30 reviews
It's about time Donnie Yen made an impact yet again in the fantasy wuxia-pian genre, given the rather recent dismal films with Painted Skin (where he only had a supporting role), An Empress and the Warriors, and Tsui Hark's Seven Swords back in 2005. Most of us went ballistic with his more modern action roles ranging from SPL to Ip Man, and his 14 Blades character of Qing Long (Green Dragon, thanks to those mean looking tattoos adorned all over his upper torso) here looks quite set to become yet another memorable role similar to his morally ambiguous one in Bodyguards and Assassins.
Here, Yen's Qing Long is the General-in-chief bodyguard to, and assassin for a Ming Dynasty king, who had set up the Jin Yi Wei (the Mandarin title), or the Brocaded Robe Guards, a special army known for its dogmatic principles in fulfilling mission objectives, whose loyalty is to the king only, and are at his beck and call to do just about anything the king commands. That of course leaves room for evil eunuchs to manipulate, especially when they can get the king easily distracted with wine, song and plenty of nubile women.
The first few minutes of the film introduces us to the background of Qing Long and his army of bodyguards and assassins, the evil that lurks within the royal family and palace from eunuchs to an exiled prince (an extremely short cameo by Sammo Hung), and of course, the fabled 14 Blades. Unfortunately, we are told of the uniqueness and names of each blade, but never see all of them in action, coupled by the fact that they look quite generic. Only Qing Long is assigned this utility box containing the swords and lugs it everywhere ala El Mariachi's guitar case, and at his will can throw up the appropriate weapon to battle adversaries, including a set of grappling hooks!
Writer-director Daniel Lee managed to create a film consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a film complete with double crosses, a prized possession that everyone is after, and had time to sneak in unrequited romance. In some ways the film plays out like a Cowboy Western with its one man sheriff and an escort agency up against various bands of outlaws in endless desert filled land, with that theme of hope that they'll make it unscathed against changing odds, save the day and to ride off into the sunset with the damsel.
The story though gave way at the midway mark, where it clearly became nothing more than a stringing together of battles and one on one duels, which thankfully were still exciting to sit through, with none of the fast cut edits or crazy closeups that will make you cringe. With the introduction of Wu Chun as Judge, the leader of a brigade of bandits who has this cool boomerang double blade, and Kate Tsui in a role where she only grunts as loud as Maria Sharapova in a return volley, ample time got dedicated for one to mirror QIng Long's transformation and road to redemption, while the other, well, just serves to grunt a lot, in a get up that looks inspired by Medusa, and armed with a serpent sword-like-whip, and powers of CG stealth.
But underneath the fights, the flimsy storyline and gorgeous costumes, 14 Blades turns out to have an incredibly strong romance instead, with Vicky Zhao (her umpteenth period role straight) starring as Qiao Hua, daughter of the Justice Escort agency founder (played by veteran Wu Ma), enamoured by the manliness of the legendary leader of the Jin Yi Wei, since she grew up on fairy tales and harbouring the hopes that a fabled swordsman would one day save society from its evils. In a way her Qiao Hua exhibits the Stockholm Syndrome, being held captive against her wishes, but slowly being drawn romantically to her captive, even endangering herself (in a scene to provide comic relief) by willingly becoming his aide and pawn.
It's far from being the perfect film, especially with unbelievably incoherent flashbacks and the going overboard with explosions (of the RPG type), but Donnie Yen once again shows that when it comes to the fisticuffs, he still has a lot to offer, despite the story's potential that had it go off the blocks strongly, only to fizzle out before the end in a case of severe narrative burn-out.
Here, Yen's Qing Long is the General-in-chief bodyguard to, and assassin for a Ming Dynasty king, who had set up the Jin Yi Wei (the Mandarin title), or the Brocaded Robe Guards, a special army known for its dogmatic principles in fulfilling mission objectives, whose loyalty is to the king only, and are at his beck and call to do just about anything the king commands. That of course leaves room for evil eunuchs to manipulate, especially when they can get the king easily distracted with wine, song and plenty of nubile women.
