IMDb RATING
7.6/10
4.1K
YOUR RATING
Michael Rapaport documents the inner workings and behind the scenes drama that follows this innovative and influential band to this day.Michael Rapaport documents the inner workings and behind the scenes drama that follows this innovative and influential band to this day.Michael Rapaport documents the inner workings and behind the scenes drama that follows this innovative and influential band to this day.
- Awards
- 4 wins & 5 nominations total
Phife Dawg
- Self
- (as Malik Izaak Taylor aka Phife Diggy)
Adam Horovitz
- Self
- (as Ad-Rock)
Adam Yauch
- Self
- (as MCA)
Cheryl Taylor
- Self
- (as Cheryl Boyce-Taylor)
Storyline
Did you know
- TriviaBefore the end credits it's stated that the group had one more album to complete under their original recording contract. This obligation would eventually be fulfilled with their sixth and final studio album "We Got It from Here... Thank You 4 Your Service" which was released in November 2016.
- Quotes
Phife Dawg: But when it came to the black parties and the hip hop, once I saw them grab the mics and getting busy I risked my livelihood, getting kicked out of the house and everything just to be a part of it.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #1.24 (2011)
Featured review
www.eattheblinds.com
Three Hip-Hop groups defined the way I interfaced with Hip-Hop as a kid: The Jungle Brothers, De La Soul and A Tribe Called Quest. Their music was the soundtrack of my youth: beats and rhymes with a positive, life-affirming vibe. To me, these groups were giants living amidst point guards; years later, when I interviewed a number of them for my Hip-Hop documentary 5 Sides of a Coin, I felt like I'd grown up, being allowed to stand face-to-face with many of my childhood idols.
I still love Hip-Hop, but nostalgia has a way of tempering things. It's been nearly 20 years since I've had an epiphanic Hip-Hop moment; the last one I remember was hearing 36 Chambers or Illmatic for the first time. Don't get me wrong, I still bump my head to a lot of what's out there...it just doesn't move me the same way it used to.
A few weeks back I watched Michael Rapaport's Beats, Rhymes and Life: The Travels of A Tribe Called Quest and I was instantly reminded of Hip-Hop's significance in my life. Rapaport's film isn't shot on the best cameras or filmed by the most competent operators, but it really doesn't matter. This film was made by a Tribe fan for Tribe fans and whether it succeeds as therapy or mediation between Tip and Phife is irrelevant. If --somehow-- this doc has anything to do with ATCQ fulfilling their contractual obligation to produce one more album, then it's a monumental success; if not, it's still a great way for die-hard Tribe fans to reconnect with one of Hip-Hop's greatest groups.
Three Hip-Hop groups defined the way I interfaced with Hip-Hop as a kid: The Jungle Brothers, De La Soul and A Tribe Called Quest. Their music was the soundtrack of my youth: beats and rhymes with a positive, life-affirming vibe. To me, these groups were giants living amidst point guards; years later, when I interviewed a number of them for my Hip-Hop documentary 5 Sides of a Coin, I felt like I'd grown up, being allowed to stand face-to-face with many of my childhood idols.
I still love Hip-Hop, but nostalgia has a way of tempering things. It's been nearly 20 years since I've had an epiphanic Hip-Hop moment; the last one I remember was hearing 36 Chambers or Illmatic for the first time. Don't get me wrong, I still bump my head to a lot of what's out there...it just doesn't move me the same way it used to.
A few weeks back I watched Michael Rapaport's Beats, Rhymes and Life: The Travels of A Tribe Called Quest and I was instantly reminded of Hip-Hop's significance in my life. Rapaport's film isn't shot on the best cameras or filmed by the most competent operators, but it really doesn't matter. This film was made by a Tribe fan for Tribe fans and whether it succeeds as therapy or mediation between Tip and Phife is irrelevant. If --somehow-- this doc has anything to do with ATCQ fulfilling their contractual obligation to produce one more album, then it's a monumental success; if not, it's still a great way for die-hard Tribe fans to reconnect with one of Hip-Hop's greatest groups.
- frankenbenz
- Mar 6, 2013
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Биты, рифмы и жизнь: Путешествия группы A Tribe Called Quest
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,200,326
- Opening weekend US & Canada
- $111,982
- Jul 10, 2011
- Gross worldwide
- $1,200,326
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Beats, Rhymes & Life: The Travels of A Tribe Called Quest (2011) officially released in Canada in English?
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