For as much as there is to like about Sisu, and there is a lot, the film does ask the viewer in equal parts to continuously suspend reality. Sisu is at its best in close quarters combat, when the fists and knives take center. The cinematography plays with the vast landscapes and camera techniques (one forced perspective shot of a tank staring down the gold prospector left me awestruck). The brisk runtime of 91 minutes ensures there aren't many lulls between Nazi blood being spilled. There is copious gore from both Nazis and our protagonist's unwilling desire to die. There are even damsels in distress.
I cannot say Sisu is exactly what I expected from the trailer, because truth be told, I wasn't expecting mimicry sequences of Mission Impossible hanging from a plane, Rambo stalking with a survival knife, or the other half dozen far-fetched antics. The film's unwilling desire to never take itself too seriously is both why it works so good, and perhaps what ultimately keeps it from being even better...
