Directed by
Matías Rojas Valencia |
Writing Credits (in alphabetical order)
Matías Rojas Valencia |
Cast (in credits order)
Salvador Insunza | ... | Pablo | |
Hanns Zischler | ... | Onkel Paul Schäfer | |
Amalia Kassai | ... | Gisela Seewald | |
Noa Westermeyer | ... | Rudolf | |
Luis Dubó | ... | Pastor | |
David Gaete | ... | Johannes | |
Alex Gorlich | ... | Gerhard | |
Alejandro Goic | ... | Coronel | |
Giannina Fruttero | ... | Cecilia | |
Claudia Cabezas | ... | Mujer Chilena | |
Paulina Urrutia | ... | Primera Dama | |
Vivian Mahler | ... | Dorothea | |
Philippa Zu Knyphausen | ... | Ingrid | |
Gerardo Naumann | ... | Hermann | |
Ignacio Solari | ... | Benjamín | |
Christiane Diaz | ... | Mujer Alemana 1 | |
Victoria De Gregorio | ... | Mujer Alemana 2 | |
Rest of cast listed alphabetically: | |||
José Antonio Raffo | ... | Johannes (Voz) | |
Leonie Wesselow | ... | Úrsula |
Produced by
Sophia Ayissi Nsegue | ... | producer |
Fernando Bascuñán | ... | executive producer |
Jorge Botero | ... | producer |
Luciana Azul Calcagno | ... | producer |
Iván Granovsky | ... | producer |
Linus Günther | ... | producer |
Titus Kreyenberg | ... | producer |
Giancarlo Nasi | ... | producer |
Pierre Perrot | ... | producer |
Denis Vaslin | ... | producer |
Cinematography by
Benjamín Echazarreta |
Editing by
Andrea Chignoli | ||
Matías Rojas Valencia |
Casting By
Moira Miller |
Art Direction by
Laura Caligiuri | ... | (art direction) |
Set Decoration by
Felipe Cáceres |
Costume Design by
Paola Mendoza |
Makeup Department
Michelle Cervera | ... | chief of makeup and hairstyling / special makeup effects artist |
Sound Department
Pablo Bahamondez | ... | supervising sound editor |
Antonia Larenas | ... | sound effects editor |
Roberto Zuñiga | ... | re-recording mixer / sound designer |
Camera and Electrical Department
Jonathan Maldonado | ... | first assistant camera |
Jorge Manzur | ... | Steadicam Operator: re-shoots |
Sebastian Monreal | ... | Best Boy Electric |
Additional Crew
Barbara Van Lombeek | ... | publicist |
Thanks
Simon Ofenloch | ... | thanks: from Klinkerfilm |