User reviews

When I came to know AP Arjun is directing a story written by Arjun Sarja and starring Dhruva Sarja, I should've sensed from a mile away how mediocre the film is gonna be. Ravi Basrur's bgm aren't my favorites but this was even worse than all his previous works. Arjun Sarja's previous directorial works (especially those starring his daughter) were goofy, so it would be natural he's going to mess up with Dhruva Sarja's Martin. But this time the director is AP Arjun who had given some decent rom com hits to Dhruva Sarja before. His direction was ok in some scenes but in all others it fails miserably.

There were twists in first half. Though they were all predictable, some came off a surprise due to screenplay style. And just when I started to feel this is going to be good, it started to go down again. And this time it messed up even badly, with choppy editing, a loud and jarring senseless bgm, weird dialogue delivery (there's a dialogue that rhymes martin with protein), tanks, bikes, bombs, green screen deserts, cgi fights, and many more!

There were some good camera shots but those were very few. The color grading is average. Other production values are barely decent. The only good thing about the movie is that they didn't reveal anything in the trailer. They deliberately kept the audience's expectations low so that this film can at least be called "average" when it's below that! There were no comedy scenes in the movie (at least better considering how vulgar kfi's comedies are), perhaps because the film itself is a joke?!

There is everything in the movie except a logical story and good direction. Better to skip, unless you want to hide inside a theatre for whatever reason.

Martin is a self centered movie on dhruva surja, I don't know why he does acting, he should better go to acting classes . Worst vfx ever, heroine acting was good, decent story but worst dialogue deliveries,The special effects, which I assume took up the bulk of the budget, looked like they were created on a 2002 home computer. CGI explosions fill the screen with blinding colors but no sense of scale, purpose, or urgency. At times, it felt like the filmmakers simply gave up and decided to drown the audience in noise and poorly rendered space debris.

In conclusion, "Martin" is a cinematic black hole.

Martin, directed by A. P. Arjun and starring Dhruva Sarja, is a film that unapologetically revels in high-octane action, intense performances, and a fast-paced narrative. Released with much anticipation, the film has successfully met the high expectations of action movie enthusiasts and Dhruva Sarja's fans alike. With its larger-than-life sequences, explosive soundtrack, and well-crafted characters, Martin delivers a thoroughly entertaining cinematic experience that grips the audience from start to finish.

Plot Overview

The story revolves around Martin, a man caught in a whirlwind of conflict, ambition, and revenge. Played by Dhruva Sarja, Martin is a fearless and determined individual, whose strong sense of justice leads him down a dangerous path. He is embroiled in a personal vendetta that grows into a larger conspiracy, putting him against a host of powerful adversaries. As he fights his way through a network of enemies, his ultimate goal remains clear-unraveling the mystery that threatens his life and those he cares about.

The plot might seem familiar to fans of action cinema, but it's the execution that makes Martin stand out. The screenplay is packed with unexpected twists, keeping viewers on the edge of their seats throughout. The story balances high-stakes drama with action sequences that are both visually impressive and emotionally charged. This blend of personal conflict and intense action gives the film depth beyond just the fight scenes.

Dhruva Sarja's Commanding Presence

Dhruva Sarja's performance as the titular character is undoubtedly one of the film's highlights. His portrayal of Martin is a masterclass in physical acting, with his strong screen presence commanding attention in every scene. Whether he's taking down a room full of adversaries or delivering emotional monologues, Sarja brings raw energy and conviction to his role. His dedication to the physical demands of the part is clear, with the action choreography designed to showcase his impressive skills.

Sarja's ability to convey both intensity and vulnerability in the same breath gives the character a compelling edge. His physicality is matched by his emotional depth, which is particularly evident in key moments of the film where Martin's internal struggles are brought to the surface. The audience is given a glimpse of a man fighting not only external enemies but also his own demons.

Stellar Action Sequences

Action fans are in for a treat, as Martin is packed with well-executed set pieces that raise the bar for Indian cinema. The fight choreography is a perfect blend of brute strength and precision, making each sequence feel visceral and impactful. Whether it's hand-to-hand combat or high-speed chases, the action scenes are visually arresting, thanks to sleek cinematography and seamless editing. The film's use of slow-motion and stylized shots enhances the excitement, giving the action a cinematic flair that never feels overdone.