The first few minutes of the film introduces us to the background of Qing Long and his army of bodyguards and assassins, the evil that lurks within the royal family and palace from eunuchs to an exiled prince (an extremely short cameo by Sammo Hung), and of course, the fabled 14 Blades. Unfortunately, we are told of the uniqueness and names of each blade, but never see all of them in action, coupled by the fact that they look quite generic. Only Qing Long is assigned this utility box containing the swords and lugs it everywhere ala El Mariachi's guitar case, and at his will can throw up the appropriate weapon to battle adversaries, including a set of grappling hooks!
Writer-director Daniel Lee managed to create a film consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a film complete with double crosses, a prized possession that everyone is after, and had time to sneak in unrequited romance. In some ways the film plays out like a Cowboy Western with its one man sheriff and an escort agency up against various bands of outlaws in endless desert filled land, with that theme of hope that they'll make it unscathed against changing odds, save the day and to ride off into the sunset with the damsel.
The story though gave way at the midway mark, where it clearly became nothing more than a stringing together of battles and one on one duels, which thankfully were still exciting to sit through, with none of the fast cut edits or crazy closeups that will make you cringe. With the introduction of Wu Chun as Judge, the leader of a brigade of bandits who has this cool boomerang double blade, and Kate Tsui in a role where she only grunts as loud as Maria Sharapova in a return volley, ample time got dedicated for one to mirror QIng Long's transformation and road to redemption, while the other, well, just serves to grunt a lot, in a get up that looks inspired by Medusa, and armed with a serpent sword-like-whip, and powers of CG stealth.
But underneath the fights, the flimsy storyline and gorgeous costumes, 14 Blades turns out to have an incredibly strong romance instead, with Vicky Zhao (her umpteenth period role straight) starring as Qiao Hua, daughter of the Justice Escort agency founder (played by veteran Wu Ma), enamoured by the manliness of the legendary leader of the Jin Yi Wei, since she grew up on fairy tales and harbouring the hopes that a fabled swordsman would one day save society from its evils. In a way her Qiao Hua exhibits the Stockholm Syndrome, being held captive against her wishes, but slowly being drawn romantically to her captive, even endangering herself (in a scene to provide comic relief) by willingly becoming his aide and pawn.
It's far from being the perfect film, especially with unbelievably incoherent flashbacks and the going overboard with explosions (of the RPG type), but Donnie Yen once again shows that when it comes to the fisticuffs, he still has a lot to offer, despite the story's potential that had it go off the blocks strongly, only to fizzle out before the end in a case of severe narrative burn-out.
- DICK STEEL
- Jan 26, 2010
- Permalink
- mystery_hunters13
- May 9, 2011
- Permalink
I'm not talking about the blades, but about the story. It's a shame that the story (as good as it is and it's not bad) is not more fleshed out. Recent movies have shown that there are ways to make the eastern movies attractive (again). Though I am a bit biased, having grown up watching the Shaw Brothers movies, I do think that this could have done with a bit of script writing upgrade.
Of course the Shaw Brothers movies might not stand up to the test of time (or script writing I come to expect these days), but apart from that they had great actors. Donnie Yen holds his stand here and he does a good job. Of course that also means that the action is well shot and choreographed. I'm just saying you might be left with a feeling that there could have been more.
Of course the Shaw Brothers movies might not stand up to the test of time (or script writing I come to expect these days), but apart from that they had great actors. Donnie Yen holds his stand here and he does a good job. Of course that also means that the action is well shot and choreographed. I'm just saying you might be left with a feeling that there could have been more.
- harry_tk_yung
- Feb 12, 2010
- Permalink
I tried 3 times, but there was no chemistry, the style doesn't appeal to me, and the story didn't involve me...
- RosanaBotafogo
- Jul 11, 2020
- Permalink
14 Blades (2010) is a movie I recently rewatched for the first time in a long time on Tubi. The storyline follows a secret service agent during the Ming Dynasty who is sent on a secret mission only to discover he has been betrayed and now his former colleagues are after him. Can he clear his name before his former colleagues kill him?
