just blow up, and bury the last of the franchise at sea where it belongs.
It's an okay film, but it exists as a patchy attempt to crawl back onto the rails. For what has been billed as the final REC film, it is most unsatisfying.
REC 4 certainly is an improvement, but it's still a disappointment. What it wisely does is ditch the found-footage style completely, as opposed to the third film's disorientating switch partway through. The "comic" elements from the third film still unfortunately linger in bits and pieces, though the overall dark mood of the film works in its favour.
Yet the film doesn't seem to know what to do with itself, its plot or its characters (a warm welcome back to Manuela Velasco, by the way), and ends up being a bizarre amalgam of other sources. It's like Captain Phillips crossed with Braindead. And by the time the ending does arrive, I had sort of already wished the ship would just blow up, and bury the last of the franchise at sea where it belongs.
It's an okay film, but it exists as a patchy attempt to crawl back onto the rails. For what has been billed as the final REC film, it is most unsatisfying.
- InaneSwine
- Feb 19, 2016
- Permalink
With Rec 3 it was a downer it didn't continue the story from Rec 1 and Rec 2. With Rec 4, however, the story continues.
I think this is a good movie, not great though, and it gives the viewer some more insight to what the heck is really going on with everything.
Nothing will beat the two first movies, but as a whole, the series is really good. If you look at Rec 3 as a stand-alone movie, it's a pretty darn good zombie movie.
If you like Rec I think you'd want to watch all the sequels as well. These are brilliant b-movies with the charm that b-movies has. There's nice effects, action, and intensity from start to end.
I think this is a good movie, not great though, and it gives the viewer some more insight to what the heck is really going on with everything.
Nothing will beat the two first movies, but as a whole, the series is really good. If you look at Rec 3 as a stand-alone movie, it's a pretty darn good zombie movie.
If you like Rec I think you'd want to watch all the sequels as well. These are brilliant b-movies with the charm that b-movies has. There's nice effects, action, and intensity from start to end.
- morrison-dylan-fan
- Feb 7, 2016
- Permalink
Looking forward to see REC 4 ones it was over I was left with mixed emotions. The unique story of REC was gone. By now you do know how the zombies or infected do look and move and the surprises seen in part 1 and 2 are gone. It's of course normal that by part 4 you have seen it all before but even as it has a few intense moments it's the use of lighting and the shots that made it hard to sit through.
It starts off rather well because we go back to the apartment were Ángela Vidal (Manuela Velasco) was taken by the infested and disappeared at the end of part 1. They do rescue her not without a few attacks by the way. She's been taken to a cargo on the ocean were they are doing experiments on her and the soldiers who has taken her out of the apartment. It's even funny when suddenly an old lady comes across the story who is asking were the honeymoon takes place, a wink to REC 2.
But by then the story weakens a bit because once you see the lab you know what is going to happen. When an experiment goes wrong an infected monkey breaks out of it's cage and spreads the disease. But what could have been a surprising reprise turned into an annoying experience. Lights do flash a lot and the camera moves a lot and is zoomed in for most of the time so it's a on and off of seeing what is going on. The reason is rather simple, the surprise of REC couldn't be done again. It even reminded me a lot of Alien (1979) because Angela becomes the hero and walks around in her undershirt a lot so Ripley isn't that far away.
There's a bit of explanation what makes the virus and the end is open so it's off to REC 5 I guess. But I hope that the suspense and the creepy look of the infected like in REC is back there. Don't get me wrong. It isn't that bad after all but due the use of zoomed in shaky camera shots it didn't infected me .
Gore 2/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 0/5
It starts off rather well because we go back to the apartment were Ángela Vidal (Manuela Velasco) was taken by the infested and disappeared at the end of part 1. They do rescue her not without a few attacks by the way. She's been taken to a cargo on the ocean were they are doing experiments on her and the soldiers who has taken her out of the apartment. It's even funny when suddenly an old lady comes across the story who is asking were the honeymoon takes place, a wink to REC 2.