What truly sets Martin apart from other action films is its attention to detail in crafting believable, grounded fight scenes while maintaining an element of spectacle. There's a rawness to the physicality that makes the stakes feel real, while the choreography ensures that every punch and kick leaves a mark on the audience. These sequences are heightened by the powerful background score, which punctuates the action with just the right amount of adrenaline-fueled energy.

Supporting Cast and Direction

While Dhruva Sarja dominates much of the screen time, the supporting cast also delivers strong performances that enrich the narrative. The film's antagonist, played by a seasoned actor, is more than just a caricatured villain. His motivations are complex, and his confrontations with Martin are some of the film's most intense moments. The supporting characters add layers to the story, with each of them contributing to the larger narrative in meaningful ways.

A. P. Arjun's direction is another major strength of the film. Known for his ability to blend action with emotion, Arjun creates a film that is as emotionally resonant as it is visually thrilling. He keeps the pace tight, ensuring that the film never loses momentum, while also allowing quieter moments to breathe when necessary. Arjun's understanding of the genre is evident in every frame, with Martin offering a perfect balance between spectacle and storytelling.

Cinematography and Technical Excellence

Visually, Martin is a stunning film. The cinematography by Satya Hegde captures the grandeur of the action sequences while also delivering beautifully composed dramatic scenes. Whether it's the stark landscapes or the urban environments, the film uses its settings to enhance the narrative. The color grading and lighting choices create a sense of intensity that complements the tone of the story.

The technical team deserves praise for their contribution to the film's polished look and feel. The special effects, though not overused, are skillfully integrated into the action scenes, adding to the overall visual appeal. The sound design, too, plays a crucial role in immersing the audience, particularly during the high-octane sequences.

Conclusion

Martin is a thoroughly engaging action film that doesn't just rely on its spectacle to entertain. With a well-crafted narrative, strong performances, and top-notch technical execution, it manages to stand out in a crowded genre. Dhruva Sarja's commanding performance, combined with A. P. Arjun's direction, makes this film a must-watch for fans of action-packed cinema. Whether you're in it for the adrenaline-pumping fight scenes or the emotionally charged story, Martin delivers on all fronts, making it one of the most exciting releases of the year.

There not proper story line Story not explained properly. There is no point in story. The dialogue is also very poor. Actors try to give their best but dialogue don't feel like powerful impact. As dialogue not matching with background music.

The visual in this movie is quite good but still it feels there is no point to show them. I personally don't like the movie. It becomes more better if it properly present. If in this movie there is little comedy and unnecessary part is deleted and main character and villan character background show properly then it could be more better movie. If anyone likes action movie, they don't like it. Because the action sequences don't complete properly.

Mast action. Pakistani caught criminal escapes their prison to wreak havoc on terror sponsored by Pakistan. What action, hollywood level. Dhruva is massive. Even BGM is fine. However, what's the best about this movie is the action scenes which reminds one of Hollywood kind of mass action. Everyone must watch this masterpiece.

Mast action. Pakistani caught criminal escapes their prison to wreak havoc on terror sponsored by Pakistan. What action, hollywood level. Dhruva is massive. Even BGM is fine. However, what's the best about this movie is the action scenes which reminds one of Hollywood kind of mass action. Everyone must watch this masterpiece.

A shameful movie with no fine plot. I feel embarrassed to know that this movie will be released worldwide with different language dub. This movie should be illegal to publish. The character is so unrealistic and illogical. The whole movie duration, you will be cringed to depth. I hate how it portrays everything. There is no factor about this film that is likeable. The costume design is so cheap labelled no sense at all. They may be got a huge production team, but not a single worth idea. No one deserve to watch this brainrot film, better deny it. That is why there should be a category for zero star rating for such movies.

The movie that brought us to the world of thriller and adventure took us to a different world the storyline is revolutionary it actor dhruva Sarja has done a great job with the new challenging character the movie has flawlessly delivered the social message of the movie one of the movie that influences the society in a right way the action in the movie is perfect that made us totally involve in all the senses of this the movie.this movie is one of the top tier movies which reminds us why we love Kannada movies and support them there was minute mistake but the dialogue delivery,acting,story is a winner in the audience view.

