In Search of Beethoven was metaphorically a personal search for the substance of a musical genius for which I knew only superficial facts. Diane and I both thought the film was superb in allowing the viewer into this man's life and did this search primarily through his music. When the credits rolled at the end it was possible to fleetingly see all the musicians involved in demonstrating the various musical pieces that provided the bulk of this remarkable film and there were many. There were many artists and many pieces of his musical opus and from this analysis even someone untrained in music, such as me, had demonstrated for them the complexity, playfulness and virtuosity that composed this man's decades of work. Although the film was essentially musically based, my eye was drawn to another film making element that was not auditory and that was the cinematography. I am sure that I am demonstrating my own lack of knowledge about how music playing is filmed but I was continually impressed with the Big Close Ups used throughout the film. For instance, if the particular piece being played used a violin then the camera would move in and focus on only the hand or if it were a piano piece then the camera would focus only on the hand at the keyboard. I found these big close ups very gripping in their intensity and illustrative of the composition being discussed. Any person with or without knowledge of music could hugely profit from two hours spent with this musical genius.
