Angel and the Bad Man

Naturally, those who have practically deified John Wayne will not look with favor on any remake of his films, but this handsome color version has much more authentic period flavor than the original one of simple Hollywood hokum. Since I was never a great fan of Wayne's and was only favorably impressed by one performance of his (as the outright racist and sadistic bastard in "The Searchers") I can judge this film on its own merits without referring to Wayne's earlier version.

Phillips is convincing in the role of the hard-bitten gunny who unwillingly reforms when his head is turned by the esteem of a good woman. It gradually develops that his heart is eventually turned, too. Now that he has matured he actually achieves more gravitas than in some of his better known younger roles. The supporting roles are well-drawn, especially (Sam) Winston Reckert and the nasty one-eyed piece of work (Laredo) aptly played by an almost unrecognizable Luke Perry.