The failure of the Marvel Cinematic Universe to kick on and repeat the exploits it once made fueled concerns about Disney Studios’ outlook. The last thing you want is for your leading franchise to drop the ball. But the studio can put the ghosts of the MCU to bed (for now at least) and celebrate a success that acts as a much-needed succor to the team – the blockbuster opening week of Kingdom of the Planet of the Apes.
The hype for Kingdom of the Planet of the Apes was unreal Kingdom of the Planet of the Apes rekindled the interests of the diehard fans of the franchise
It seems like a rampage of apes is all set to rule the box office this year.
Wes Ball’s Kingdom of the Planet of the Apes has made waves already, earning $129 million on its worldwide opening weekend. Fans have flocked to the...
The hype for Kingdom of the Planet of the Apes was unreal Kingdom of the Planet of the Apes rekindled the interests of the diehard fans of the franchise
It seems like a rampage of apes is all set to rule the box office this year.
Wes Ball’s Kingdom of the Planet of the Apes has made waves already, earning $129 million on its worldwide opening weekend. Fans have flocked to the...
- 5/12/2024
- by Smriti Sneh
- FandomWire
Selection includes the debut feature from the editor/Dop of The Tribe.
The ten titles selected for the 11th CentEast Market works-in-progress presentations.
Nine feature fiction films and one documentary are among selected projects that will be presented in Warsaw (Oct 16) before travelling to CentEast Moscow (Oct 19) and then the Beijing Film Market (April 2016), in the framework of China-Eastern Europe Film Promotion Project/CentEast in Beijing
Highlights include the untitled first feature of Valentyn Vasyanovych, the Ukrainian editor and director of photography on multi-award winner The Tribe.
Kazakh director Adilkhan Yerzhanov (The Owners) will present his latest project, The Plague at the Karatas Village, alongside producer Olga Khlasheva.
Romanian producer Dan Burlac (4 Months, 3 Weeks and 2 Days) will present the second feature of Gabriel Achim (Adalbert’s Dream), dark comedy The Last Day.
The second feature directed by Slovak producer Michal Kollar of Fog’n’ Desire Films, The Red Captain is an adaptation of a bestselling Slovak novel, featuring...
The ten titles selected for the 11th CentEast Market works-in-progress presentations.
Nine feature fiction films and one documentary are among selected projects that will be presented in Warsaw (Oct 16) before travelling to CentEast Moscow (Oct 19) and then the Beijing Film Market (April 2016), in the framework of China-Eastern Europe Film Promotion Project/CentEast in Beijing
Highlights include the untitled first feature of Valentyn Vasyanovych, the Ukrainian editor and director of photography on multi-award winner The Tribe.
Kazakh director Adilkhan Yerzhanov (The Owners) will present his latest project, The Plague at the Karatas Village, alongside producer Olga Khlasheva.
Romanian producer Dan Burlac (4 Months, 3 Weeks and 2 Days) will present the second feature of Gabriel Achim (Adalbert’s Dream), dark comedy The Last Day.
The second feature directed by Slovak producer Michal Kollar of Fog’n’ Desire Films, The Red Captain is an adaptation of a bestselling Slovak novel, featuring...
- 9/17/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Rock bands had a hard time breaking through in 2010, but our critics say new indie groups might be nirvana for the genre.
By Gil Kaufman
Vampire Weekend's Ezra Koenig
Photo: Karl Walter/Getty Images
There was a time not long ago when good-old fashioned meat-and-potatoes rockers like Nickelback, Hinder and Disturbed frequently landed albums in the top 10 and reeled off solid chart singles. Then came a new generation of bands like Mgmt, Vampire Weekend and Arcade Fire who were heralded as the saviors of a limping-along genre that had been overtaken by pop cuties like Katy Perry, Justin Bieber and Lady Gaga.
"In 2010, we just didn't see the people like the MGMTs, who potentially could have taken over the top from being a great niche artist to being a pop sensation [take off]," said Noah Callahan-Bever, editor in chief of Complex magazine, addressing the psychedelic duo's confounding, sometimes confusing second album,...
By Gil Kaufman
Vampire Weekend's Ezra Koenig
Photo: Karl Walter/Getty Images
There was a time not long ago when good-old fashioned meat-and-potatoes rockers like Nickelback, Hinder and Disturbed frequently landed albums in the top 10 and reeled off solid chart singles. Then came a new generation of bands like Mgmt, Vampire Weekend and Arcade Fire who were heralded as the saviors of a limping-along genre that had been overtaken by pop cuties like Katy Perry, Justin Bieber and Lady Gaga.
"In 2010, we just didn't see the people like the MGMTs, who potentially could have taken over the top from being a great niche artist to being a pop sensation [take off]," said Noah Callahan-Bever, editor in chief of Complex magazine, addressing the psychedelic duo's confounding, sometimes confusing second album,...
- 1/4/2011
- MTV Music News
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