I have never seen such a worst movie like this in my entire life.. Story was decent that's it and there is nothing one positive point in this movie.. Direction - worst Acting - cringe and artificial Bgm - headache Songs - extra headache Lyrics - too bad Dailogues - no words VFX - Cartoon Action choreography - routine Cinematography - ok Costumes - big salute to designer The Hero Druva sarja Ds Boos is the main negative to movie, his performance cringe and so artificial.. And The director - completely failed to execute the story, kabza 100 times better than this, the brand AP Arjun Dodda namaskara🙏

The *2024* release of *Martin* is not a direct remake of George A. Romero's 1977 psychological horror but rather a restoration and re-release that has drawn attention in recent years. Over the decades, Romero's *Martin* has gained considerable recognition, with some critics and fans considering it a cult classic for its unconventional take on vampirism. Due to this, a 4K restoration of the original was announced to bring the film back to audiences, preserving its place in horror history.

As the 2024 version aims to preserve the essence of the original, it focuses on enhancing the quality of Romero's work, offering modern audiences a clearer and more vivid presentation of the gritty, disturbing world Martin inhabits. The restoration uses the original 16mm camera negative to bring the colors, cinematography, and atmosphere back to life while maintaining the film's raw, low-budget aesthetic, which is part of its appeal.

Romero's *Martin* stands out for its realistic and grounded approach to horror, diverging from more popular and romanticized interpretations of vampires. In a horror landscape that often relies on supernatural elements, Martin's story offers a psychological angle, leaving audiences to question whether he is a vampire at all or simply mentally ill. By 2024, this concept resonates even more with contemporary viewers, given the increased focus on mental health and its intersection with horror.

The story remains the same: Martin, a young man who believes he is an 84-year-old vampire, moves to Pittsburgh to live with his superstitious cousin Cuda, who sees him as a Nosferatu-like monster. The tension between Martin's modern skepticism and Cuda's old-world belief system is central to the film's drama. The visual restoration enhances this dynamic, sharpening the contrasts between Martin's bleak urban surroundings and the dreamlike black-and-white flashbacks that allude to his delusions of vampirism.

In the 2024 version, this restoration effort is paired with bonus content that delves deeper into Romero's creative process and the film's enduring legacy. Many fans of Romero's work will appreciate the effort to bring back one of his lesser-known films, offering a new generation the chance to experience *Martin* as close to the director's original vision as possible. This re-release also serves as an exploration of how the film's themes of alienation, violence, and identity remain relevant in today's society.

The restored *Martin* brings a unique experience for viewers seeking a blend of psychological tension and horror without the typical tropes.

After a tragic incident involving a police shooting, Martin becomes a voice for social justice in his city. He organizes protests and raises awareness about systemic racism and police brutality. However, as he gains momentum, he discovers that a powerful political figure is orchestrating a smear campaign against him. With the help of a determined journalist, Martin fights not only for justice for the victims but also to clear his name. The story addresses issues of social justice, media influence, and the fight against systemic oppression.

Each of these stories presents a unique perspective on Martin's character, allowing for rich exploration of themes related to justice, morality, and the complexities of human relationships.

(Everything in this review is based on personal choice it's not a representation of the pure art made by makers,ie: don't sue me) If you don't know how bad it is let me just say ( give the tickets money to charity and use those 3 hours to think about your life.if the makers are bullying the review YouTubers you should know that they don't have good content and after watching this movie I think the makers need to find a new profession like selling fruits or vegetables or even buying scraps. The CGI was worse than my nephews favourite game minecraft and most importantly why was a dog being fed with mans lips.

Martin is hands down one of the worst movies I've ever endured. The plot is a chaotic mess, with scenes that seem to have no connection or purpose, making it frustrating to watch. The characters are painfully one-dimensional, offering no depth or development, and I found it impossible to care about any of them. The pacing is excruciatingly slow, with scenes that drag on far too long without payoff.

The visuals are equally disappointing, and poor. It feels like a low-budget project with ambitions far beyond its reach. Overall, Martin is a waste of time , cost and effort. Skip it at any cost !!

