Somehow I don't find it surprising that Martha Stewart complained publicly to no less than the New York Times about the final cut of the 2024 documentary about her life even though she fully cooperated with longtime documentarian R. J. Cutler on the production. After all, she is a legendary perfectionist who changed the fabric of American lifestyle culture and became the country's first self-made female billionaire. She was appalled that a big chunk of the film was devoted to her conviction and 150-day imprisonment two decades ago (including a day in solitary confinement for what seemed to be a minor infraction), yet this section (replete with illustrations) was the most compelling part of her story. Cutler does a masterful job covering her life, triggering Stewart to discuss aspects of her childhood, marriage, relationships, and business dealings that reveal the price she has paid for her perfectionism. Her life since prison has been an intriguing example of reinvention with unexpected notoriety that has proven fortuitous to her enduring brand. She is truly brilliant but with that detached sense of entitlement that still limits how much of her story she is willing to share even now. This documentary provides clear evidence what a fascinating life Stewart has led due in no small part to her unflinching tenacity and almost telepathic sense of what her audience wants.