Directed by
| Marta Aledo | ||
Writing Credits (in alphabetical order)
| Natalia Mateo | ... | (written by) |
Cast (in credits order)
|
|
Natalia Mateo | ... | Tina |
| Raúl Arévalo | ... | Héctor | |
| Luis Callejo | ... | Lito | |
| María Morales | ... | María Victoria | |
| Chos | ... | Cova | |
| Esther Ortega | ... | Yulia | |
|
|
Sebástian Gutiérrez | ... | Fransuá (as Sebastián Gutiérrez) |
| Mariana Cordero | ... | Pilar | |
Produced by
| Stefan Schmitz | ... | producer |
| María Zamora | ... | producer |
Cinematography by
| Joaquín Manchado | ||
Editing by
| Iván Aledo | ||
Art Direction by
| Montse Sanz | ||
Makeup Department
| Guillermina Bisso Castro | ... | makeup artist (as Guillermina Bisso) |
| Josefa Verdugo | ... | hair stylist |
Production Management
| Tatiana Chav | ... | production manager (as Tatiana Chaves) |
| Mariana Jacob | ... | assistant production manager |
| Lidia Martínez Arnaiz | ... | set production assistant |
| Laura Menéndez | ... | assistant production manager |
| Pablo Muñoz Parrondo | ... | assistant production manager |
| Marta Sánchez Cernuda | ... | assistant production manager |
Second Unit Director or Assistant Director
| Guillermo Chapa | ... | second assistant director |
| Javier González Chillón | ... | assistant director |
Art Department
| Elisa Mar Ferre | ... | credits designer |
Sound Department
| Nicolas de Poulpiquet | ... | re-recording mixer |
| Juan Ferro | ... | sound editor / sound |
| Jaime Guijarro | ... | boom operator |
| Francisco Rizzi | ... | foley artist |
Visual Effects by
| Iñaki Bilbao | ... | digital conform editor |
| Blas Galera | ... | digital conform editor |
| Isidro Jiménez | ... | digital effects supervisor |
| Telson S.L. | ... | post-production visual effects |
| Silvia Torralba | ... | digital effects producer |
Camera and Electrical Department
| Enrique Bello | ... | gaffer |
| Ariana Bonavia | ... | first assistant camera |
| Amando Crespo | ... | steadicam operator |
| Eugenio Martínez | ... | electrician |
| Sergio Morales | ... | electrician |
| Montserrat Motril | ... | second assistant camera |
Costume and Wardrobe Department
| Ana María Holgueras | ... | costume supervisor (as Ana Mª Holgueras) |
Editorial Department
| Colette Aguilar | ... | post-production coordinator |
| Isabel Cano | ... | post-production coordinator |
| Enrique Domínguez | ... | assistant editor |
| Enrique Jiménez | ... | colorist |
| Nuria López | ... | post-production coordinator |
| María José Martín | ... | post-production director |
| Rocío Morate | ... | scanning and film recording |
| Verónica Pérez | ... | scanning and film recording |
| Arancha R. De Buen | ... | post-production assistant |
Script and Continuity Department
| Anna Peris Lluch | ... | script supervisor |
Additional Crew
| Eva Olivares | ... | production accountant |
Thanks
| Iván Aledo | ... | the director wishes to thank |
| Raúl Arévalo | ... | the director wishes to thank |
| Luis Callejo | ... | the director wishes to thank |
| Laura Cepeda | ... | the director wishes to thank |
| Chos | ... | the director wishes to thank |
| Mariana Cordero | ... | the director wishes to thank |
| Berta de la Dehesa | ... | the director wishes to thank |
| Juan Ferro | ... | the director wishes to thank |
| Sandra Ferrús | ... | the director wishes to thank |
| Rafael García Martos | ... | the producers wish to thank |
| Borja Grandío | ... | the director wishes to thank |
| Clara Heyman | ... | the director wishes to thank |
| Rebeca Jiménez | ... | the director wishes to thank |
| Loquillo | ... | the director wishes to thank |
| Belén Macías | ... | the director wishes to thank |
| Joaquín Manchado | ... | the director wishes to thank |
| Natalia Mateo | ... | the director wishes to thank |
| Sabino Méndez | ... | the director wishes to thank |
| Esther Ortega | ... | the director wishes to thank |
| David Planell | ... | the director wishes to thank |
| Montse Sanz | ... | the director wishes to thank |
| Stefan Schmitz | ... | the director wishes to thank |
| María Zamora | ... | the director wishes to thank |