Story not explained properly. There is no point in story. The dialogue is also very poor. Actors try to give their best but dialogue don't feel like powerful impact. As dialogue not matching with background music.

The visual in this movie is quite good but still it feels there is no point to show them. I personally don't like the movie. It becomes more better if it properly present. If in this movie there is little comedy and unnecessary part is deleted and main character and villan character background show properly then it could be more better movie. If anyone likes action movie, they don't like it. Because the action sequences don't complete properly.

Movie Title: "Martin"

Plot: The film revolves around a brave customs officer who uncovers a powerful, corrupt medical mafia exploiting the poor. The film is filled with high-octane action scenes and intense confrontations with the corrupt.

Message: Beyond the action, the film sends a strong message about integrity, justice, and the importance of standing up against those who profit from suffering.

Appeal: It will resonate with action fans while delivering a meaningful message that draws attention to real-world issues in healthcare.

This type of movie strikes a balance between entertainment and awareness, making it a must-watch for all audiences.

Absolute garbage. The film opens with an intriguing premise but quickly devolves into over-the-top action sequences and convoluted twists that many critics found difficult to follow. While Sarja's action performance is praised, especially in the high-octane fight scenes, the film's poor CGI, weak dialogue, and lackluster character development detract from its appeal. Critics have pointed out that despite the heavy budget and ambitious scope, the movie feels disjointed, with style overshadowing substance. The supporting cast, including Vaibhavi Shandilya and Anveshi Jain, is underutilized, and the romantic subplot feels tacked on. Technical aspects like the background score by Ravi Basrur have also been criticized for failing to enhance the film's dramatic moments. Don't waste your time and energy, now days indian is all about Pakistan is bad and india is good.

LOL dont bother watching this movie in the name of d-riding on Salaar and KGF another masterpiece has come called Latrin, who will copyright strike the whole youtube community.

Go watch some anime or something better or go learn something new.

Bad graphics Bad body CGI

did they promise to just top up the metrocard for the VFX people working in the movie. The ego on this movie makers cannot even take criticism.

Already the story in the movies from india (90% of them) i can say they are so bad, look at the bollywood and the south movies are even worst i can say that RRR and Kalki is the only movie which I think has THE story and they are very great movies

I can understand there could have been quite some difficulty making of this movie, but this movie is bad

do not bother going to watch the movie i just saw the reviews and dodged a bullet.

*Martin* isn't just another action movie; it's a film that dives deep into the life of a man wrestling with his personal demons while facing external challenges. With its blend of action, emotion, and patriotism, it offers a complete cinematic experience that captivates from start to finish.

The protagonist, Martin, is at the heart of this story-a character torn between his love for his country and his desire for a peaceful life. As he navigates his internal conflicts, his journey of self-discovery emerges as a central theme. This internal struggle is as compelling as his physical battles, making Martin a hero whose courage lies not just in his actions but in the decisions he makes throughout the film.

The plot masterfully intertwines Martin's emotional turmoil with his encounters in the outside world. The story unfolds with Martin confronting the reality of war and the choices that come with it. But it's more than just a tale of combat; it's about a man discovering his own values and what he's truly willing to stand up for. This duality gives the narrative a richness that engages the audience, balancing intense action with moments of quiet reflection.

The film's screenplay is meticulously crafted, with each scene serving a purpose in building Martin's story. The action sequences are high-octane and pulse-pounding, yet the quieter scenes are where the film truly shines. They reveal Martin's vulnerability, offering a deeper understanding of the character and his struggles. The deliberate pacing allows viewers to absorb these moments fully, making the story feel layered and impactful.

*Martin* handles the theme of patriotism with a nuanced approach. Instead of relying on overt displays of nationalism, the movie emphasizes the subtler aspects of love for one's country. Martin's loyalty is evident through his actions and choices, as he grapples with the tension between duty and personal desire. This thoughtful portrayal of patriotism adds depth to the story, showing that true love for one's homeland is complex and multifaceted.