This movie is directed by Daniel Lee (Three Kingdoms) and stars Donnie Yen (Iron Monkey 2), Wei Zhao (Red Cliff), Sammo Kam-Bo Hung (Knockabout), Chun Wu (My Kingdom) and Kar-Ying Law (From Beijing with Love).
Sammo Hung and Donnie Yen are always awesome and worth watching. Yen was ripped and in terrific shape. The attire, sets and cinematography was very well done. The choreography was inconsistent with some scenes well done and some with too much reliance on wires. The integration of CGI into the weapons was also inconsistent with some scenes working better than others. I will say that I did appreciate the variety of weapons used throughout the film.
Overall this is far from a classic martial arts picture but it is worth a viewing. I would score this a 6/10 and recommend seeing it once.
This movie is directed by Daniel Lee (Three Kingdoms) and stars Donnie Yen (Iron Monkey 2), Wei Zhao (Red Cliff), Sammo Kam-Bo Hung (Knockabout), Chun Wu (My Kingdom) and Kar-Ying Law (From Beijing with Love).
Sammo Hung and Donnie Yen are always awesome and worth watching. Yen was ripped and in terrific shape. The attire, sets and cinematography was very well done. The choreography was inconsistent with some scenes well done and some with too much reliance on wires. The integration of CGI into the weapons was also inconsistent with some scenes working better than others. I will say that I did appreciate the variety of weapons used throughout the film.
Overall this is far from a classic martial arts picture but it is worth a viewing. I would score this a 6/10 and recommend seeing it once.
- kevin_robbins
- Jul 22, 2022
- Permalink
Whether you enjoy "14 Blades" will most likely depend on what you think of the extensive use of so-called 'wire fu' throughout the film. This term was coined some time ago to describe the martial arts you see in some Chinese films where the stunts can only be achieved using hidden wires and harnesses to make characters magically fly as they fight. This was popularized in the film "Crouching Tiger, Hidden Dragon" but was actually used well before this in some of the Shaw Brothers films of the 1970s (such as "Sister Street Fighter"). I don't mind these crazy techniques if they are used very sparingly. When it doesn't dominate the film and when the actors aren't doing things so insanely impossible that I have trouble enjoying the movie, it can be effective. Instead, I prefer martial arts films where the action is both plausible AND insanely realistic--such as in films like "Ip Man", "In the Blood" and the old Sonny Chiba Street Fighter films. To me, wire fu can become a gimmick-- especially when used too often. And, in "14 Blades" it simply is overused and as a result, the story itself is rather weak.
When the film begins, you learn that in the Ming Dynasty, the Emperors created the Jinyiwei. The Jinyiwei was initially a small group of men who were like a combination of spies and assassins. They were independent of the rest of the government and had the authority to overrule judges and dispatch supposed enemies of the Emperor with their bladed weapons. While this sounds far-fetched, I did some research and found that this really was a secret organization which was created in 14th century China! So, I applaud the film for basing the plot, in part, on real historical facts and characters.
One of these Jinyiwei, General Qinlong (Donnie Yen) is the hero, of sorts, in this film. He is betrayed by disloyal folks within the Emperor's court and spends the entire film being pursued by an outlaw Prince and his band of baddies. Throughout the film, it's one battle after another after another, as the Prince's troops try to kill Qinlong and steal the royal seal. And, the baddest of these baddies is Tuo Tuo, the Prince's adopted daughter. She has all sorts of magical fighting powers, can punch through trees, tosses enormous statues about as if they were made of styrofoam and can appear and disappear, fly and do practically anything. How could Qinlong possibly defeat this magical killing machine?!
To me, if Tuo Tuo had been eliminated from the film completely, "14 Blades" would have been a much better film. She simply was too impossible to believe and her stunts were insanely impossible--yet many of the fight scenes without her were exciting and high-energy. The wizards in The Lord of the Rings films had less powers than she did and to me this was just a distraction. This combining of real historical events (the Jinyimei) with ridiculous over-the-top characters didn't work for me and I wish the director, Daniel Lee, had focused less on these stunts and more on the story and realistic fighting. Not a bad film, it lacks the depth and believable characters I look for in a great martial arts movie.
