Two mismatched New York City detectives seize an opportunity to step up like the city's top cops, whom they idolize, only things don't quite go as planned.Two mismatched New York City detectives seize an opportunity to step up like the city's top cops, whom they idolize, only things don't quite go as planned.Two mismatched New York City detectives seize an opportunity to step up like the city's top cops, whom they idolize, only things don't quite go as planned.
- Awards
- 3 wins & 15 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe idea of teaming up of Will Ferrell and Mark Wahlberg had been gestating since The 79th Annual Academy Awards (2007), where Will had been viciously insulting other actors as part of a bit, but became extremely polite to Mark.
- GoofsGamble owns a red Prius. At one point, the right rear door is replaced by a gray door (due to events happening in the movie). Later, when the car is on a train, the door reverts to red. However, two scenes later, the car door is gray again.
- Quotes
Terry Hoitz: I am a peacock, you gotta let me fly!
- Crazy creditsAn outtake between Will Ferrell and Mark Wahlberg at the restaurant plays after the end credits.
- Alternate versionsThere are two versions available., the PG-13 theatrical release, running 1h 47m (107 min) and an unrated home video cut of 1h 56m (116 min).
- ConnectionsFeatured in Nostalgia Critic: Top 11 Coolest Cliches (2010)
- SoundtracksWe Trying to Stay Alive
Written by Barry Gibb, Maurice Gibb, Robin Gibb, John Forte, Wyclef Jean and Pras Michel (as Samuel Michel)
Performed by Wyclef Jean featuring John Forte and Pras Michel (as Pras)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains a sample of "Stayin' Alive"
Performed by The Bee Gees
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Featured review
I tend to have mixed feelings about Will Ferrell films. Ferrell is a likable guy and plays likable characters, but often his films feel a little too much like extended Saturday Night Live sketches; even if they're funny, they just don't have that much to them.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Policías de repuesto
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $119,219,978
- Opening weekend US & Canada
- $35,543,162
- Aug 8, 2010
- Gross worldwide
- $170,458,922
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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