News

Italy’s Coccinelle Film has scored multiple sales on German director Veit Helmer’s gay love story “Gondola,” which world premiered at the Tokyo International Film Festival.

“Gondola” is the dialogue-free tale of two female cable car attendants who fall in love as they face each other going up and down the remote mountains of Georgia. It has been sold by the Rome-based distributor to France (Destiny Distribution); Australia and New Zealand (Bonsai Films); Japan (Moviola); Spain (Reverso Films); and South Korea (Entermode Corp.)

“Gondola” – which will have its domestic theatrical release in Germany through Jip Film & Verleih in March – is having its market premiere at the upcoming European Film Market.

Helmer is well known on the international festival circuit for funny, fable-like films with little or no dialogue such as “Tuvalu”; the Azerbaijan-set “Absurdistan,” which went to Sundance in 2008; and “The Bra,” which launched from Tokyo in 2018.

“There are...

Italy’s Coccinelle Film Sales has acquired world rights to German director Veit Helmer’s poetic love story “Gondola,” which will world premiere at the upcoming Tokyo International Film Festival.

Helmer is well known on the international festival circuit for funny, fable-like films with little or no dialogue such as “Tuvalu”; the Azerbaijan-set “Absurdistan,” which went to Sundance in 2008; and “The Bra,” that launched from Tokyo in 2018.

“Gondola,” the tale of two cable car attendants who fall in love as they face each other going up and down the remote mountains of Georgia, is also told without dialogue.

“There are a few places on earth where you don’t hop on the bus in the morning, but on the cable car [instead],” Helmer said in his director’s statement. He added that “such a place in Georgia inspired me to write a story about two cable car conductors who always meet...

Georgian cinema continues to show thriving signs of life in Blackbird Blackbird Blackberry, a film about a contently independent woman who is faced with the thrills and spills of companionship for the first time. A breakout at Directors’ Fortnight at Cannes earlier this year and a deserved winner, last week, of both best film and actress at the Sarajevo Film Festival, Blackbird is the latest from Elene Naveriani, a 38-year-old director who co-wrote the script with the writer and feminist activist Tamta Melashvili. From that collaboration springs an unlikely tale about the shock of attraction, about how bodies appear depending on how we see them and who’s looking, and about the joys of touch and solitude and whether or not they need be mutually exclusive.

Naveriani’s third feature opens with swagger and a literal cliffhanger: Eto, our immediately likable champion of self-sufficiency, is out picking berries when she...

Of all the classic summer berries — straw, blue, goose, rasp — blackberries ripen latest. That makes them an appropriate fruit for sturdy 48-year-old loner Etero (Eka Chavleishvili) to be reaching for at the beginning of Elene Naveriani’s slyly delightful “Blackbird Blackbird Blackberry.” But then, further distracted by the other title star, a handsome blackbird, she takes a tumble in to a ravine. It could have killed her. Indeed, there’s a moment where she envisions that it has. She watches as idly curious passersby gather around her body; anyone who has ever imagined their own funeral would be disappointed by this paltry turnout.

One subtle trick of Naveriani’s second feature, making good on the promise of her Locarno-awarded debut “Wet Sand,” is to convey that this near-death experience marks a rupture in Etero’s normal routine, while also establishing the shape of that routine. Perhaps it’s the first...

When director Elene Naveriani first read the book upon which “Blackbird Blackbird Blackberry” is based, they immediately recognized a whole community. “It was the story of my mom, the story of my aunt, the story of my neighbor,” Naveriani tells Variety. “I could name so many women around me that they were really going through the same interior kind of struggle, and I found it very important to bring this character to life on screen.”

Playing in Directors’ Fortnight, “Blackbird Blackbird Blackberry” follows 48-year-old Etero (Eka Chavleishvili – the filmmaker’s first and only choice for the character) as she discovers her sexuality and enters into her first relationship later in life. In the film’s startling opening sequence, shopkeeper Etero survives a brush with death, returns to her small corner store, and seduces the first man who walks in – having her initial sexual relation on a momentary whim.

Though Etero...

The End of the Affair: Naveriani Finds Love in a Hopeless Place

Georgian filmmaker Elene Naveriani solidifies her gravitational pull towards examining rural social misfits with her elegant sophomore film Blackbird Blackbird Blackberry, a rich character study of a strong willed woman who relishes her independence. It’s no surprise the source material was based on a novel by Tamta Melashvili, reflected in the abundantly textured rendering of a revelatory sexual awakening bolstered by a Virginia Woolf sense of interiority. Eka Chavleishvili, who played a supporting character in Naveriani’s agonizing 2021 debut Wet Sand, impressively takes center stage as an owlish store owner from a small village surrounded by frenemies.…...

Paris-based sales outfit Totem Films has acquired “A Song Sung Blue,” by Chinese director Zihan Geng, and “Blackbird Blackbird Blackberry,” from Georgian filmmaker Elene Naveriani. Both films will premiere in the Directors’ Fortnight section of the Cannes Film Festival.

“A Song Sung Blue” is the feature debut of the Beijing-born Geng. The coming-of-age story follows 15-year-old Xian, who’s left in the care of her estranged father, a struggling photographer, after her mother is compelled to travel to Africa for work. Over the course of a restless summer, Xian befriends 18-year-old Mingmei, the daughter of his father’s assistant-turned-girlfriend, and soon finds herself looking up to the older girl.

Driven by the ignorance and impulse of youth, their friendship will leave an unforgettable mark on the young girl’s life, a journey that “we follow to retrieve the memories of that distant part of our own youth,” according to Geng.