When the film begins, you learn that in the Ming Dynasty, the Emperors created the Jinyiwei. The Jinyiwei was initially a small group of men who were like a combination of spies and assassins. They were independent of the rest of the government and had the authority to overrule judges and dispatch supposed enemies of the Emperor with their bladed weapons. While this sounds far-fetched, I did some research and found that this really was a secret organization which was created in 14th century China! So, I applaud the film for basing the plot, in part, on real historical facts and characters.
One of these Jinyiwei, General Qinlong (Donnie Yen) is the hero, of sorts, in this film. He is betrayed by disloyal folks within the Emperor's court and spends the entire film being pursued by an outlaw Prince and his band of baddies. Throughout the film, it's one battle after another after another, as the Prince's troops try to kill Qinlong and steal the royal seal. And, the baddest of these baddies is Tuo Tuo, the Prince's adopted daughter. She has all sorts of magical fighting powers, can punch through trees, tosses enormous statues about as if they were made of styrofoam and can appear and disappear, fly and do practically anything. How could Qinlong possibly defeat this magical killing machine?!
To me, if Tuo Tuo had been eliminated from the film completely, "14 Blades" would have been a much better film. She simply was too impossible to believe and her stunts were insanely impossible--yet many of the fight scenes without her were exciting and high-energy. The wizards in The Lord of the Rings films had less powers than she did and to me this was just a distraction. This combining of real historical events (the Jinyimei) with ridiculous over-the-top characters didn't work for me and I wish the director, Daniel Lee, had focused less on these stunts and more on the story and realistic fighting. Not a bad film, it lacks the depth and believable characters I look for in a great martial arts movie.
- planktonrules
- Sep 3, 2014
- Permalink
- limona_razvan
- Mar 17, 2010
- Permalink
Martial arts star Donnie Yen plays Qinglong, the toughest of all the Jinyiwei, deadly assassins of the Ming dynasty. For some reason that I can't quite remember, Qinglong finds himself hunted by his fellow Jinyiwei, and is forced to hold hostage a pretty young woman, Qiao Hua (Wei Zhao), to make his escape. While fulfilling his mission of protecting the royal seal, he also teams up with an Asian Jack Sparrow (armed with a boomerang sword!) to steal a load of gold, and does battle with Tuo Tuo (Kate Tsui), daughter of Prince Qing (Sammo Hung), whose ability to move like a wraith makes her almost invincible. Fortunately for Qing, he possesses a very useful mechanical wooden box, which, like a giant Swiss army knife, holds fourteen very sharp implements (but nothing to pick a stone out of a horse's hoof).
I don't know maybe I just wasn't in the right mood for an epic wire-fu filled wuxia movie, or perhaps I was just too tired to concentrate, but 14 Blades, which stars the amazing Donnie Yen, did almost nothing for me: I found the plot hard to follow, and the martial arts scenes left me distinctly unimpressed, the choppy editing and the CGI certainly not aiding my enjoyment. Yen isn't at fault: he puts in another fine performance, but after all these years he really deserves better than this unmemorable kind of dross; I imagine that his exposure in Rogue One next month will finally get him the recognition in the west that he deserves, but I fear that he'll end up co-starring with the latest fast-talking black comedian on the block, or a bloke with a funny shaped nose.
A generous 4/10, minus one point for having the clearly female Qiao Hua pose as Qinglong, just another example of that silly kung fu movie trope of women successfully pretending to be men simply by wearing a hat.
I don't know maybe I just wasn't in the right mood for an epic wire-fu filled wuxia movie, or perhaps I was just too tired to concentrate, but 14 Blades, which stars the amazing Donnie Yen, did almost nothing for me: I found the plot hard to follow, and the martial arts scenes left me distinctly unimpressed, the choppy editing and the CGI certainly not aiding my enjoyment. Yen isn't at fault: he puts in another fine performance, but after all these years he really deserves better than this unmemorable kind of dross; I imagine that his exposure in Rogue One next month will finally get him the recognition in the west that he deserves, but I fear that he'll end up co-starring with the latest fast-talking black comedian on the block, or a bloke with a funny shaped nose.