But by then the story weakens a bit because once you see the lab you know what is going to happen. When an experiment goes wrong an infected monkey breaks out of it's cage and spreads the disease. But what could have been a surprising reprise turned into an annoying experience. Lights do flash a lot and the camera moves a lot and is zoomed in for most of the time so it's a on and off of seeing what is going on. The reason is rather simple, the surprise of REC couldn't be done again. It even reminded me a lot of Alien (1979) because Angela becomes the hero and walks around in her undershirt a lot so Ripley isn't that far away.
There's a bit of explanation what makes the virus and the end is open so it's off to REC 5 I guess. But I hope that the suspense and the creepy look of the infected like in REC is back there. Don't get me wrong. It isn't that bad after all but due the use of zoomed in shaky camera shots it didn't infected me .
Gore 2/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 0/5
There's good news and bad news concerning Rec 4: Apocalypse.
The good news is that thankfully, this is not a "found footage" film, so you won't need anti-nausea medication to watch it. The bad news is that there is an overabundance of hand-held camera footage, which combined with poor lighting and the inevitable lightening like editing, renders much of the climactic action impossible to follow coherently.
This is a pity, as I liked the idea of most of the narrative of this sequel to the first 2 episodes, being confined to an ocean-bound ship, similar to Alien or Diehard.
Unfortunate though, is the manner in which the story unfolds whereby the writers keenness to provide twists should have been moderated. We end up with a plot in which all the major characters, try to shaft one another at some stage and therefore aren't deserving of our sympathies. I just about cheered when the boat's self-destruct button was ultimately pushed, but was totally confused by one of the final scenes, which seemed to show hundreds of zombies still on board. From where did they come? Beats me. Unsurprising therefore, that I think it was sensible to call time on any future sequels.
The good news is that thankfully, this is not a "found footage" film, so you won't need anti-nausea medication to watch it. The bad news is that there is an overabundance of hand-held camera footage, which combined with poor lighting and the inevitable lightening like editing, renders much of the climactic action impossible to follow coherently.
This is a pity, as I liked the idea of most of the narrative of this sequel to the first 2 episodes, being confined to an ocean-bound ship, similar to Alien or Diehard.
Unfortunate though, is the manner in which the story unfolds whereby the writers keenness to provide twists should have been moderated. We end up with a plot in which all the major characters, try to shaft one another at some stage and therefore aren't deserving of our sympathies. I just about cheered when the boat's self-destruct button was ultimately pushed, but was totally confused by one of the final scenes, which seemed to show hundreds of zombies still on board. From where did they come? Beats me. Unsurprising therefore, that I think it was sensible to call time on any future sequels.
- spookyrat1
- Oct 23, 2018
- Permalink
I really missed this one out back in 2014! I guess after "[REC] 3: Genesis (2012)", I thought the series was doomed and probably never paid any attention to it. The third installment suffered from the old "third movie fever": first movie was great, [Rec]² (2009) was good, but the third movie was just "meh". Having the third movie weakly linked to the first movie was, maybe, the best part about it.
It's not the case here at all! "REC 4: Apocalipsis" is, indeed, a sequel to all the previous movies and links them all together in a good way. (It's loosely linked to the previous movie, but I guess even the producers knew it was better not to mention that one that much...)
After the events of the [Rec]² (2009), special forces enter the building to blow it up, but things go south after infecteds try to kill them. In the midst of all mayhem, Guzmán finds Ángela alive. When they wake up, some time after, they find themselves in a ship turned secret lab, where military and doctors are not very friendly towards them. There's no apocalypse taking place, so the title is kinda misleading.
The plot is good and up to the point. It keeps itself serious and attempts a good pace at storytelling. Even with some minor setbacks, overall, I think the plot was good and well-presented.
I love the acting on most Spanish movies. They are usually top-notch and "REC 4" is no different.
The setting is filled with tension and feelings of clausthrophobia and fear. Nowhere feels safe. Most places are not safe all. There is a lot of gore, as expected, and it was effective. Some cheap CGI here and there, but, overall, the graphical effects are pleasant to see.
All in all, a good ride and a nice installment for the REC franchise. I would definitely recommend it to zombie and horror movies fans.