The romance subplot in *Martin* enriches the narrative, providing a softer contrast to the action. It explores the tender, human side of Martin, offering a glimpse into the sacrifices he makes for love. This relationship is portrayed with authenticity, adding an emotional layer that makes the story more relatable. It's through this love story that the film explores the personal cost of Martin's commitment to his country, giving the audience a fuller picture of the character.

The background music in *Martin* enhances the overall experience, providing a fitting accompaniment to both the action scenes and the quieter moments. The score is designed to heighten the emotional resonance of each scene, drawing viewers deeper into the story. The music swells during climactic battles and softens during reflective scenes, perfectly complementing the film's mood and tone.

Visually, *Martin* is a feast for the eyes. The cinematography captures sweeping landscapes, contrasting the calm beauty of nature with the chaos of war. Through a blend of wide shots and intimate close-ups, the film brings to life both the vast scope of Martin's battles and the personal stakes he faces. The use of lighting adds another layer of depth, with bright, hopeful scenes contrasting with darker moments of introspection.

The lead actor's performance in *Martin* is a standout, bringing depth and authenticity to the character's journey. He portrays Martin with a balance of strength and vulnerability, allowing the audience to see the full range of his internal conflicts. The supporting cast contributes significantly, enriching the story with their interactions and adding layers to the film's themes of camaraderie, love, and sacrifice.

The climax of *Martin* is a gripping convergence of action and emotion, as Martin faces a decision that encapsulates the essence of his journey. This final choice brings the story full circle, offering a resolution that is both satisfying and thought-provoking. The movie's ending leaves a lasting impact, encouraging viewers to ponder the themes of identity, duty, and the true meaning of sacrifice.

*Martin* is more than just a thrilling action film-it's a narrative that challenges the audience to look beyond the surface. Its exploration of personal struggle, national pride, and self-discovery makes it a film that resonates deeply. For those seeking a story that combines action with heartfelt emotion, *Martin* delivers an unforgettable experience.

Unnecessary intense scenes. Heavy background music now and then will make us get headache.

Direction is focused too much on boasting lead actor than focusing on story and message it was to deliver.

Not to blame the lead male and female characters for their over acting but the director himself for it.

He executes many scenes influenced by KGF/Kabja.

Very small story which could be delivered in good way is stretched with illogical scenes and unwanted scenes and finally everyone is lost. Director tried to make it look like Hollywood movie but completely end up delivering movie that look unoriginal and it's neither Indian nor western.

Stupid fun! The last time I enjoyed a movie this much was when I watched Ghost Rider Spirit of Vengeance.

You have to remember the movie is on a budget, so rough around the edges; I wanted to give this a 10 just to balance out the bad reviews but it deserves an 8!

The first half of the movie is spent in suspense, we wake up with a protagonist with amnesia, which is perfect because we learn things as he learns them and the first half is perfection!

The McGuffin for the movie turns out to be a "pharma mafia" but it does not matter, it's a mass movie the last time I had this much fun was when I was a kid and didn't care about any character development.

This is the worst movie I have ever seen if the option of giving rating is available in negative then I will give -100000 star . Worst vfx ever.poor acting of dhurva sarja .adipurush and gunpath are good movies in comparison of it.goodwilling I will 🚫 watch any movie of this actor.poor acting skills. If you want to suffer from the pain , headache I suffer from this movie than you can watch this movie.you cannot imagine how terrible the story of this movie is . Kabza movie is better than this in one frame the actor in Pakistan in other frame he is in India in other he is in turkey and how he repeated again and again who am I worst think I have ever watch.

This movie is so worst, that even video games have better VFX. The story is somewhat ok ok. The acting is at its worst. There is no break in the sound. The interval was the only break. The heroine has no part at all. I don't understand why they made this movie for 3 to 4 years.

I don't recommend anyone to watch it. The animation at the climax is worst. They tried to take inspiration from KGF. The sound is a torture to your brain. The actor does this aaaaarrrr. I felt like a zombie movie.

The plot itself is very confusing. There is no proper timeline to follow. Many scenes are overlapped, which makes it even boring.