A generous 4/10, minus one point for having the clearly female Qiao Hua pose as Qinglong, just another example of that silly kung fu movie trope of women successfully pretending to be men simply by wearing a hat.
- BA_Harrison
- Nov 24, 2016
- Permalink
- blackmamba99971
- Jan 23, 2011
- Permalink
14 Blades is an epic martial arts drama set against a back drop of love, honour and betrayal. The fate of the Chinese empire rests in the hands of one man, who may have to sacrifice everything in order to defeat a rebellion.
The remainder of the cast offer excellent support, and it's especially good to see elder statesman Sammo Hung being cast against type as the bitter, vengeful Prince Quin. My only grumble is that he seems woefully underused, but the run time of 114 minutes is just about perfect.
14 Blades is a very good film. Imaginatively made and skilfully performed. Be prepared for an entertaining Eastern thrill ride with an emotional heart and fabulous performances to drive the story through. If a little more care had been made with the script, this could have been incredible, but it still comes highly recommended. SM
The remainder of the cast offer excellent support, and it's especially good to see elder statesman Sammo Hung being cast against type as the bitter, vengeful Prince Quin. My only grumble is that he seems woefully underused, but the run time of 114 minutes is just about perfect.
14 Blades is a very good film. Imaginatively made and skilfully performed. Be prepared for an entertaining Eastern thrill ride with an emotional heart and fabulous performances to drive the story through. If a little more care had been made with the script, this could have been incredible, but it still comes highly recommended. SM
- thisissubtitledmovies
- Aug 30, 2010
- Permalink
Although it gets off to a shaky start, after the first half an hour 14 Blades acquits itself well as a perfectly serviceable martial arts romp with all the requisite elements, ranging from hard-hitting kung fu action, weapon play and court intrigue to romance, picturesque locations and heroic endeavours. It's all made better than it has any right to be thanks to the presence of martial arts supreme Donnie Yen, who's quickly established himself as my favourite of the modern-day action stars.
14 BLADES sees Yen playing the role of a powerful governmental assassin who finds himself betrayed by a dastardly villain and forced to flee for his life while an endless stream of warriors pursue him. Along the way, he must contend with his growing feelings for a female ally, played by the ravishing Zhao Wei, while at the same time battling a superior warrior women played by Kate Tsui. There's a pointless cameo for Sammo Hung and some decent fight action along the way, although it has to be said that the choreography isn't as superior as I'd expect given Yen's involvement. Still, for martial arts fans this is a fun if disposable outing.
14 BLADES sees Yen playing the role of a powerful governmental assassin who finds himself betrayed by a dastardly villain and forced to flee for his life while an endless stream of warriors pursue him. Along the way, he must contend with his growing feelings for a female ally, played by the ravishing Zhao Wei, while at the same time battling a superior warrior women played by Kate Tsui. There's a pointless cameo for Sammo Hung and some decent fight action along the way, although it has to be said that the choreography isn't as superior as I'd expect given Yen's involvement. Still, for martial arts fans this is a fun if disposable outing.
- Leofwine_draca
- Apr 5, 2013
- Permalink
- wolfe_mac5
- Sep 7, 2010
- Permalink
- desperadous
- Apr 7, 2012
- Permalink
This is another martial arts flick with weapons and it's a pretty good one at that, just isn't great. Mainly it's because the story is sort of flat although all over the place at times. But I liked the comic book style of this movie and since it works sometimes. The title of this movie is the weapons that Donnie Yen's character carries around with him in a wooden box, but they mostly all look generic. Although each weapon has it's purpose, but you can't tell which weapon is which while watching for the most part. Also the 14 blades isn't even used in a special manner, it just seemed like regular swords for the most part. It would have been cool if it showed each weapon with a distinctive different look and style of fighting to it. But that just doesn't apply to this movie for the most part. What starts out as a bit over the place plot while being somewhat interesting quickly becomes a romance movie between Donnie Yen and Zhao Wei's characters. However the fight choreography is done really well in this and doesn't come off as being super lame to watch or anything like that. It seems like Donnie Yen's talent is increasing with every martial arts movie he is in. The set pieces are well crafted as well and if the plot carried it's own weight as well, this would have been a great martial arts movie.
