When a devastating illness threatens to end Evan Lake's career in the C.I.A., he goes rogue to hunt down a terrorist who tortured him during a mission gone awry years ago.When a devastating illness threatens to end Evan Lake's career in the C.I.A., he goes rogue to hunt down a terrorist who tortured him during a mission gone awry years ago.When a devastating illness threatens to end Evan Lake's career in the C.I.A., he goes rogue to hunt down a terrorist who tortured him during a mission gone awry years ago.
Tomiwa Edun
- Mbui
- (as Adetomiwa Edun)
George Remes
- Jim
- (as Remes George)
Cosmin Dominte
- Policeman 1
- (as Dominte Cosmin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDying of the Light (2014) had a $5 million budget of which $1 million was Nicolas Cage's salary. The shooting location was mostly Romania with some additional scenes shot in the USA and Australia (doubling for Kenya). The film's independent financier was David Grovic, a Bahamanian businessman whose few prior film credits include the critical failure The Bag Man (2014), which Grovic financed, directed, co-wrote and acted in.
- GoofsWhen the private jet lands in Mombasa, the Customs official stamps Evan's passport with JKIA. Jomo Kenyatta International Airport is in Nairobi.
- Alternate versionsDirector/screenwriter Paul Schrader had the film taken away from him in post-production. In 2017, he released an alternate cut that he title Dark that ran 75 minutes. Speaking of the newly created version online, Schrader said, "[The movie] was filmed in 2013 and released in 2014 under the title "Dying of the Light". The film was taken from me after the first director's cut, re-edited, scored and mixed without my input. I offered to revisit the film, cut and mix a new version at my own expense but was denied permission by the producers. This cut was created using work print DVDs. I had no access to the original hi-res footage and unmixed sound. I used those limitations to my advantage when creating this new film. I was working toward a more aggressive editing style when "Dying of the Light" was taken away from me. "Dark" represents the direction I was hoping to go."
- ConnectionsEdited into Dark (2017)
- SoundtracksStupid Cupid
Written by Frederik Wiedmann and Esther Canata
Performed by Esther Canata
Featured review
This is a dark movie. Not only for its content; it's literally dim for most of the movie. I guess it's meant to provide an atmosphere that parallels what is happening in Evan Lake's (Nicolas Cage) mind, and the murky atmosphere is one of the few things Dying of the Light has going for it. The plot is this: Lake works for the C.I.A. and is experiencing some mental twitches in his old age like hallucinations, lapses in memory, and the works, which obviously isn't ideal for a C.I.A. operative, so he has to go rogue. He has flashbacks to a mission he was part of that scarred his psyche - he was tortured for information, and flashbacks to this scene happen over the course of the movie, and Evan won't stop until he finds and kills his former captor. Nicolas Cage carries this movie on his shoulders because his character is really the only semi-developed part about it. Granted, one interesting character is not nearly enough to save this gloomy mess of a film.
I can't blame writer/director Paul Schrader because he and the producers had some sort of fallout and the producers ended up changing a bunch of stuff in post-production, so I blame the producers. The editing is horrendous, the action sequences are intermittent and awkward, no character other than Cage's is interesting in the least, some scenes are too melodramatic, others are just dull. I mean you can tell this movie has more layers than it lets on, but it never goes deep beneath the surface like you want it to. It plays it relatively safe and straightforward despite having an interesting premise and an empathetic protagonist.
Now, Nicolas Cage can definitely pull off the salt-and-pepper look. Especially when he goes full on Arab (or whatever it was) with a badass goatee and tinted glasses. He really encapsulates the part of Evan, and it's by far the deepest and most flawed character Cage has portrayed in a while. The problem is that we don't see enough of him. We don't have a chance to get attached to this character on more than a surface level because the pacing of this movie is so terrible. On a scene-by-scene basis, it's extremely hard to keep track of what's going on, of what's important and what isn't. It just becomes a headache after a while and you just want to see Cage kick some ass, and he kind of does, for like a minute anyway.
The climax is incredibly underwhelming. It's just like, here, this is the end. There's no impact. No reason to care. The antagonist is garbage. Cage's sidekick is boring. None of it is memorable. The movie has so many cool ideas that it alludes to (Evan's dementia and how it impacts his work) that are never delved into deeper. I wanted to hear more monologues from Cage - more scenes of just him battling his psyche. Anything to pull this movie from boredom. Unfortunately, it never happens.
This movie isn't worth it. Even for die hard Cage fans such as myself, Dying of the Light is hard to sit through despite an engaging performance by Cage. Any time Cage is off-screen, the movie loses all intrigue. That's not a good sign. If only a director's cut was able to see the light of day, then maybe the Dying of the Light wouldn't be such a tedious mess. As it stands, it's just a very forgettable misfire of a film.
I can't blame writer/director Paul Schrader because he and the producers had some sort of fallout and the producers ended up changing a bunch of stuff in post-production, so I blame the producers. The editing is horrendous, the action sequences are intermittent and awkward, no character other than Cage's is interesting in the least, some scenes are too melodramatic, others are just dull. I mean you can tell this movie has more layers than it lets on, but it never goes deep beneath the surface like you want it to. It plays it relatively safe and straightforward despite having an interesting premise and an empathetic protagonist.
Now, Nicolas Cage can definitely pull off the salt-and-pepper look. Especially when he goes full on Arab (or whatever it was) with a badass goatee and tinted glasses. He really encapsulates the part of Evan, and it's by far the deepest and most flawed character Cage has portrayed in a while. The problem is that we don't see enough of him. We don't have a chance to get attached to this character on more than a surface level because the pacing of this movie is so terrible. On a scene-by-scene basis, it's extremely hard to keep track of what's going on, of what's important and what isn't. It just becomes a headache after a while and you just want to see Cage kick some ass, and he kind of does, for like a minute anyway.
The climax is incredibly underwhelming. It's just like, here, this is the end. There's no impact. No reason to care. The antagonist is garbage. Cage's sidekick is boring. None of it is memorable. The movie has so many cool ideas that it alludes to (Evan's dementia and how it impacts his work) that are never delved into deeper. I wanted to hear more monologues from Cage - more scenes of just him battling his psyche. Anything to pull this movie from boredom. Unfortunately, it never happens.
This movie isn't worth it. Even for die hard Cage fans such as myself, Dying of the Light is hard to sit through despite an engaging performance by Cage. Any time Cage is off-screen, the movie loses all intrigue. That's not a good sign. If only a director's cut was able to see the light of day, then maybe the Dying of the Light wouldn't be such a tedious mess. As it stands, it's just a very forgettable misfire of a film.
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- Release date
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- Also known as
- In the Dying Light
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $697,847
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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