Claire is approached by the father of her murdered childhood friend to help investigate the haunted moor he believes is his son's final resting place.Claire is approached by the father of her murdered childhood friend to help investigate the haunted moor he believes is his son's final resting place.Claire is approached by the father of her murdered childhood friend to help investigate the haunted moor he believes is his son's final resting place.
- Awards
- 5 wins & 2 nominations
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- Writer
- All cast & crew
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Storyline
Did you know
- TriviaWon Best Scare at The Total Film FrightFest Awards 2023 with nominations for Best Director and Best Film.
Featured review
"Out there, we are all lost." Where exactly, you wonder? Why, that'd be on the moors, a place surrounded in fog, myths, and loss. With Chris Cronin's feature-length directorial debut, these mysterious lands take center stage as a grieving father and haunted podcaster search for answers and closure.
The results? Very mixed, but I'm confident Mr. Cronin has a solid career ahead of him. THE MOOR features a wonderful sense of atmosphere and benefits greatly from cinematographer Sam Cronin's depiction of the moody and aforementioned moors.
There are some fun frights to be had here too (a scene in a gully stands out as a highlight), but unless one is a rabid horror fan chomping at the bit for anything new, this one is hard to recommend with much enthusiasm. The film consistently cuts away to documentary-style interviews which, while helpful in the exposition camp, feel tonally and visually out of place with the rest of the film. Similarly, the "true ending" of the film feels incredibly jarring (you'll know what I mean if you watch it). I'm not sure if that was simply by design or if some scenes had to be cut due to budget restraints, but in the end it ultimately weakens the film's overall impact. That overall feeling isn't helped much by our lead "Claire" who is an wildly boring protagonist or the variety of moments where she and other characters fail to react to something cray cray in a realistic way. I've never seen a floating tent before...have you?
Still, there is some good stuff here for those who seek it; Elizabeth Dormer-Phillip in particular is a standout as "Eleanor," who not only breathes life into the film but gives it some much needed heart as well. Definitely a talent to watch. Whether or not the same could be said of Mr. Cronin by viewers after watching this debut, I ultimately believe will vary amongst genre fans. I, however, am curious to see what he does next.
Go get 'em, Chris.
RANDOM PRAISE +
RANDOM CRITIQUE -
TAKEAWAY ?
The results? Very mixed, but I'm confident Mr. Cronin has a solid career ahead of him. THE MOOR features a wonderful sense of atmosphere and benefits greatly from cinematographer Sam Cronin's depiction of the moody and aforementioned moors.
There are some fun frights to be had here too (a scene in a gully stands out as a highlight), but unless one is a rabid horror fan chomping at the bit for anything new, this one is hard to recommend with much enthusiasm. The film consistently cuts away to documentary-style interviews which, while helpful in the exposition camp, feel tonally and visually out of place with the rest of the film. Similarly, the "true ending" of the film feels incredibly jarring (you'll know what I mean if you watch it). I'm not sure if that was simply by design or if some scenes had to be cut due to budget restraints, but in the end it ultimately weakens the film's overall impact. That overall feeling isn't helped much by our lead "Claire" who is an wildly boring protagonist or the variety of moments where she and other characters fail to react to something cray cray in a realistic way. I've never seen a floating tent before...have you?
Still, there is some good stuff here for those who seek it; Elizabeth Dormer-Phillip in particular is a standout as "Eleanor," who not only breathes life into the film but gives it some much needed heart as well. Definitely a talent to watch. Whether or not the same could be said of Mr. Cronin by viewers after watching this debut, I ultimately believe will vary amongst genre fans. I, however, am curious to see what he does next.
Go get 'em, Chris.
RANDOM PRAISE +
- I will never tire of an ominous-looking animal or statue.
RANDOM CRITIQUE -
- If a woman has a panic attack while hiking across the moors and starts losing it, maybe-I don't know, check in on her? Just a thought.
TAKEAWAY ?
- The likelihood of getting kidnapped while shoplifting are low but NEVER zero.
- TheEcuadorian
- Jun 4, 2024
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Details
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- Also known as
- Those Who Remain
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Box office
- Gross worldwide
- $2,084
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.85 : 1
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