5.8/10
5.8/10
- KineticSeoul
- May 24, 2011
- Permalink
Any true fans of kung fu know we watch these films for one reason and one reason only. The action! And this film was no disappointment in that regard whatsoever. The action was never gone for long from the screen, and every sequence was a sight to behold. Of course, a somewhat intelligible story is a good bonus. Guess what, this has that too. In my opinion, this is Donnie Yen's best film since IP Man. Also, unlike IP Man, it has great re-watch ability. This is very highly recommended to any true fans of the genre who want to see some mind blowing unique action, with some incredibly crazy weaponry. 9/10 stars, one of my favorites.
- IKnowGoodFilms
- Feb 15, 2014
- Permalink
- The-Sarkologist
- Feb 28, 2013
- Permalink
This MA drove me into writing my first movie review in IMDb. Yet another one of Donnie Yen's best, I would say. Less meaningful impact than 'Ip Man' and 'Bodyguards and Assassins' in terms of overall storyline but for original ancient MA screenplay, this was a very good one. It's a martial art movie with a non-cheesy love story (I could remember The Myth for MA+cheesy love story).
Character developments were mainly focused on the protagonists (Donnie and Vicky), especially their attraction to each other. What I personally like most about this movie were their love story, creative martial art moves(as usual in most Donnie Yen's movie) and some comical relief from Donnie Yen. A much improved pairing since 'Painted Skin' where they both lack of connection to each other. Just like in recent movies, Donnie Yen never failed his viewers and this time gave even more, by showing off his tattooed six pack torso. And this was by far my favourite character from him, as the anti-hero Green Dragon on his deadly pursue for redemption. And not forgetting his 14 blades, even thought it's the title of the movie but not really the highlight throughout the movie, unlike 'Seven Swords'. Disappointingly, except that we knew the name and functionality of each blade, we never really see them in action, and when they did, I was not sure which blade was being used.
As for the nemesis acted by a promising young TVB star, Kate Tsui, personally I am not a fans of her, and I think she looks too young for a great assassin. I would prefer if they could cast some really talented martial art actor with convincing moves and not just some lifeless and 'pretty' stances from young stars, and heavily CG-ed MA move from Tuo Tuo, especially her disrobing move. Same goes to the other anti-hero Wu Chun's Judge. I did not recognize him instantly as I was not into Taiwan boyband scene but I know right away he is some sort of young model or prettyboy actor. A lot of cool and pretty pose from him but his character serves no purpose, well, maybe his character will earn my acknowledgement if he looked older and less prettyboy. Their acting skill? Don't expect much, just enjoy their costume and weapons, OK.
At the end of this movie, I feel that I will watch this movie again but just for Donnie Yen and Vicky Zhou.
Character developments were mainly focused on the protagonists (Donnie and Vicky), especially their attraction to each other. What I personally like most about this movie were their love story, creative martial art moves(as usual in most Donnie Yen's movie) and some comical relief from Donnie Yen. A much improved pairing since 'Painted Skin' where they both lack of connection to each other. Just like in recent movies, Donnie Yen never failed his viewers and this time gave even more, by showing off his tattooed six pack torso. And this was by far my favourite character from him, as the anti-hero Green Dragon on his deadly pursue for redemption. And not forgetting his 14 blades, even thought it's the title of the movie but not really the highlight throughout the movie, unlike 'Seven Swords'. Disappointingly, except that we knew the name and functionality of each blade, we never really see them in action, and when they did, I was not sure which blade was being used.