Kabja is better than this. Very disappointed movie, no comedy, no music, ntg only animation animation , animation also they failed to reach upto point, kannada industry should not support like this chintu movies for in view of industry growth. Kabja is better than this. Very disappointed movie, no comedy, no music, ntg only animation animation , animation also they failed to reach upto point, kannada industry should not support like this chintu movies for in view of industry growth. Kabja is better than this. Very disappointed movie, no comedy, no music, ntg only animation animation , animation also they failed to reach upto point, kannada industry should not support like this chintu movies for in view of industry growth.

I haven't seen this level of bad movie,bad acting, worst story lines, worst dialogues and worst action.

Here's a sample bad movie review with some length but condensed to give you an idea. Writing 600 full lines here would be too extensive for this space, but this review can be expanded if needed:

Title: The Unwatchable Mess: A Painfully Dull Experience

Review:

If ever there was a movie that should come with a warning label for "Do not watch unless you want to waste precious hours of your life," it's this one. From the opening credits to the final scene, this film is a masterclass in how to destroy an audience's patience and willingness to engage with cinema.

Let's start with the plot, or rather, the absence of one. The narrative feels like it was stitched together from random scenes with no coherent thread, leaving viewers bewildered and lost at every turn. Characters stumble through poorly written dialogue, as though even they don't understand what they're supposed to be doing in the movie. Every conversation is awkward and filled with clichés, making it feel like a bad parody of much better films. The protagonist has no motivation beyond vague, uninspired goals, and the supporting cast is just there to fill the screen time with cringe-worthy attempts at humor or forced emotional moments.

Speaking of the cast, it's hard to believe any of these actors willingly agreed to be in this disaster. Their performances are so flat and uninspired that it's as if they gave up trying halfway through filming. The lead actor, known for previous decent roles, phones in every line with the enthusiasm of someone reading a tax manual. The chemistry between characters is non-existent; at no point do you care about their fates, let alone what happens next in the story.

The pacing of the movie is another disaster. Scenes drag on for what feels like hours, with the director apparently mistaking long, drawn-out shots for "artistic tension." Instead, they create boredom and frustration, making it nearly impossible to stay invested in what's happening on screen. It's not slow-burn suspense; it's just slow. At one point, I checked my watch, only to realize that a scene that should've lasted five minutes had stretched to fifteen, with no added value or development to justify it.

Let's talk about the technical aspects now. The cinematography is bland at best. Instead of utilizing creative camera angles or lighting to enhance the mood, everything looks like it was shot with the same dull filter. There's no sense of atmosphere, no visual flair, and certainly no memorable imagery. The movie tries to hide behind flashy effects, but even those feel half-baked and overused, like someone discovered a new filter on their video editing software and decided to apply it to every single scene.

As for the soundtrack, it's nothing short of a travesty. The music choices are bizarre and completely out of sync with the tone of the film. There's no cohesive score to speak of, just random background noise that alternates between being so loud you can't hear the dialogue, and so quiet that you wonder if they forgot to add music in post-production. It's like the sound designer gave up halfway through, leaving the movie with an amateurish quality that does nothing to elevate the already poor script.

Then there's the editing. Oh, the editing. It's choppy, disorienting, and at times downright laughable. Scenes transition with the grace of a malfunctioning robot, cutting to black at the most inappropriate times or lingering too long on awkward pauses. The result is a disjointed mess that makes it hard to follow even the simplest of events. By the third act, I was convinced the editor had fallen asleep at the computer and left the final cut unfinished.

And the climax? If you can call it that. After two hours of mind-numbing nothingness, the movie stumbles toward a conclusion that feels not only unsatisfying but downright insulting. It's as though the filmmakers ran out of ideas, money, or both. What should have been a resolution to the weakly established conflict is instead an incoherent jumble of rushed scenes that leave more questions than answers - not in the intriguing, thought-provoking way, but in the "what on earth just happened" way.

In summary, this film is an insult to audiences everywhere. It's as though every decision made in the production process was designed to test how much a viewer could endure before they finally walk out of the theater. It's the kind of movie that leaves you angry - angry that you wasted your time, angry that no one warned you, and angry that such a bad film could even be greenlit in the first place.

Save yourself the frustration. Don't watch it. Ever. You'll thank yourself later.

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Let me know if you need more detail or expansion!

Loooooooooooooooooooooooooooooooooooooooooooooolllllllllllllllllllllllll.