Metacritic reviews

It's about time that another Scream flick came along to gouge the new cliches out of their sockets. Scream 4 does it in grandly Guignol style.

The burden of creative responsibility feels heavier here than in any of the previous installments, ditto the trauma of seeing teenagers get stabbed to death. As a result this is quite effective as horror filmmaking and more pungent than anything he's done in a while.

Some of the riffs are really funny and/or expertly scary. Others have the feel of awfully snappy dialogue crafted by middleaged people trying a little too eagerly to sound like the young people from whose mouths the banter flows.

It's fun to see that charming underreactor Neve Campbell, looking about 20 minutes older, back as Sidney Prescott.

Don't go in expecting scares so much as laughs. Scream 4 is a better "Scary Movie" than any of the "Scary Movies" ever were, from its inventively gut-busting kills (watch out for that mail slot!) to the unintentionally humorous sight of the three leads acting as if they're in three separate films.

The picture delivers enough of the expected goods, if seldom with the wit or panache of the series' best.

A fast-starting film that quickly piles meta, self-referential elements on top of each other until they no longer make much sense, and the whole thing collapses under the weight of its own coolness.

If there was ever a horror film that made fans of the genre feel old, it's Scream 4.

It's a fitfully amusing, not remotely scary slasher picture.

The enjoyable moments are limited to Alison Brie, funny as Sidney's publicist, and the final recasting of the movie as a backstage diva drama. As ever, the self-reflexive horror stuff is superficial, loveless, and constant-a ladled-on sauce to disguise what you're eating.