As for the nemesis acted by a promising young TVB star, Kate Tsui, personally I am not a fans of her, and I think she looks too young for a great assassin. I would prefer if they could cast some really talented martial art actor with convincing moves and not just some lifeless and 'pretty' stances from young stars, and heavily CG-ed MA move from Tuo Tuo, especially her disrobing move. Same goes to the other anti-hero Wu Chun's Judge. I did not recognize him instantly as I was not into Taiwan boyband scene but I know right away he is some sort of young model or prettyboy actor. A lot of cool and pretty pose from him but his character serves no purpose, well, maybe his character will earn my acknowledgement if he looked older and less prettyboy. Their acting skill? Don't expect much, just enjoy their costume and weapons, OK.
At the end of this movie, I feel that I will watch this movie again but just for Donnie Yen and Vicky Zhou.
- john_amend_all
- May 25, 2010
- Permalink
"14 Blades" represents the best M.A. movie I have even watched. Thanks to Daniel Lee who wrote this gorgeous piece of art work which portrays some positive human qualities lacking in so many M.A. movies. Qing Long (played by Donnie Yen) possesses some noble qualities of integrity, loyalty, commitment & courage, though a bit ruthless & cunning at times. Qiao Hua (played by Vicky Zhao) is faithful, gentle & optimistic. Another thing I like about this movie is that there are relatively few violent or bloody scenes.
Not a professional action scenes reviewer, I'd rather concentrate on talking about the movie's "Romance". On the surface, Qing Long seems to be using Qiao Hua for completing his own mission, but the trust between them makes their romantic connection very convincing. Qiao Hua, though a bit naive & ignorant of certain personality darkness of her hero, is actually fully committed to him for completing his course of action, thus demonstrating full customer service (we have to bear in mind that Qing Long is a big customer of Qiao Hua's father). Implication for modern day romance is:- Be fully devoted to your lover (rather than being over calculating) when you still have a chance & accept life as it is when you have none.
Qiao Hua shows a cheerful personality & maintains her serenity throughout the whole story, without the slightest resentment towards Tuo Tuo, who brings an end to her romantic journey. This makes her adjust better to the lonely life afterwards. Though the ending is a bit sad, it demonstrates how single women can still lead a meaningful life with the pure memory of delightful experience. This kind of attitude may sound a bit "classical" but forms a great example for people in turmoil situations.
I sincerely hope that Daniel Lee can produce more wonderful M.A. movies in the future, but with a happy ending next time. Donnie Yen & Vicky Zhao do create a perfect match on the screen ("Painted Skin" is a good example). Really looking forward to seeing them again soon in another great movie. Just to copy from Qiao Hua, "When there is hope, life is still inspiring!"
Not a professional action scenes reviewer, I'd rather concentrate on talking about the movie's "Romance". On the surface, Qing Long seems to be using Qiao Hua for completing his own mission, but the trust between them makes their romantic connection very convincing. Qiao Hua, though a bit naive & ignorant of certain personality darkness of her hero, is actually fully committed to him for completing his course of action, thus demonstrating full customer service (we have to bear in mind that Qing Long is a big customer of Qiao Hua's father). Implication for modern day romance is:- Be fully devoted to your lover (rather than being over calculating) when you still have a chance & accept life as it is when you have none.
Qiao Hua shows a cheerful personality & maintains her serenity throughout the whole story, without the slightest resentment towards Tuo Tuo, who brings an end to her romantic journey. This makes her adjust better to the lonely life afterwards. Though the ending is a bit sad, it demonstrates how single women can still lead a meaningful life with the pure memory of delightful experience. This kind of attitude may sound a bit "classical" but forms a great example for people in turmoil situations.
I sincerely hope that Daniel Lee can produce more wonderful M.A. movies in the future, but with a happy ending next time. Donnie Yen & Vicky Zhao do create a perfect match on the screen ("Painted Skin" is a good example). Really looking forward to seeing them again soon in another great movie. Just to copy from Qiao Hua, "When there is hope, life is still inspiring!"
- helena_yiu
- Jan 7, 2012
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At first glance "14 blades" seem like one of those kung – fu movies that tell an ancient story of the Chinese dynasty, how a hero with awesome moves kick butt and all. But out of all the movies with the same kind of background story, this one seems kind of special coz this one is kind of new age-y. I bet everyone has seen cool hypnotic movies like Evil Cult starring Jet li and the once upon a time in china series. Compared to those legendary masterpieces, has the modernization been that good an effect. I have to say no.