It's not the case here at all! "REC 4: Apocalipsis" is, indeed, a sequel to all the previous movies and links them all together in a good way. (It's loosely linked to the previous movie, but I guess even the producers knew it was better not to mention that one that much...)
After the events of the [Rec]² (2009), special forces enter the building to blow it up, but things go south after infecteds try to kill them. In the midst of all mayhem, Guzmán finds Ángela alive. When they wake up, some time after, they find themselves in a ship turned secret lab, where military and doctors are not very friendly towards them. There's no apocalypse taking place, so the title is kinda misleading.
The plot is good and up to the point. It keeps itself serious and attempts a good pace at storytelling. Even with some minor setbacks, overall, I think the plot was good and well-presented.
I love the acting on most Spanish movies. They are usually top-notch and "REC 4" is no different.
The setting is filled with tension and feelings of clausthrophobia and fear. Nowhere feels safe. Most places are not safe all. There is a lot of gore, as expected, and it was effective. Some cheap CGI here and there, but, overall, the graphical effects are pleasant to see.
All in all, a good ride and a nice installment for the REC franchise. I would definitely recommend it to zombie and horror movies fans.
- gabriel_sanchez
- Nov 15, 2020
- Permalink
The television reporter Ángela Vidal (Manuela Velasco) awakes in a ship and finds that she is locked in her cabin in quarantine. She escapes and stumbles with Guzmán (Paco Manzanedo), who rescued her from the apartment building in Spain. They discover that Dr. Ginard (Paco Obregón) and Dr. Ricarte (Héctor Colomé) are researching a cure for the lethal infection in the ship. Guzmán goes to the wheelhouse and he is introduced to Captain Ortega (Mariano Venancio) that is in his last voyage and radio operator and hacker Nic (Ismael Fritschi) that is trying to retrieve the footages in Ángela's camera. There is a blackout in the vessel and Dr. Ricarte discovers that someone released their guinea pig, an infected monkey where they would test an antidote. The monkey attacks the cook and most of the crew is infected by their lunch. Meanwhile Nic retrieves the footage from the camera and Dr. Ricarte sees the girl Tristana Medeiros transferring the worm-like virus to Angela that claims that is not infected. However Dr. Ricarte believes that Ángela is the hostage and patient zero and wants to extract the parasite from her belly to test the antidote. In the middle of the chaos on board, will the attempt work?
"(REC)4: Apocalipsis" is a decent conclusion of this franchise. The story returns to the genre of the first movie with Angela and the survivor from the wedding in the deceptive third movie and fortunately forgets the religious approach from the second movie. The problem now is a virus transmitted by a worm-like parasite that seeks the strongest hostage. The plot does not have surprise, is gore and entertains. My vote is six.
Title (Brazil): Not Available
"(REC)4: Apocalipsis" is a decent conclusion of this franchise. The story returns to the genre of the first movie with Angela and the survivor from the wedding in the deceptive third movie and fortunately forgets the religious approach from the second movie. The problem now is a virus transmitted by a worm-like parasite that seeks the strongest hostage. The plot does not have surprise, is gore and entertains. My vote is six.
Title (Brazil): Not Available
- claudio_carvalho
- May 25, 2015
- Permalink
"Rec"'s final chapter is really disappointing. The first two films of the saga were interesting especially for the fact that mockumentary was the technique and the narrative strength of the story; in Rec 3 we see that this particular expedient is progressively abandoned, and all of the effectiveness of the film is lost. Rec 3 is the worst among the four movies, and the fourth chapter manages to create an horror movie better built and without too much meaningless splatter. But the result is still disappointing: bad acting; unfocused moral positions of the characters; too easy final. And, mainly, the total loss of the mockumentary, that was all that made the series, at first, interesting.
- anthonyf94
- Aug 16, 2019
- Permalink
I found it boring to the point I fell asleep and had to watch it again the day later. I had to watch it again from the beginning because I even forgot at what point of the movie I had arrived. I don't understand why some things established in the previous movies weren't done here, for example leaving a crucifix on a door would prevent the infect from leaving said room, or praying would make them stop. Both are thing used well in the previous movies, but here were not used because they would have made the movie last less than five minutes. That really bothered me to the point I could not enjoy the last chapter of this saga.