Watched IP man recently and was really impressed by it. (It's in my best movies list too ) And it gave me the feeling that the kung fu movie industry won't die after Jackie Chan or jet li. Coz there's a new guy in town, Dannie Yen. Doesn't seem like a hot shot action star but as far as moves go he is as good as any. Dannie yen stars in this one too and I gotta say I'm back where I was. Coz this movie certainly seems like a big budget movie than IP man but this one SUCKS A**. First of all the story is just a little bit effed up. Eventually you can figure out what the heck is happening and all, but initially, it's all just a big puddle of goo. You can't tell who's who and what's what. Like they expect us to know everything about the ancient Chinese history. Duh! Then again if I say that this is totally based on Chinese history I would give the wrong idea again. Because to me this seems like more of a fantasy flick. You know like something out of Final fantasy series. Coz the characters certainly doesn't seem like ancient Chinese to me with their more than modern clothes, funny mechanical contraptions and, get this, rocket launchers, for crying out loud!. When I say modern clothes you'll see how much the wardrobe of this resembles like something out of a manga. Overall this movie resembles a bollywood piece of crap than an actual Chinese masterpiece, (except from the little bit of kung fu it got of course) That's another thing that bummed me most, the lack of martial arts. I could see the potential of Dannie Yen in Ip man but here, they seem to have totally lost it. It's just a bunch of swords and stuff flying around. You can hardly pick out any actual thrilling kung fu. I thought people can do lot more these days when it comes to fight scenes but this Is disappointing. But please don't lose all your hopes. Compared to any other Hollywood action flick this is GOOD as far as the fighting goes. But in comparing with legendary kung fu movie like the Drunken Master this just . bites the dust.
By now If you are really up to still try this movie out I say go for it because of Wai zhao. Her sweet and innocent face always is something to behold. And Don't forget to see the old Sammo Hung in action. You know, the fatso from martial law. But when i say action, basically all he does is stand up and just keep staring!!!XD
Watched IP man recently and was really impressed by it. (It's in my best movies list too ) And it gave me the feeling that the kung fu movie industry won't die after Jackie Chan or jet li. Coz there's a new guy in town, Dannie Yen. Doesn't seem like a hot shot action star but as far as moves go he is as good as any. Dannie yen stars in this one too and I gotta say I'm back where I was. Coz this movie certainly seems like a big budget movie than IP man but this one SUCKS A**. First of all the story is just a little bit effed up. Eventually you can figure out what the heck is happening and all, but initially, it's all just a big puddle of goo. You can't tell who's who and what's what. Like they expect us to know everything about the ancient Chinese history. Duh! Then again if I say that this is totally based on Chinese history I would give the wrong idea again. Because to me this seems like more of a fantasy flick. You know like something out of Final fantasy series. Coz the characters certainly doesn't seem like ancient Chinese to me with their more than modern clothes, funny mechanical contraptions and, get this, rocket launchers, for crying out loud!. When I say modern clothes you'll see how much the wardrobe of this resembles like something out of a manga. Overall this movie resembles a bollywood piece of crap than an actual Chinese masterpiece, (except from the little bit of kung fu it got of course) That's another thing that bummed me most, the lack of martial arts. I could see the potential of Dannie Yen in Ip man but here, they seem to have totally lost it. It's just a bunch of swords and stuff flying around. You can hardly pick out any actual thrilling kung fu. I thought people can do lot more these days when it comes to fight scenes but this Is disappointing. But please don't lose all your hopes. Compared to any other Hollywood action flick this is GOOD as far as the fighting goes. But in comparing with legendary kung fu movie like the Drunken Master this just . bites the dust.
By now If you are really up to still try this movie out I say go for it because of Wai zhao. Her sweet and innocent face always is something to behold. And Don't forget to see the old Sammo Hung in action. You know, the fatso from martial law. But when i say action, basically all he does is stand up and just keep staring!!!XD
- mommycoppel
- Aug 11, 2019
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